Brian Wilson Aldiss was an English writer, artist and anthology editor, best known for science fiction novels and short stories. His byline reads either Brian W. Aldiss or simply Brian Aldiss, except for occasional pseudonyms during the mid-1960s.
The New Wave was a science fiction (SF) style of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, greater imitation of the styles of non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious.
William Olaf Stapledon – known as Olaf Stapledon – was a British philosopher and author of science fiction. In 2014, he was inducted into the Science Fiction and Fantasy Hall of Fame.
Scientific romance is an archaic, mainly British term for the genre of fiction now commonly known as science fiction. The term originated in the 1850s to describe both fiction and elements of scientific writing, but it has since come to refer to the science fiction of the late nineteenth and early twentieth centuries, primarily that of Jules Verne, H. G. Wells and Arthur Conan Doyle. In recent years the term has come to be applied to science fiction written in a deliberately anachronistic style as a homage to or pastiche of the original scientific romances.
Thaddeus Maxim Eugene (Ted) Dikty was an American editor who also played a role as one of the earliest science fiction anthologists, and as a publisher.
New Worlds was a British science fiction magazine that began in 1936 as a fanzine called Novae Terrae. John Carnell, who became Novae Terrae's editor in 1939, renamed it New Worlds that year. He was instrumental in turning it into a professional publication in 1946 and was the first editor of the new incarnation. It became the leading UK science fiction magazine; the period to 1960 has been described by science fiction historian Mike Ashley as the magazine's "Golden Age".
Farewell, Fantastic Venus is a 1968 American science fiction anthology edited by Brian Aldiss and Harry Harrison. An abridged version was published in the same year under the title All About Venus. It was first published as a direct response to the information returned from the first space probes sent to Venus, especially the first atmospheric probe to return data, Venera 4. The first data was not returned from the surface until Venera 7 successfully landed in 1970.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
The Legion of Space is a science fiction novel by the American writer Jack Williamson. It was originally serialized in Astounding Stories in 1934, then published in book form by Fantasy Press in 1947 in an edition of 2,970 copies. A magazine-sized reprint was issued by Galaxy in 1950, with a standard paperback following from Pyramid Books in 1967. The first British edition was published by Sphere Books in 1977. The Legion of Space has been translated into German, French, Italian and Japanese . It has also appeared in the omnibus Three from the Legion, which compiles the novel and all but one of its sequels.
Beyond Time and Space is an anthology of science fiction stories edited by American writer August Derleth. It was first published by Pellegrini & Cudahy in 1950. Several of the stories had originally appeared in the magazines The Century, The Atlantic Monthly, The Strand, Blue Book, Blackwood's Magazine, Weird Tales, Amazing Stories, Astounding Stories, Maclean's, The American Legion Magazine and Startling Stories. A heavily abridged paperback edition was issued by Berkley Books in 1958.
Fantasy Publishing Company, Inc., or FPCI, was an American science fiction and fantasy small press specialty publishing company established in 1946. It was the fourth small press company founded by William L. Crawford.
Science Fiction Monthly was a British science fiction magazine published from 1974 to 1976 by New English Library. Launched in response to demand from readers for posters of the cover art of New English Library's science fiction paperbacks, it was initially very successful—its circulation had reached 150,000 by the third issue. It reprinted artwork by Chris Foss, Jim Burns, Bruce Pennington, Roger Dean, and many others. Well-known writers who appeared in its pages included Brian Aldiss, Bob Shaw, Christopher Priest, and Harlan Ellison. High production costs meant that a large circulation was necessary to sustain profitability, and when circulation fell to about 20,000 after two years NEL ceased publication. A new magazine, S.F. Digest, was launched in its stead but lasted only one issue.
Science Fiction: The 100 Best Novels, An English-Language Selection, 1949–1984 is a nonfiction book by David Pringle, published by Xanadu in 1985 with a foreword by Michael Moorcock. Primarily, the book comprises 100 short essays on the selected works, covered in order of publication, without any ranking. It is considered an important critical summary of the science fiction field.
Greybeard is a science fiction novel by British author Brian Aldiss, published in 1964.
The Treasury of Science Fiction Classics is an anthology of science fiction stories, edited by Harold E. Kuebler, published in hardcover by Hanover House in 1954 with dust jacket art by Richard Powers. A Science Fiction Book Club edition followed later that year, but the volume has not otherwise been reprinted.
Explorers of the Infinite: Shapers of Science Fiction is a work of collective biography on the formative authors of the science fiction genre by Sam Moskowitz, first published in hardcover by the World Publishing Company in 1963, and reprinted in trade paperback in 1966. A photographic reprint of the original edition was issued in both hardcover and trade paperback by Hyperion Press in 1974. Most of its chapters are revised versions of articles that initially appeared in the magazines Satellite Science Fiction and Fantastic Science Fiction Stories from 1958-1960.
Masterpieces of Science Fiction is an anthology of science fiction short stories, edited by Sam Moskowitz. It was first published in hardcover by World Publishing Co. in 1966, and reprinted by Hyperion Press in 1974.
Nebula Award Stories 1965 is an anthology of science fiction short works edited by Damon Knight. It was first published in hardcover by Doubleday in 1966, with a Science Fiction Book Club edition following in October of the same year. The first British edition was published by Gollancz in 1967. Paperback editions followed from Pocket Books in the U.S. in November 1967, and New English Library in the U.K. in April 1969. The U.K. and paperback editions bore the variant title Nebula Award Stories 1. The book was more recently reissued by Stealth Press in hardcover in February 2001. It has also been published in German.
A Plunge into Space is an 1890 science fiction novel by Irish author Robert Cromie. It describes a voyage to Mars, where Earthlings find a utopia that is so perfect as to be boring. It received mostly positive reviews upon release and likely sold well. The second edition was published in 1891 with a preface attributed to the French science fiction author Jules Verne; modern scholars have concluded that it was likely written by somebody else. Cromie later accused fellow writer H. G. Wells of plagiarising key plot elements from the book for his 1900–1901 serial The First Men in the Moon; Wells denied ever having heard of Cromie or the book.
