"Ziggy Stardust" | |
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Song by David Bowie | |
from the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars | |
Released | 16 June 1972 |
Recorded | 11 November 1971 |
Studio | Trident, London |
Genre | Glam rock |
Length | 3:13 |
Label | RCA |
Songwriter(s) | David Bowie |
Producer(s) |
|
Music video | |
"Ziggy Stardust" (from the film) on YouTube |
"Ziggy Stardust" is a song written by the English singer-songwriter David Bowie for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars . Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
Since its release, "Ziggy Stardust" has received widespread acclaim from music critics, with the majority praising its story, guitar riff and the band's performance. The song has since been included on lists of Bowie's greatest songs, and by some as one of the greatest songs of all time. Rolling Stone ranked it number 282 on their list of The 500 Greatest Songs of All Time in 2010. The track is also one of four of Bowie's songs included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Bowie performed the song frequently on the Ziggy Stardust and 1978 Stage tours, and again during his tours in the 2000s.
The song was covered by the English gothic rock band Bauhaus in 1982; their version peaked at number 15 on the UK Singles Chart. While Bowie's original recording was never released as a single, a live version from 1972 was released as a single in France in 1994 to promote the bootleg album Santa Monica '72 . The song has since appeared on multiple compilation albums and has been remastered several times, including in 2012 for its 40th anniversary; this remaster was included in the box set Five Years (1969–1973) in 2015.
Bowie wrote "Ziggy Stardust" and fellow album track "Lady Stardust" "within days" of each other in early 1971. [1] According to biographer Nicholas Pegg, it was registered with Bowie's publisher Chrysalis as early as April 1971, before the recording sessions for Hunky Dory (1971). [2] Bowie recorded an acoustic demo of the track between February and March 1971 at Radio Luxembourg's studios in London, [1] [2] around the same time he recorded "Moonage Daydream" and "Hang On to Yourself" with his band Arnold Corns. [3] This demo was released as a bonus track on the Rykodisc CD release of Ziggy Stardust in 1990. [4] The demo also appeared on the Ziggy Stardust – 30th Anniversary Reissue bonus disc in 2002. [2]
The album version was recorded at Trident Studios in London on 11 November 1971. [5] [2] Co-produced by Ken Scott, Bowie recorded it with his backing band known as the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Musically, it is a glam rock song, like its parent album, [6] that is based around a riff containing both tonic and dominant chords (the latter with a "hammered 4th"), followed by a "shifting-bass run" from C to A minor, thereby going back to the root. [7] Biographer Marc Spitz describes the riff as "instantly recognisable and primal but complex." [8] While Ronson plays the main riff on an electric guitar, Bowie plays an acoustic twelve-string guitar, which is mixed beneath the electric. A second electric guitar riff, inspired by the American rock band the Byrds, what Doggett calls a "jingle-jangle", is also present but almost buried in the mix. [7] Richard Cromelin of Rolling Stone notes the "faint ring" of 1970's The Man Who Sold the World on the track—"stately, measured, fuzzily electric." [9] Bowie begins his vocals, which Doggett describes "like a meteor from a distant galaxy", with "the phrase that defines his hero: 'Ziggy played guitar'." [7] [8] The song ends with a reprise of the same line, but Bowie holds the note "defiantly"; once his voice slides away, and Ronson enters on guitar, sliding away in the same vein. [10] Doggett describes the final seconds: "Then, after one of the most perfectly judged pauses ever captured on vinyl, there was "Suffragette City"." [10]
The song describes Bowie's alter ego Ziggy Stardust, a rock star who acts as a messenger for extraterrestrial beings. [11] The character was inspired by English rock 'n' roll singer Vince Taylor, whom Bowie met after Taylor had a breakdown and believed himself to be a cross between a god and an alien, [12] [13] though Taylor was only part of the character's blueprint. [14] Bowie's allusions to Taylor include identifying himself as a "leper messiah". [2] Other influences included the Legendary Stardust Cowboy and Kansai Yamamoto, who designed the costumes Bowie wore during the tour. [15] [16] Bowie told Rolling Stone that the name "Ziggy" was "one of the few Christian names I could find beginning with the letter 'Z'". [17] He later explained in a 1990 interview for Q magazine that the Ziggy part came from a tailor's shop called Ziggy's that he passed on a train, and he liked it because it had "that Iggy [Pop] connotation but it was a tailor's shop, and I thought, Well, this whole thing is gonna be about clothes, so it was my own little joke calling him Ziggy. So Ziggy Stardust was a real compilation of things." [18] [19]
On the album, the Ziggy Stardust character is introduced directly on the third track, "Moonage Daydream". [20] However, "Ziggy Stardust" is the central piece of the narrative of the album, presenting a complete "birth-to-death chronology". [1] Both "Ziggy Stardust" and fellow album track "Lady Stardust" offer vastly different portraits of Ziggy. [1] According to the author Peter Doggett, "Lady Stardust" presents an unfinished tale with "no hint at a denouement beyond a vague air of melancholy", [1] while "Ziggy Stardust" shows Ziggy's rise and fall in a very human manner. [21] O'Leary notes that the song's narrator is not definitive: it could be an audience member retrospectively discussing Ziggy, it could be one of the Spiders or even the "dissociated memories" of Ziggy himself. [22] Ziggy has several rock star characteristics: drug use, an enormous cock, and the "too-wasted-to-leave-the-room pallor." [7] He plays guitar "left hand", which Doggett and Pegg believe is inspired by American guitarist Jimi Hendrix, along with the lines "jiving us that we were voodoo" and "killed" by "the kids". [2] [7] Ziggy is "well-hung" and has a "snow-white tan", which Pegg believes suggests the "coked-up sexuality of Iggy Pop's stage persona." [2] Pegg also notes the presence of Lou Reed of the Velvet Underground in the line "came on so loaded man". [2] He also describes himself as "the Nazz", which was the American comedian Lord Buckley's nickname for Christ (as in "Nazarene"), as well as the name of several former backing bands for Todd Rundgren and Alice Cooper; Cooper had also fronted a group known as the Spiders in 1965. [2] [7] Doggett notes the similarity between the story of Jesus and Ziggy: the story of Jesus ended in death, and is followed by "a mysterious afterlife, acolytes, skeptics, and all the other paraphernalia associated with the premature demise of modern-day icons", mentioning the likes of Marilyn Monroe, James Dean, Hendrix, Elvis Presley, John Lennon and Kurt Cobain. [10] According to Pegg, the line "making love with his ego" most likely refers to Jim Morrison and Mick Jagger, but believes "the list of applicants is still growing." [2] The line "Ziggy sucked up into his mind" reprises the line "your laughter is sucked in their brains" from the Hunky Dory track "Queen Bitch". [2]
I wasn't at all surprised 'Ziggy Stardust' made my career. I packaged a totally credible plastic rock star. [23]
– David Bowie, in an interview with Rolling Stone
"Ziggy Stardust" is the ninth track on the Bowie's fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars , released on 16 June 1972 by RCA Records. [24] [25] The original recording was never released as a single, [26] but a live version recorded at Santa Monica Civic Auditorium during the Ziggy Stardust Tour was released as a single in France and the United States in 1994 to promote the bootleg album Santa Monica '72 (1994). [2] This version was accompanied by a video compiled from live footage shot at Dunstable Civic Hall on 21 June 1972 which, according to Pegg, offers "fascinating glimpses of an early Ziggy show in action." [27] In the wake of Bowie's death in 2016, the song peaked at number 86 on the Portuguese AFP chart, number 75 on the Billboard Japan Hot 100 and at number 17 on the US Billboard Hot Rock Songs chart. [28] [29] [30]
Since its release, "Ziggy Stardust" has received widespread acclaim from music critics, with the majority praising its story, guitar riff and the band's performance. In a review for Ziggy Stardust on release, Richard Cromelin of Rolling Stone praised Bowie's imagery and storytelling, calling it some of his most "adventuresome" up to that point. [9] Ned Raggett of AllMusic noted the song's restraint compared to other songs on the album: "Rather than being one of the album's quick, stone-cold rockers, it's measured, takes its time, is as acoustic as it is electric." Raggett described the band's performance as "crisp and explosive" praising Ronson's guitar work, believing his riffs and their distortion could "signal ... where rock could go as any of Hendrix's big hits." He also complimented Bowie's vocal performance and called the song a "total classic." [31] Ultimate Classic Rock ranked "Ziggy Stardust" second on their list of the ten best glam rock songs of the 1970s, behind "20th Century Boy" by T. Rex, which was written by Marc Bolan, [6] one of the influencers of Ziggy Stardust. [32] The same publication, on their list of Bowie's ten best songs, listed "Ziggy Stardust" at number six, praising Ronson's guitar hook, writing, "[it] gives the song as much of its personality as Bowie's lyrics do." [33] Ian Fortnam of Classic Rock ranked every track on the album from worst to best placing the song at number four, praising its storytelling, Ronson's guitar work and Bowie's vocal performance. [34] In 2018, NME , on their list of Bowie's 40 greatest songs, ranked "Ziggy Stardust" at number 20, calling Ronson's guitar riff one of rock's greatest. [26] Rolling Stone described the song as "one of rock's earliest, and best, power ballads." [35] In 2010, the song ranked at number 282 on their list of The 500 Greatest Songs of All Time. [23] Ultimate Classic Rock placed the song on their list of the top 200 songs of the 1970s, writing that as the centrepiece of Bowie's "greatest album", "in a way, it's also Bowie's story turbocharged through the cosmos, ready for whatever the decade offered him." [36] The song is one of four of Bowie's songs included on the Rock and Roll Hall of Fame's list of The Songs That Shaped Rock and Roll. [37]
Bowie recorded the song for the BBC radio programmes Sounds of the 70s: John Peel and Bob Harris on 11 and 18 January 1972, respectively. On 16 May 1972, he played the song again on Sounds of the 70s: John Peel, which was broadcast a week later on 23 May 1972. [38] The 18 January and 16 May recordings were released on the Bowie at the Beeb album in 2000, [39] while the 11 January recording is included on the album BBC Sessions 1969–1972 (Sampler) . [2]
Bowie performed the song throughout the Ziggy Stardust Tour (1972–1973), and it can be heard on Ziggy Stardust: The Motion Picture (1983) and Live Santa Monica '72 (2008). [40] [41] Performances from the 1978 Stage tour have been released on Stage (1978) and Welcome to the Blackout (2018). [42] [43] Despite having vowed in 1990 never to perform the track again, it was often the closing number on Bowie's 2002 Heathen Tour. Buckley calls his renditions during this tour "heart-stopping". [44] Bowie also performed the song at the 2000 Glastonbury Festival, released in 2018 on the album Glastonbury 2000 , [45] and on his 2003 Reality Tour. A performance from that tour is included on the 2010 A Reality Tour DVD and the album of the same title. [2] [46]
Since its release, "Ziggy Stardust" has appeared on numerous compilation albums, including Changesonebowie (1976), [47] Changesbowie (1990), [48] The Best of David Bowie 1969/1974 (1997), [49] Best of Bowie (2002), [50] Nothing Has Changed (2014) [51] and Legacy (2016). [52] The song, along with the entire Ziggy Stardust album, has been remastered multiple times, including in 1990 by Rykodisc, [53] [54] and in 2012 for its 40th anniversary. [55] The 2012 remaster and a 2003 remix by producer Ken Scott were included in the box set Five Years (1969–1973) in 2015. [56]
Personnel per Kevin Cann and Chris O'Leary. [57] [58]
Chart (1973) | Peak position |
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Belgium (Ultratop 50 Wallonia) [59] Charted with "The Jean Genie" | 7 |
Chart (2016) | Peak position |
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Japan (Japan Hot 100) [28] | 75 |
France (SNEP) [60] | 79 |
Portugal (AFP) [29] | 86 |
Sweden (Sverigetopplistan) [61] | 86 |
US Hot Rock & Alternative Songs ( Billboard ) [30] | 17 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [62] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Ziggy Stardust" | ||||
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Single by Bauhaus | ||||
B-side | "Third Uncle" (Eno) | |||
Released | October 1982 | |||
Recorded | 1982 at a BBC radio session | |||
Genre | ||||
Length | 3:08 | |||
Label | Beggars Banquet | |||
Songwriter(s) | David Bowie | |||
Bauhaus singles chronology | ||||
|
The English gothic rock band Bauhaus recorded a version of "Ziggy Stardust" as their eighth single. The band idolised Bowie, with drummer Kevin Haskins recalling in his book Bauhaus Undead: The Visual History and Legacy of Bauhaus their first time meeting the late singer-songwriter while on the set of the 1983 gothic horror film The Hunger , in which Bowie starred: [63] [64] "We were all very big fans of Bowie and, like many musicians of the post-punk era, Bowie's performance of "Starman" on Top of the Pops, was a significant and profound turning point in our lives. So to say that we were excited was somewhat of an understatement." In the film, the band performed their 1979 song "Bela Lugosi's Dead" in a nightclub where Bowie's character was present. Following filming, the group met Bowie in person. He lit a cigarette for Haskins who described being completely starstruck. Bowie also told the band, along with about 20 extras, the reasons he chose the songs he recorded for his 1973 album Pin Ups . [65]
According to AllMusic's Dave Thompson, the band were "killing some downtime" at Trident Studios in London when members Haskins and Daniel Ash began an impromptu jam of "Ziggy Stardust" as a "joking tribute" to "the artist with whom virtually every critic in the land had now compared Bauhaus." Tapes were running and once they heard the track, they were "absolutely enthralled" and decided to include it during their upcoming BBC session for John Peel. [66] Bauhaus subsequently recorded their version of "Ziggy Stardust" at a session in 1982. [67] Their version has been categorised as gothic rock and post-punk. [33] [68] The group filmed a music video for their cover in August 1982 at the Roundhouse under Camden Market in London. Directed by Mick Calvert, it features the band performing a full "mock-gig" with complete backline and "riotous" fans. [68] [63] Ned Raggett of AllMusic praised Bauhaus' rendition of "Ziggy Stardust", calling it a "nuclear-strength take" on the original. [31]
Bauhaus' version was released as a single in October 1982 by Beggars Banquet Records in 7" and 12" format (as BEG 83 and BEG 83T, respectively). [67] [69] [70] The B-side was a cover of English musician Brian Eno's "Third Uncle", from his 1974 album Taking Tiger Mountain (By Strategy) , which was recorded at the same radio session as "Ziggy Stardust". [71] The 12" single featured an original, "Party of the First Part", and a live cover of the 1967 Velvet Underground song "I'm Waiting for the Man". [70] The single peaked at number 15 on the UK Singles Chart, [72] earning the band an appearance on the television programme Top of the Pops . [73] The single's success propelled their 1982 album The Sky's Gone Out to number four on the UK Albums Chart, becoming the band's biggest hit. [74] This recording later appeared on the group's 1989 album Swing the Heartache: The BBC Sessions . [67] [75] Another studio take, featuring elements of Bowie's 1973 song "Cracked Actor", was released on the 2009 reissue of their 1981 album Mask . [67]
Chart (1982) | Peak position |
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UK Singles (Official Charts Company) [76] | 15 |
The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by the English musician David Bowie, released on 16 June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars — Mick Ronson, Trevor Bolder and Mick Woodmansey. It was recorded from November 1971 to February 1972 at Trident Studios in London.
Aladdin Sane is the sixth studio album by the English musician David Bowie, released in the United Kingdom on 19 April 1973 through RCA Records. The follow-up to his breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was the first album he wrote and released from a position of stardom. It was co-produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars — Mick Ronson, Trevor Bolder and Mick Woodmansey — with pianist Mike Garson, two saxophonists and three backing vocalists. Recorded in London and New York City between legs of the Ziggy Stardust Tour, the record was Bowie's final album with the full Spiders lineup.
Hunky Dory is the fourth studio album by the English musician David Bowie, released in the United Kingdom on 17 December 1971 through RCA Records. Following the release of his 1970 album, The Man Who Sold the World, Bowie took time off from recording and touring. He settled down to write new songs, composing on piano rather than guitar as on earlier tracks. Following a tour of the United States, Bowie assembled a new backing band consisting of guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey, and began to record a new album in mid-1971 at Trident Studios in London. Future Yes member Rick Wakeman contributed on piano. Bowie co-produced the album with Ken Scott, who had engineered Bowie's previous two records.
"Life on Mars?" is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's "My Way". "Life on Mars?" was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. "Life on Mars?" is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.
Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).
"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote the compilation album Changesonebowie in the UK. Co-produced by Bowie and Ken Scott, it was recorded by Bowie at Trident Studios in London with his backing band the Spiders from Mars, consisting of Mick Ronson, Trevor Bolder and Mick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English band Mott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is a glam rock song that is influenced by the music of Little Richard and the Velvet Underground. The lyrics include a reference to Anthony Burgess' novel A Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 10 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of guitarist Mick Ronson and drummer Mick Woodmansey, who later became famous as members of the Spiders from Mars.
"Starman" is a song by the English musician David Bowie. It was released on 28 April 1972 by RCA Records as the lead single of his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Ken Scott, Bowie recorded the song on 4 February 1972 at Trident Studios in London with his backing band known as the Spiders from Mars – comprising guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song was a late addition to the album, written as a direct response to RCA's request for a single; it replaced the Chuck Berry cover "Round and Round" on the album. The lyrics describe Ziggy Stardust bringing a message of hope to Earth's youth through the radio, salvation by an alien 'Starman'. The chorus is inspired by "Over the Rainbow", sung by Judy Garland, while other influences include T. Rex and the Supremes.
"Changes" is a song by the English singer-songwriter David Bowie from his 1971 album Hunky Dory. RCA Records then released it as a single from the album on 7 January 1972. Written following his promotional tour of America in early 1971, "Changes" was recorded at Trident Studios in London between June and July that year. Co-produced by Bowie and Ken Scott, it featured Rick Wakeman on piano and the musicians who would later become known as the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey.
"Rock 'n' Roll Suicide" is a song by the English singer-songwriter David Bowie, originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 16 June 1972. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It detailed Ziggy's final collapse like an old, washed-up rock star and, as such, was also the closing number of the Ziggy Stardust live show. In April 1974 RCA issued it as a single.
"Queen Bitch" is a song by the English singer-songwriter David Bowie. It was originally released on his 1971 album Hunky Dory before appearing as the B-side of the single "Rebel Rebel" in the United Kingdom in early 1974. Co-produced by Bowie and Ken Scott, the lineup consisted of the musicians who would later become known as the Spiders from Mars: Mick Ronson, Trevor Bolder and Mick Woodmansey.
"Five Years" is a song by the English musician David Bowie, released on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, it was recorded in November 1971 at Trident Studios in London with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. As the opening track on the album, the song introduces the overarching theme of the album: an impending apocalyptic disaster will destroy Earth in five years and the being who will save it is a bisexual alien rock star named Ziggy Stardust. While the first two verses are told from a child narrator's perspective, the third is from Bowie's, who addresses the listener directly. As the track progresses, it builds intensity, before climaxing with strings and Bowie screaming the title.
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Lady Stardust" is a song written by the English singer-songwriter David Bowie that appeared on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. The song is generally interpreted as alluding to fellow glam rock icon Marc Bolan. The original demo version was entitled "He Was Alright ". A 4-track demo version of the song was sold as a picture disc single during the "David Bowie Is" exhibition in Japan in 2017.
"Velvet Goldmine" is a song by English singer-songwriter David Bowie. A glam rock number with lyrical references to oral sex, it was originally recorded on 11 November 1971 at Trident Studios in London during the sessions for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. It was ultimately left off the album and subsequently released as a B-side of the UK re-release of "Space Oddity" in 1975. Praised by biographers as an undervalued classic, it later appeared on compilation albums, including on Re:Call 1, part of the Five Years (1969–1973) boxed set, in 2015. Its namesake was used for Todd Haynes's 1998 film of the same name.
"Watch That Man" is a song written by David Bowie, the opening track on the album Aladdin Sane from 1973. Its style is often compared to the Rolling Stones' Exile on Main Street. The mix, in which Bowie's lead vocal is buried within the instrumental sections, has generated discussion among critics and fans.
"Panic in Detroit" is a song written by English singer-songwriter David Bowie for the album Aladdin Sane in 1973. Bowie based it on friend Iggy Pop's descriptions of revolutionaries he had known in Michigan and Pop's experiences during the 1967 Detroit riots. Rolling Stone magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' "Nowhere to Run"".
"Cracked Actor" is a song by English musician David Bowie, released on his sixth studio album Aladdin Sane (1973). The track was also issued as a single in Eastern Europe by RCA Records in June that year. The song was written during Bowie's stay in Los Angeles during the American leg of the Ziggy Stardust Tour in October 1972. Co-produced by Bowie and Ken Scott, it was recorded in January 1973 at Trident Studios in London with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Woody Woodmansey. A hard rock song primarily led by guitar, the song describes an aging Hollywood star's encounter with a prostitute, featuring many allusions to sex and drugs.
"Soul Love" is a song by the English singer-songwriter David Bowie from his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, it features Bowie's backing band known as the Spiders from Mars – Mick Ronson, Trevor Bolder and Mick Woodmansey. It was recorded on 12 November 1971 at Trident Studios in London and features a saxophone solo from Bowie and a guitar solo from Ronson. Lyrically, the song is about numerous characters dealing with love before the impending disaster that will destroy Earth as described in the album's opening track "Five Years". Like most tracks on the album, the song was rewritten to fit the Ziggy Stardust narrative.
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