Bone Machine

Last updated
Bone Machine
TomWaits-BoneMachine.jpg
Studio album by
ReleasedSeptember 8, 1992
Recorded Prairie Sun, Cotati
Genre Experimental rock [1]
Length53:30
Label Island
Producer
Tom Waits chronology
Night on Earth
(1992)
Bone Machine
(1992)
The Black Rider
(1993)

Bone Machine is the eleventh studio album by American singer and musician Tom Waits, released by Island Records on September 8, 1992. It won a Grammy Award for Best Alternative Music Album and features guest appearances by David Hidalgo, Les Claypool, Brain, and Keith Richards. The album marked Waits' return to studio albums, coming five years after Franks Wild Years (1987).

Contents

Recorded in a room in the cellar area of Prairie Sun Recording studios, described by Waits as "just a cement floor and a hot water heater", the album is often noted for its rough, stripped-down, percussion-heavy style, as well as its dark lyrical themes revolving around death and decay. The album covera blurry, black-and-white, close-up image of Waits apparently screaming while wearing a horned skullcap and protective goggleswas taken by filmmaker Jesse Dylan, son of Bob Dylan. [2] Dylan and Jim Jarmusch directed videos for "Goin' Out West" and "I Don't Wanna Grow Up", respectively. The latter song was covered by the Ramones on their last album, !Adios Amigos! (1995); the former featured in the movie Fight Club (1999). [3] Bone Machine won the Grammy for Best Alternative Music Album. [4]

Recording and production

Bone Machine was recorded and produced entirely at the Prairie Sun Recording studios in Cotati, California, in a room of Studio C known as "the Waits Room", located in the old cement hatchery rooms of the cellar of the buildings. Prairie Sun's studio head Mark "Mooka" Rennick said, "[Waits] gravitated toward these 'echo' rooms and created the Bone Machine aural landscape. [...] What we like about Tom is that he is a musicologist. And he has a tremendous ear. His talent is a national treasure." [5]

Waits said of the bare-bones studio, "I found a great room to work in, it's just a cement floor and a hot water heater. Okay, we'll do it here. It's got some good echo." [6] References to the recording environment and process were made in the field-recorded interview segments made for the promotional CD release, Bone Machine: The Operator's Manual, which threaded together full studio tracks and conversation for a pre-recorded radio show format.

Bone Machine was the first Waits album on which he played drums and percussion extensively. In 1992, Waits stated: "I like to play drums when I'm angry. At home I have a metal instrument called a conundrum with a lot of things hanging off it that I've found - metal objects - and I like playing it with a hammer. I love it. Drumming is therapeutic. I wish I'd found it when I was younger." [7]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [8]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar full.svg [9]
Entertainment Weekly A+ [1]
Los Angeles Times Star full.svgStar full.svgStar full.svgStar half.svg [10]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]
NME 8/10 [12]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
Select 5/5 [15]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]

In a rave review for the Los Angeles Times , Chris Willman wrote that "Waits waxes equally fatalistic on morality and mortality" on Bone Machine, and that even "amid all this casual morbidity", the album's "low-fi, home-studio" sounds make the album "so much—in a manner of speaking—fun." [10] "Rhythmically," said Greg Kot of the Chicago Tribune , "it's the most varied and impressive group of songs Waits has written, and damaged voice and all, the tunes are unshakable." [9] Entertainment Weekly 's Billy Altman noted that although listeners may find themselves "shocked, thrilled, or just plain unnerved by some startling image or sound" while listening to Bone Machine, "beneath his hellacious bellows ... and grotesque arrangements ... lurks a caring, humanist heart." [1] NME writer Terry Staunton summarized the album as "scary, mournful, morbid and easily one of Tom's best." [12]

Retrospectively, AllMusic reviewer Steve Huey deemed Bone Machine "Waits' most affecting and powerful recording, even if it isn't his most accessible", noting the album's "chilling, primal sound" and fixation with "decay and mortality, the ease with which earthly existence can be destroyed." [8]

Bone Machine was included on several "Best Albums of the 1990s" lists, being ranked at No. 49 by Pitchfork [17] and No. 53 by Rolling Stone . [18] The album was also included in the book 1001 Albums You Must Hear Before You Die . [19] Elvis Costello included it on his list of essential albums, highlighting "A Little Rain" and "I Don't Wanna Grow Up". [20]

Track listing

No.TitleWriter(s)Length
1."Earth Died Screaming" Tom Waits 3:39
2."Dirt in the Ground"4:08
3."Such a Scream"Waits2:07
4."All Stripped Down"Waits3:04
5."Who Are You"
  • Waits
  • Brennan
3:58
6."The Ocean Doesn't Want Me"Waits1:51
7."Jesus Gonna Be Here"Waits3:21
8."A Little Rain"
  • Waits
  • Brennan
2:58
9."In the Colosseum"
  • Waits
  • Brennan
4:50
10."Goin' Out West"
  • Waits
  • Brennan
3:19
11."Murder in the Red Barn"
  • Waits
  • Brennan
4:29
12."Black Wings"
  • Waits
  • Brennan
4:37
13."Whistle Down the Wind"Waits4:36
14."I Don't Wanna Grow Up"
  • Waits
  • Brennan
2:31
15."Let Me Get Up on It"Waits0:55
16."That Feel"3:11

Personnel

Performance

Production

Charts

Chart performance for Bone Machine
Chart (1992)Peak
position
Australian Albums (ARIA) [21] 41
Austrian Albums (Ö3 Austria) [22] 22
Dutch Albums (Album Top 100) [23] 31
German Albums (Offizielle Top 100) [24] 42
New Zealand Albums (RMNZ) [25] 36
Norwegian Albums (VG-lista) [26] 15
Swedish Albums (Sverigetopplistan) [27] 38
Swiss Albums (Schweizer Hitparade) [28] 21
UK Albums (OCC) [29] 26
US Billboard 200 [30] 176

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References

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  2. "Bone Machine album credits". www.lib.ru. Retrieved 2007-11-23.
  3. "Fight Club Soundtrack Guide: Every Song & When They Play". Screen Rant . March 14, 2023.
  4. "35th Annual GRAMMY Awards".
  5. McDermid, Charles. "Dream Maker:Prairie Sun Recording Studio chief Mark "Mooka" Rennick is a musician's best friend". MetroActive Music. Retrieved 2007-11-23.
  6. Interview with Brian Bannon for Thrasher magazine, February 1993; collected in Innocent When You Dream p.146
  7. Peter Orr. "Tom Waits at work in the fields of the song" Reflex, issue 28, October 6, 1992; as quoted on Percussion Instruments on TomWaitsFan.com, accessed 13 November 2020
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  13. Gill, Andy (October 1992). "Formidable". Q . No. 73. p. 100.
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Sources