Film premieres can be elaborate media events, such as this 2012 exhibition of Celebration Day with promotional artwork on the Hammersmith Apollo.
A film release is the authorization by the owner of a completed film to a public exhibition of the film. The exhibition may be in theatres or for home viewing. A film's release date and the method of release is part of the marketing of the film. It may be a wide or limited release. A roadshow theatrical release is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film.
The process may involve finding a film distributor. A film's marketing may involve the film being shown at a film festival or trade show to attract distributor attention and, if successful, may then be released through a chosen distributor.
Delayed release
A delayed release or late release in the film industry refers to the relatively late release of a film to the public. A release can be postponed due to the sometimes difficult transition of the production or post-production to the sales and distribution phase of the film production cycle. Due to several factors a film release can be delayed:
Problems during post-production of an artistic nature.
Political problems regarding the film.
Economic problems relating to limitations in the film budget.
These problems can be resolved by overcoming artistic problems, making politically correct or commercially successful changes to the film/or relieving budgetary problems.
Music
"Music release" redirects here. For other uses, see Release § Music.
In the music industry, a release usually is a creative output from an artist, available for sale or distribution; a broad term covering the many different formats music can be released in, and different forms of pieces (singles, albums, extended plays, etc.).
The word can also refer to the event at which an album or single is first offered for sale in record stores. Also an album launch, or single launch. [citation needed]
Musical performers often self-release (self-publish) their recordings without the involvement of an established record label. While some acts who enjoy local or small scale popularity have started their own labels in order to release their music through stores, others simply sell the music directly to customers, for example, making it available to those at their live concerts. With the growth of the Internet as a medium for publicizing and distributing music, many musical acts have sold their recordings over the Internet without a label. Unlike self-publishing a novel, which is usually done only when no other options exist, even well-established musicians will choose to self-release recordings. Music managers are increasingly getting involved in such releases and with the advent of artist management labels which have stepped in to save the situation.[clarification needed] In Kenya, for example, most record labels only handle production, thus leading to a situation where records are marketed less. This has prompted music companies like Grosspool Music to sign independent artists and manage their branding, releases, and marketing. [citation needed]
Island Records is a Jamaican multinational record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s. Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France. Current key people include Island US president Darcus Beese, and MD Jon Turner. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels.
A record label, or record company, or simply records, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.
Rhino Entertainment Company is an American specialty record label and production company founded in 1978. It is currently the catalog division for Warner Music Group. Its current CEO is Mark Pinkus.
PolyGram N.V. was a multinational entertainment company and major music record label formerly based in the Netherlands. It was founded in 1962 as the Grammophon-Philips Group by Dutch corporation Philips and German corporation Siemens, to be a holding for their record companies, and was renamed "PolyGram" in 1972. The name was chosen to reflect the Siemens interest Polydor Records and the Philips interest Phonogram Records. The company traced its origins through Deutsche Grammophon back to the inventor of the flat disc gramophone, Emil Berliner.
Impulse! Records is an American jazz record label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built".
Artists and repertoire or A&R is the division of a record label or music publishing company that is responsible for scouting and overseeing the artistic development of recording artists and songwriters. It also acts as a liaison between artists and the record label or publishing company. Every activity involving artists to the point of album release is generally considered under the purview and responsibility of A&R.
A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels.
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as bootlegging. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases.
Independent music is music produced independently from commercial record labels or their subsidiaries; this may include an autonomous, do-it-yourself approach to recording and publishing.
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts.
A recording contract is a legal agreement between a record label and a recording act, where the act makes an audio recording for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of ", and that label in question may receive a percentage of sales through publishing.
A promotional recording, promo, or plug copy is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs, music journalists, and critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release.
Playboy Records was an American record label, based in Los Angeles, California, and a unit of Playboy Enterprises. Artists recording for the label included Al Wilson, Barbi Benton, Blue Ash, Bobby Taylor & the Vancouvers, The Weapons of Peace, Brenda Patterson, Lois Fletcher, Jeanne French, Hamilton, Joe Frank & Reynolds, Ivory, Greg Kihn, The Rubinoos, Wynn Stewart, Mickey Gilley and Joey Stec.
Roadshow Entertainment is an Australian home video, production and distribution company that is a division of Village Roadshow that distributes films in Australia and New Zealand. Their first release was Mad Max. Roadshow Entertainment is an independent video distributor in Australia and New Zealand.
Cadence Music Group, formerly MapleCore Ltd., is a music company founded in 1999 and located in Toronto, Canada. Cadence Music Group has multiple divisions, five record labels Cadence Recordings, Open Road Recordings, Pheromone Recordings, Physical Presents, and Known Accomplice. They also jointly own distribution arm Fontana North with Universal Music Group, a live ticket services TicketBreak and Fan Experience, and their licensing division called Cadence Songs.
Act III Communications is an American media and entertainment company owned by producer and screenwriter Norman Lear. It was started in 1985 following Lear's sale of Embassy Communications to The Coca-Cola Company. In a Wall Street Journal interview in 1988, Lear explained the name by noting that in a Shakespeare play, there are always more than three acts and that he expects there to be an Act IV and V. Act III served as Lear's business vehicle, unconnected to his other activities as a political activist and philanthropist.
The album era was a period in English-language popular music from the mid-1960s to the mid-2000s in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats: the 33⅓ rpm long-playing record (LP), the cassette tape, and the compact disc (CD). Rock musicians from the US and the UK were often at the forefront of the era, which is sometimes called the album-rock era in reference to their sphere of influence and activity. The term "album era" is also used to refer to the marketing and aesthetic period surrounding a recording artist's album release.
A re-recording is a recording produced following a new performance of a work of music. This is most commonly, but not exclusively, by a popular artist or group. It differs from a reissue, which involves a second or subsequent release of a previously-recorded piece of music.
Record sales or music sales are activities related to selling music recordings through physical record shops or digital music stores. Record sales reached their peak in 1999, when 600 million people spent an average of $64 on records, achieving $40 billion in sales of recorded music. Sales continued declining in the 21st century. The collapse of record sales also made artists rely on touring for most of their income. By 2019, record sales accounted for less than half of global recorded music revenue, overtaken by streaming. Following the inclusion of streaming into record charts in the mid-2010s, record sales are also referred to as traditional sales or pure sales.
Freddie Records is an American independent record label founded in Corpus Christi, Texas on November 1, 1969, by musician Freddie Martinez. Originally functioning as a recording studio and distributor for Martinez, the label expanded its roster to include other Tejano musicians to avoid financial failure. The label commenced producing albums for an array of artists, including Ramon Ayala, Agustin Ramirez, Oscar Martinez, and Joe Bravo. Ayala became the best-selling act of the label, sustaining the financial stability of Freddie Records throughout the 1970s and 1980s. The label sponsored a Little Joe concert in 1978 and recorded it for their Live for Schlitz album. It led to a ban on future events in the area, though the album remained a lucrative live recording for Freddie Records for two decades. As Tejano music's popularity surged, Freddie Records augmented its foundation by incorporating an additional 6,000 square feet for a second studio and production facility replete with updated MCI equipment capable of accommodating cassette tape and 8-track formats and instigated a release schedule of two albums per month on average.
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