The Image Book

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The Image Book
Le Livre d'image.png
Film poster
Directed by Jean-Luc Godard
Written byJean-Luc Godard
Produced byin association with

Hamidreza Pejman

George schoucair
Cinematography Fabrice Aragno
Edited byJean-Luc Godard
Fabrice Aragno
Jean-Paul Battaggia
Nicole Brenez
Production
companies
Casa Azul Films
Ecran Noir Productions

In association with Hamidreza Pejman

George Schoucair
Distributed by Wild Bunch
Release date
  • 11 May 2018 (2018-05-11)(Cannes)
Running time
85 minutes
CountriesSwitzerland
France

The Image Book (French : Le Livre d'image) is a 2018 Swiss avant-garde essay film directed by Jean-Luc Godard. Initially titled Tentative de bleu and Image et parole, [1] in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. [2] Godard told Séance magazine that he was shooting without actors but the film would have a storyteller. [3] It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. [4] [5] [6] The film was positively received by film critics. It was the final film directed by Godard before his death in 2022.

Contents

Synopsis

In line with the rest of Godard's late-period oeuvre, The Image Book is composed of a series of films, paintings and pieces of music tied together with narration and additional original footage by Godard and Anne-Marie Miéville. Similar to his earlier series Histoire(s) du cinéma (and sometimes using some of the exact same film quotes), the film examines the history of cinema and its inability to recognise the atrocities of the 20th and 21st centuries (specifically the Holocaust, ISIS and the Israeli–Palestinian conflict), the responsibilities of the filmmaker and the advances in political discourse with the introduction of consumer-grade digital cameras and iPhones.

Release

Producer Fabrice Aragno presenting The Image Book at the 2018 Toronto International Film Festival Fabrice Aragno 1.jpg
Producer Fabrice Aragno presenting The Image Book at the 2018 Toronto International Film Festival

The Image Book premiered on 11 May 2018 at the Cannes Film Festival. [7] Although it did not win the official prize, the jury awarded it the first "Special Palme d'Or" in the festival's history. [8] According to Godard, the film is intended to be shown on TV screens with speakers at a distance, in small spaces rather than in regular cinemas. [9] It was shown in this way during its first run at the Théâtre Vidy-Lausanne in November 2018. [10]

The film was released on Blu-ray by Kino Lorber in the United States on May 21, 2019. [11]

Reception

The film has a 90% approval rating on Rotten Tomatoes, based on 88 reviews, with an average rating of 7.6/10. The critics' consensus on it being stated as, "Potentially insurmountable for viewers not attuned to the director's wavelength, The Image Book is typically confounding - and ultimately rewarding - late-period Godard." [12] It also holds a 76/100 on Metacritic. [13] It was named the best film of 2019 by Cahiers du cinéma .

Richard Brody of The New Yorker gave high praise to the film, seeing it as "a sort of epilogue or sequel" to Godard's earlier work Histoire(s) du cinéma , and stated that the film centers around one theme: "the inadequate depiction of what he calls 'the Arab world' and, in particular, the dearth of iconic movie images from the Middle East—which he presents as a failure of the cinema itself, as well as of the world at large." [14] For Bilge Ebiri, film critic for The Village Voice , the film was engaging in its editing of footage taken from varying sources, but Ebiri also shared an initial bafflement toward the film and the meaning of its chosen imagery until he conversed with Egyptian critic Joseph Fahim; Fahim shared to Ebiri that with the film's informed use of images from Middle Eastern cinema, Godard was attempting to deconstruct the Western narrative given to Arab societies and the Western influence on how cinema's history is recorded. Fahim added that "The images introduced by Godard in here are unknown to most Western critics who waxed poetic about the film." [15]

On the other hand, Todd McCarthy of The Hollywood Reporter gave it a negative review stating that: [16]

"As with his previous idiosyncratic, often inscrutable late works, this will be seen only by a highly select audience of dedicated Godardians, and genuinely liked by just a fraction of those; one can essentially name them."

David Sexton of The London Evening Standard called it "a magic lantern show gone wrong". [17]

Related Research Articles

<span class="mw-page-title-main">Jean-Luc Godard</span> French and Swiss film director (1930–2022)

Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).

<span class="mw-page-title-main">Palme d'Or</span> Highest prize awarded at the Cannes Film Festival

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The International Federation of Film Critics is an association of national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. It has members in more than 50 countries worldwide.

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<span class="mw-page-title-main">Grand Prix (Cannes Film Festival)</span> Award given to feature films

The Grand Prix is an award of the Cannes Film Festival bestowed by the jury of the festival on one of the competing feature films. It is the second-most prestigious prize of the festival after the Palme d'Or.

<i>Histoire(s) du cinéma</i> 1998 film by Jean-Luc Godard

Histoire(s) du cinéma is an eight-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus.

<span class="mw-page-title-main">1995 Cannes Film Festival</span>

The 48th Cannes Film Festival was held from 17 to 28 May 1995. The Palme d'Or went to Underground by Emir Kusturica.

<span class="mw-page-title-main">1997 Cannes Film Festival</span> Awards gathering for films

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<span class="mw-page-title-main">1980 Cannes Film Festival</span>

The 33rd Cannes Film Festival was held between 9 and 23 May 1980. The Palme d'Or went to the All That Jazz by Bob Fosse and Kagemusha by Akira Kurosawa.

<span class="mw-page-title-main">1988 Cannes Film Festival</span>

The 41st Cannes Film Festival was held from 11 to 23 May 1988. The Palme d'Or went to the Pelle erobreren by Bille August.

<span class="mw-page-title-main">1987 Cannes Film Festival</span>

The 40th Cannes Film Festival was held from 7 to 19 May 1987. The Palme d'Or went to the Sous le soleil de Satan by Maurice Pialat, a choice which was considered "highly controversial" and the prize was given under the jeers of the public. Pialat is quoted to have retorted "You don't like me? Well, let me tell you that I don't like you either!"

<span class="mw-page-title-main">2011 Cannes Film Festival</span> Film festival

The 64th Cannes Film Festival was held from 11 to 22 May 2011. American actor Robert De Niro served as the president of the jury for the main competition and French filmmaker Michel Gondry headed the jury for the short film competition. South Korean film director Bong Joon-ho was the head of the jury for the Caméra d'Or prize, which is awarded to the best first-time filmmaker. The American film The Tree of Life, directed by Terrence Malick won the Palme d'Or.

<i>Goodbye to Language</i> 2014 film by Jean-Luc Godard

Goodbye to Language is a 2014 French-Swiss narrative essay film written and directed by Jean-Luc Godard. It stars Héloïse Godet, Kamel Abdeli, Richard Chevallier, Zoé Bruneau, Jessica Erickson and Christian Grégori and was shot by cinematographer Fabrice Aragno. It is Godard's 42nd feature film and 121st film or video project. In the French-speaking parts of Switzerland where it was shot, the word "adieu" can mean both goodbye and hello. The film depicts a couple having an affair. The woman's husband discovers the affair and the lover is killed. Two pairs of actors portray the couple and their actions repeat and mirror one another. Godard's own dog Roxy Miéville has a prominent role in the film and won a prize at the Cannes Film Festival. Like many of Godard's films, it includes numerous quotes and references to previous artistic, philosophical and scientific works, most prominently those of Jacques Ellul, Aleksandr Solzhenitsyn and Mary Shelley.

<span class="mw-page-title-main">2014 Cannes Film Festival</span> Film festival

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<i>Sembene!</i> 2015 film

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<i>Redoubtable</i> (film) 2017 film by Michel Hazanavicius

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<span class="mw-page-title-main">2018 Cannes Film Festival</span> Film festival

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<i>Girls of the Sun</i> 2018 film

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<i>Yomeddine</i> 2018 film

Yomeddine is a 2018 Egyptian drama film directed by Abu Bakr Shawky based on friendship relations. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. At Cannes, it won the François Chalais Prize. It was selected as the Egyptian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.

References

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  2. Goodfellow, Melanie (27 December 2016). "New Jean-Luc Godard, Omar Sy films on 2017 Wild Bunch slate". Screen Daily. Screen International . Retrieved 1 January 2017.
  3. Derzhitskaya, Antonina; Golotyuk, Dmitry (4 December 2016). "Жан-Люк Годар: "Это уже не цитаты, а археологические остатки"". Séance (in Russian). Retrieved 1 January 2017.
  4. "The 2018 Official Selection". Cannes Film Festival. 12 April 2018. Retrieved 12 April 2018.
  5. Debruge, Peter; Keslassy, Elsa (12 April 2018). "Cannes Lineup Includes New Films From Spike Lee, Jean-Luc Godard". Variety . Penske Business Media . Retrieved 12 April 2018.
  6. "Le Livre d'Image (Image Book)". Cannes Film Festival . Retrieved 30 April 2018.
  7. Kilday, Gregg (14 May 2018). "Cannes: Jean-Luc Godard's 'The Image Book' Goes to Kino Lorber for North America". The Hollywood Reporter . Retrieved 29 August 2022.
  8. Steve, Pond (19 May 2018). "'Shoplifters' Wins Palme d'Or at 2018 Cannes Film Festival". SF Gate . Retrieved 19 May 2018.
  9. Derzhitskaya, Antonina; Golotyuk, Dmitry (9 June 2018). "Jean-Luc Godard: Des mots comme des fourmis". Débordements (in French). Retrieved 2 December 2018.
  10. "Le livre d'image, une projection très Godard au théâtre de Vidy" (in French). Swissinfo. 16 November 2018. Retrieved 2 December 2018.
  11. Lumbard, Neil (13 June 2019). "The Image Book Blu-ray Review". Blu-ray.com. Retrieved 15 December 2019.
  12. "The Image Book (2018)", Rotten Tomatoes , Fandango , retrieved 10 October 2021
  13. The Image Book , retrieved 9 May 2019
  14. Brody, Richard (25 January 2019). ""The Image Book," Reviewed: Jean-Luc Godard Confronts Cinema's Depiction of the Arab World". The New Yorker . Condé Nast . Retrieved 15 December 2019.
  15. Ebiri, Bilge (24 May 2018). "A Tale of Many Godards". The Village Voice . Cannes, France. Retrieved 15 January 2020.
  16. The Hollywood Reporter
  17. Cannes 18: The Image Book review - Jean-Luc Godard's latest is a magic lantern show gone wrong |London Evening Standard