Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Siena Cathedral is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term relief is from the Latin verb relevare, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone or wood, the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are made by casting.
The Collegiata di Santa Maria Assunta or Duomo di San Gimignano is a Roman Catholic collegiate church and minor basilica in San Gimignano, in Tuscany in central Italy. It contains important cycles of Renaissance frescoes by artists including Domenico Ghirlandaio, Benozzo Gozzoli, Taddeo di Bartolo, Lippo Memmi and Bartolo di Fredi. It falls within the UNESCO World Heritage Site of the "Historic Centre of San Gimignano", with its frescoes being described by UNESCO as "works of outstanding beauty".
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.
Milton Horn was a Ukrainian American sculptor and artist known for work that, according to a 1957 citation of honor from the American Institute of Architects, demonstrated "the truth that architecture and sculpture are not two separate arts but, in the hands of sympathetic collaborators, one and the same".
Modena Cathedral is a Roman Catholic cathedral in Modena, Italy, dedicated to the Assumption of the Virgin Mary and Saint Geminianus. Formerly the seat of the Diocese, later Archdiocese, of Modena, it has been since 1986 the archiepiscopal seat of the Archdiocese of Modena-Nonantola. Consecrated in 1184, it is an important Romanesque building in Europe, and along with its bell tower, the Torre della Ghirlandina, is designated as a World Heritage Site.
Orvieto Cathedral is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986, the cathedral in Orvieto has been the episcopal seat of the former Diocese of Todi as well.
Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy, the oldest of the three structures in the plaza followed by the Pisa Baptistry and the Campanile known as the Leaning Tower of Pisa. The cathedral is a notable example of Romanesque architecture, in particular the style known as Pisan Romanesque. Consecrated in 1118, it is the seat of the Archbishop of Pisa. Construction began in 1063 and was completed in 1092. Additional enlargements and a new facade were built in the 12th century and the roof was replaced after damage from a fire in 1595.
The Cathedral of Saint Lazarus of Autun, commonly known as Autun Cathedral, is a Roman Catholic cathedral in Autun and a national monument of France. Famous for its Cluniac inspiration and its Romanesque sculptures by Gislebertus, it is a highlight of Romanesque art in Burgundy. It is the seat of the Bishop of Autun. The Bishop of Autun set forth the construction of St. Lazarus Cathedral as a result of the large movement of pilgrims travelling to Vezelay as they progressed on the pilgrimage route to Santiago de Compostela.
The Basilica of Saint Servatius is a Roman Catholic church dedicated to Saint Servatius, in the city of Maastricht, the Netherlands. The architecturally hybrid but mainly Romanesque church is situated next to the Gothic church of Saint John, backing onto the town's main square, Vrijthof.
The Basilica di San Zeno is a minor basilica of Verona, northern Italy constructed between 967 and 1398 AD. Its fame rests partly on its Romanesque architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare's Romeo and Juliet. It stands adjacent to a Benedictine abbey, both dedicated to St Zeno of Verona.
A tympanum is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element.
Croatian art describes the visual arts in Croatia, and art by Croatian artists from prehistoric times to the present. In Early Middle Ages, Croatia was an important centre for art and architecture in south eastern Europe. There were many Croatian artists during the Medieval period, and the arts flourished during the Renaissance. Later styles in Croatia included Baroque and Rococo.
Massa Marittima Cathedral is a Roman Catholic cathedral in Massa Marittima, Tuscany, Italy, dedicated to Saint Cerbonius. Formerly the episcopal seat of the Diocese of Massa Marittima, it is now that of the Diocese of Massa Marittima-Piombino.
The Siena Cathedral Pulpit is an octagonal structure in Siena Cathedral sculpted by Nicola Pisano and his assistants Arnolfo di Cambio, Lapo di Ricevuto, and Nicolas' son Giovanni Pisano between the fall of 1265 and the fall of 1268. The pulpit, with its seven narrative panels and nine decorative columns carved out of Carrara marble, showcases Nicola Pisano's talent for integrating classical themes into Christian traditions, making both Nicola Pisano and the Siena pulpit forerunners of the classical revival of the Italian Renaissance.
Fidenza Cathedral is a Roman Catholic cathedral in the center of the town of Fidenza, province of Parma, region of Emilia Romagna, Italy. It is the episcopal seat of the Diocese of Fidenza, known until 1927 as the Diocese of Borgo San Donnino. The lower facade retains its original Romanesque sculptural decoration
French sculpture has been an original and influential component of world art since the Middle Ages. The first known French sculptures date to the Upper Paleolithic age. French sculpture originally copied ancient Roman models, then found its own original form in the decoration of Gothic architecture. French sculptors produced important works of Baroque sculpture for the decoration of the Palace of Versailles. In the 19th century, the sculptors Auguste Rodin and Edgar Degas created a more personal and non-realistic style, which led the way to modernism in the 20th century, and the sculpture of Pablo Picasso, Georges Braque, Marcel Duchamp and Jean Arp.
The pieve of Our Lady of the Snows is a Romanesque church located in Quarantoli, village near Mirandola, in the province of Modena and Roman Catholic Diocese of Carpi.
Renaissance sculpture is understood as a process of recovery of the sculpture of classical antiquity. Sculptors found in the artistic remains and in the discoveries of sites of that bygone era the perfect inspiration for their works. They were also inspired by nature. In this context we must take into account the exception of the Flemish artists in northern Europe, who, in addition to overcoming the figurative style of the Gothic, promoted a Renaissance foreign to the Italian one, especially in the field of painting. The rebirth of antiquity with the abandonment of the medieval, which for Giorgio Vasari "had been a world of Goths", and the recognition of the classics with all their variants and nuances was a phenomenon that developed almost exclusively in Italian Renaissance sculpture. Renaissance art succeeded in interpreting Nature and translating it with freedom and knowledge into a multitude of masterpieces.
