The title reflects playwright Bolt's portrayal of More as the ultimate man of conscience, remaining true to his principles and religion under all circumstances and at all times. Bolt borrowed the title from Robert Whittington, a contemporary of More, who in 1520 wrote of him:
More is a man of an angel's wit and singular learning. I know not his fellow. For where is the man of that gentleness, lowliness and affability? And, as time requireth, a man of marvellous mirth and pastimes, and sometime of as sad gravity. A man for all seasons.[3][4]
Plot
The film covers the years 1529 to 1535, during the reign of Henry VIII.
During a private late-night meeting at Hampton Court, Cardinal Wolsey, Lord Chancellor of England, chastises More for being the only member of the privy council to oppose Wolsey's attempts to obtain from the Pope an annulment of Henry VIII's marriage to Catherine of Aragon, as their marriage has not produced a male heir. With the annulment, Henry would be able to marry Anne Boleyn, with whom he hopes to father such an heir and avoid a repeat of the Wars of the Roses. More says that he cannot agree to Wolsey's suggestion that they apply "pressure" on Church property and revenue in England. Unknown to More, the conversation is being overheard by Wolsey's aide, Thomas Cromwell.
Returning to his home at Chelsea at dawn, More finds his young acquaintance Richard Rich waiting for his return so as to lobby for a position at Court. More instead offers Rich a job as a teacher. Rich declines More's offer, saying that teaching would offer him little chance to become well known. More finds his daughter Meg chatting with a brilliant young lawyer, William Roper, who announces his desire to marry her. The devoutly Catholic More says he cannot give his blessing as long as Roper remains a Lutheran.
Some time later, Wolsey dies in a rural monastery in disgrace after banishment from court for failing to obtain the papal annulment Henry wanted. Henry appoints More Lord Chancellor of England. The King makes an "impromptu" visit to the More estate and again requests More's support for an annulment, but More remains unmoved as Henry alternates between threats, tantrums, and promises of unbounded royal favour. As the King leaves, Cromwell promises Rich a position at Court in return for damaging information about More.
Roper, learning of More's quarrel with the king, says that his religious views have altered considerably and declares that by attacking the Church, the king has become "the Devil's minister." More is admonishing Roper to be more guarded when Rich arrives, pleading again for a position at Court. When More again refuses, Rich denounces More's steward as a spy for Thomas Cromwell. An unmoved More responds, "Of course, that's one of my servants."
Humiliated, Rich joins Cromwell in attempting to bring More down. Meanwhile, the king orders Parliament and the bishops to declare him "Supreme Head of the Church of England". Embracing Caesaropapism, the bishops and Parliament accede to the king's demands and renounce all allegiance to the Pope. More quietly resigns as Lord Chancellor rather than accept the new order. His close friend, Thomas Howard, 3rd Duke of Norfolk, attempts to draw out his opinions in a friendly private chat, but More knows that the time for speaking openly of such matters is over.
In a meeting with Norfolk, Cromwell implies that More's troubles will be over if he will attend the king's "wedding" to Boleyn. After More does not, he is summoned again to the royal palace of Hampton Court, where Cromwell interrogates More inside Wolsey's former office. More refuses to answer and an infuriated Cromwell reveals that the king views More as a traitor, but allows him to leave. The Thames boatmen are aware of the King's hostility to More and refuse to ferry him, so More returns home on foot.
As More finally arrives, his daughter Meg informs him that a new oath is being circulated and that all must take it or face charges of high treason. Initially, More says he might be willing to take the oath, depending on its wording. Upon learning that it names the king as Supreme Head of the Church and allows no legal or moral loopholes, More refuses to take it and is imprisoned in the Tower of London.
More remains steadfast in his refusal to take the Oath and refuses to explain, knowing that he cannot be convicted if he has not explicitly denied the king's supremacy. A request for new books to read backfires, resulting in the confiscation of the books he has, and Rich removes them from More's cell, providing an opportunity for Rich to further debate More.
More says goodbye to his wife Alice, Meg and Roper, urging them not to try to defend him, but to leave the country.
Soon after, More is brought to trial, with Cromwell appearing as counsel for the prosecution. More refuses to express an opinion about the king's second marriage or why he will not take the Oath. As an experienced lawyer and judge, he cites his silence as part of his defence, based upon the legal principle that silence is to be interpreted as consent. Cromwell calls Rich to testify. Rich alleges that, when he went to confiscate More's books, More told him that while Parliament has the power to dethrone the king, it does not have the authority to make the king the Head of the Church.
A horrified More offers to take any oath required by the court that he never said any such thing to Rich. More adds that he would never be so suicidal as to entrust so dangerous an opinion "to such a man as that." As Rich leaves the witness box, it emerges that Rich has been made Attorney General for Wales as a reward from Cromwell for committing perjury, much to More's chagrin.
Under a direct order from Cromwell, the jury convicts More without leaving the courtroom to deliberate. But as the judges begin to pronounce the death penalty, More interrupts and reminds them that prisoners are to be asked before sentencing if they have anything to say.
Upon being so asked by the judges, More declares, "I do." More calls Parliament's Act of Supremacy repugnant to every legal precedent and institution in all the history of Christendom. He cites the Biblical foundation for the Petrine Primacy and the authority of the Papacy, rather than national governments, over the Church. More further declares that the Church's freedom from state control and interference is guaranteed both in Magna Carta and in the king's coronation oath. As uproar ensues, the judges pronounce sentence according to the standard form: More is to be remitted to the Tower to await execution by beheading.
The scene switches from the court to Tower Hill, where More observes custom by pardoning and tipping the executioner. More declares, "I die his Majesty's good servant, but God's first." He kneels at the block and, off-screen, the executioner cuts off More's head.
A narrator intones an epilogue, listing the subsequent untimely deaths of the major characters, apart from Rich, who "became Chancellor of England, and died in his bed."
Robert Bolt adapted the screenplay himself. The running commentary of The Common Man was deleted and the character was divided into the roles of the Thames boatman, More's steward, an innkeeper, the jailer from the Tower, the jury foreman and the executioner. The subplot involving the imperial ambassador Eustace Chapuys was also excised. A few minor scenes were added, including Wolsey's death, More's investiture as Chancellor, and Henry's wedding to Anne Boleyn, to cover narrative gaps left by the exclusion of the Common Man.
The Brechtian staging of the final courtroom scene (which depicted the Jury as consisting of the Common Man and several sticks bearing the hats of the various characters he has played) is changed to a more naturalistic setting. Also, while the Duke of Norfolk was the judge both historically and in the play's depiction of the trial, the character of the Chief Justice (Jack Gwillim) was created for the film. Norfolk is still present, but plays little role in the proceedings.
The producers initially feared that Scofield was not a big enough name to draw in audiences, so the producers approached Richard Burton, who turned down the part. Laurence Olivier was also considered, but Zinnemann demanded that Scofield be cast. He played More both in London's West End and on Broadway; the latter appearance led to a Tony Award.
Alec Guinness was the studio's first choice to play Wolsey, and Peter O'Toole its first choice for Henry. Richard Harris was also considered. Bolt wanted film director John Huston to play Norfolk, but he refused. Vanessa Redgrave was originally to have played Margaret, but she had a theatre commitment. She agreed to a cameo as Anne Boleyn on the condition that she not be billed in the part or mentioned in the previews.
To keep the budget at under $2million, the actors all took salary cuts. Only Scofield, York, and Welles were paid more than £10,000. For playing Rich, his first major film role, John Hurt was paid £3,000. Vanessa Redgrave appeared simply for the fun of it and refused payment.
Leo McKern had played the Common Man in the original West End production of the show, but had been shifted to Cromwell for the Broadway production. He and Scofield are the only members of the cast to appear in both the stage and screen versions of the story. Vanessa Redgrave played Lady Alice in a 1988 remake.
A Man for All Seasons received positive reviews from film critics, with an 89% "Fresh" rating on review aggregator Rotten Tomatoes and an average rating of 7.70/10, based on 82 reviews. The critics' consensus states: "Solid cinematography and enjoyable performances from Paul Scofield and Robert Shaw add a spark to this deliberately paced adaptation of the Robert Bolt play."[5] On Metacritic, the film holds a weighted average score of 72 out of 100 based on 11 critics, indicating "generally favorable reviews".[6] A. D. Murphy of Variety wrote: "Producer-director Fred Zinnemann has blended all filmmaking elements into an excellent, handsome and stirring film version of A Man for All Seasons."[7]
Scofield's performance was particularly praised. Kate Cameron of the New York Daily News wrote, "over all these fine performances, including Robert Shaw's opulent, bluff and forceful representation of the king, it is Scofield who dominates the screen with his genteel voice and steadfast refusal to kowtow to the king, even at the expense of his head."[8]Pauline Kael gave the film a more critical review, writing, "There's more than a little of the school pageant in the rhythm of the movie: Though it's neater than our school drama coaches could make it, the figures group and say their assigned lines and move on."[9]
Henry VIII was King of England from 22 April 1509 until his death in 1547. Henry is known for his six marriages and his efforts to have his first marriage annulled. His disagreement with Pope Clement VII about such an annulment led Henry to initiate the English Reformation, separating the Church of England from papal authority. He appointed himself Supreme Head of the Church of England and dissolved convents and monasteries, for which he was excommunicated by the pope.
Sir Thomas More PC, venerated in the Catholic Church as Saint Thomas More, was an English lawyer, judge, social philosopher, author, statesman, and noted Renaissance humanist. He also served Henry VIII as Lord High Chancellor of England from October 1529 to May 1532. He wrote Utopia, published in 1516, which describes the political system of an imaginary island state.
Thomas Wolsey was an English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the king's almoner. Wolsey's affairs prospered and by 1514 he had become the controlling figure in virtually all matters of state. He also held important ecclesiastical appointments. These included the Archbishop of York—the second most important role in the English church—and that of papal legate. His appointment as a cardinal by Pope Leo X in 1515 gave him precedence over all other English clergy.
Anne Boleyn was Queen of England from 1533 to 1536, as the second wife of King Henry VIII. The circumstances of her marriage and execution by beheading for treason, made her a key figure in the political and religious upheaval that marked the start of the English Reformation.
Anne of the Thousand Days is a 1969 British historical drama film based on the life of Anne Boleyn, directed by Charles Jarrott and produced by Hal B. Wallis. The screenplay by Bridget Boland and John Hale is an adaptation of the 1948 play of the same name by Maxwell Anderson.
Thomas Cromwell, briefly Earl of Essex, was an English statesman and lawyer who served as chief minister to King Henry VIII from 1534 to 1540, when he was beheaded on orders of the king, who later blamed false charges for the execution.
David Paul Scofield was an English actor. During a six-decade career, Scofield achieved the Triple Crown of Acting, winning an Academy Award, Emmy, and Tony for his work. Scofield established a reputation as one of the greatest Shakespearean performers. He declined the honour of a knighthood, but was appointed CBE in 1956 and became a CH in 2001.
Thomas Howard, 3rd Duke of Norfolk, was a prominent English politician and nobleman of the Tudor era. He was an uncle of two of the wives of King Henry VIII, Anne Boleyn and Catherine Howard, both of whom were beheaded, and played a major role in the machinations affecting these royal marriages. After falling from favour in 1546, he was stripped of his dukedom and imprisoned in the Tower of London, avoiding execution when Henry VIII died on 28 January 1547.
Henry VIII is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, All Is True, is recorded in contemporary documents, with the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.
William Roper was an English lawyer and member of Parliament. The son of a Kentish gentleman, he married Margaret, daughter of Sir Thomas More. He wrote a highly regarded biography of his father-in-law.
A Man for All Seasons is a 1988 American made-for-television drama film about St. Thomas More, directed by and starring Charlton Heston. It is based on the play of the same name by Robert Bolt, which was previously adapted in the Academy Award winning 1966 film A Man for All Seasons. It was the first made-for-television film produced on behalf of the TNT television network.
The Tudors is a historical fiction television series set primarily in 16th-century England, created and written by Michael Hirst and produced for the American premium cable television channel Showtime. The series was a collaboration among American, British, and Canadian producers, and was filmed mostly in Ireland. While named after the Tudor dynasty as a whole, it is based specifically upon the reign of King Henry VIII.
Henry VIII is a two-part British television serial produced principally by Granada Television for ITV from 12 to 19 October 2003. It chronicles the life of Henry VIII of England from the disintegration of his first marriage to an aging Spanish princess until his death following a stroke in 1547, by which time he had married for the sixth time. Additional production funding was provided by WGBH Boston, Powercorp and the Australian Broadcasting Corporation.
Henry VIII and His Six Wives is a 1972 British historical film adaptation, directed by Waris Hussein, of the BBC 1970 six-part miniseries The Six Wives of Henry VIII. Keith Michell, who plays Henry VIII in the TV series, also portrays the king in the film. His six wives are portrayed by different actresses, among them Frances Cuka as Catherine of Aragon, and Jane Asher as Jane Seymour. Donald Pleasence portrays Thomas Cromwell and Bernard Hepton portrays Archbishop Thomas Cranmer, a role he had also played in the miniseries and briefly in its follow-up Elizabeth R.
The 32nd New York Film Critics Circle Awards, honored the best filmmaking of 1966.
A Man for All Seasons is a play by Robert Bolt based on the life of Sir Thomas More. An early form of the play had been written for BBC Radio in 1954, and a one-hour live television version starring Bernard Hepton was produced in 1957 by the BBC, but after Bolt's success with The Flowering Cherry, he reworked it for the stage.
Wolf Hall is a 2009 historical novel by English author Hilary Mantel, published by Fourth Estate, named after the Seymour family's seat of Wolfhall, or Wulfhall, in Wiltshire. Set in the period from 1500 to 1535, Wolf Hall is a sympathetic fictionalised biography documenting the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More. The novel won both the Booker Prize and the National Book Critics Circle Award. In 2012, The Observer named it as one of "The 10 best historical novels".
Anne Boleyn is a play on the life of Anne Boleyn by the English author Howard Brenton, which premiered at Shakespeare's Globe in 2010. Anne Boleyn is portrayed as a significant force in the political and religious in-fighting at court and a furtherer of the cause of Protestantism in her enthusiasm for the Tyndale Bible.
"Three Card Trick" is the first episode of the BBC Two series Wolf Hall. It was first broadcast on 21 January 2015.
Thomas Cromwell was Chief Minister to King Henry VIII of England from 1534 to 1540. He played a prominent role in the important events of Henry's reign, including the king's divorce from Catherine of Aragon, the execution of Anne Boleyn, the marriage to Anne of Cleves, the Dissolution of the monasteries, and the English Reformation. These dramatic events have provided the inspiration for plays, novels and films from shortly after his death until modern times.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
