Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Martin L. Puryear is an Afro-American artist known for his devotion to traditional craft. Working in a variety of media, but primarily wood, his reductive technique and meditative approach challenge the physical and poetic boundaries of his materials. The artist's Liberty/Libertà exhibition represented the United States at the 2019 Venice Biennale.
Stelarc is a Cyprus-born Australian performance artist raised in the Melbourne suburb of Sunshine, whose works focus heavily on extending the capabilities of the human body. As such, most of his pieces are centred on his concept that "the human body is obsolete". Until 2007 he held the position of principal research fellow in the Performance Arts Digital Research Unit at Nottingham Trent University in Nottingham, England. He is currently furthering his research at Curtin University in Western Australia.
Robotic art is any artwork that employs some form of robotic or automated technology. There are many branches of robotic art, one of which is robotic installation art, a type of installation art that is programmed to respond to viewer interactions, by means of computers, sensors and actuators. The future behavior of such installations can therefore be altered by input from either the artist or the participant, which differentiates these artworks from other types of kinetic art.
BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.
Judy Pfaff is an American artist known mainly for installation art and sculptures, though she also produces paintings and prints. Pfaff has received numerous awards for her work, including a John D. and Catherine T. MacArthur Foundation Fellowship in 2004 and grants from the John Simon Guggenheim Memorial Foundation (1983) and the National Endowment for the Arts. Major exhibitions of her work have been held at the University of Wisconsin–Madison, the Denver Art Museum and Saint Louis Art Museum. In 2013 she was elected to the American Academy of Arts and Sciences. Video interviews can be found on Art 21, Miles McEnery Gallery, MoMa, Mount Holyoke College Art Museum and other sources.
Lee Bul is a South Korean artist who works in various mediums, including performance, sculpture, installation, architecture, printmaking, and media art. Lives and works in Seoul, Lee's work has extended from the late 1980s to the present.
Paul DeMarinis (1948) is an American visual and sound artist, specializing in electronic music composer, sound, performance, and computer-based artist. Since the 1970s he has been active in creating digital sound sculptures, one of the early innovators of sound art. He is currently a professor of art at Stanford University.
Michelle Lopez is an American sculptor and installation artist, whose work incorporates divergent industrial materials to critique present day cultural phenomena. She lives and works in Philadelphia, PA.
Time's Up is an international group of artists founded in 1996 in Linz on the Danube, Austria, and based in the port area. The "Laboratory for Experimental Situations" (self-definition) develops a wide variety of spatial installations, some of which can be classified as interactive and others as mechanical art. Older works of the group mainly refer to questions, aspects and interactions of human perception, control and biomechanics. The more recent works of the group are characterized by a distinct narrative character. Accordingly, fictional or semi-fictional characters, stories and the design of the environment play a correspondingly important role in their current narrative productions and installations. Time's Up's oeuvre has been presented in Europe, the United States, Africa, Asia and Australia.
Tricia McLaughlin is a New York City-based American visual artist whose works in animation, sculpture and painting often deal with the themes of fantastic or impossible architecture and their impact on potential inhabitants. Her work has been exhibited throughout the US, as well as in the UK, Valencia, Spain, Berlin, Germany, Cyprus, South Korea, and Kyoto, Japan, and she is a recipient of the Guggenheim and a New York Foundation for the Arts grants.
Federico Díaz is an artist of Czech-Argentine descent who lives and works in Prague. He has exhibited at the Mori Art Museum Tokyo, CAFA Museum Beijing, Institute of Contemporary Arts London, Center for Art and Media Karlsruhe, Ars Electronica Linz, Massachusetts Museum of Contemporary Art, Art Basel in Miami Beach, the Florence Biennale, at the 54thVenice Biennale, the Brno House of Arts, Royal Institute of British Architects and had a project with the University of Cambridge. In 2010 he represented Czech art at the World Expo 2010 in Shanghai. In 2007 he received the Premio Internazionale Lorenzo il Magnifico for digital media at the Florence Biennale.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Jennie C. Jones is an African-American artist living and working in Brooklyn, New York. Her work has been described, by Ken Johnson, as evoking minimalism, and paying tribute to the cross-pollination of different genres of music, especially jazz. As an artist, she connects most of her work between art and sound. Such connections are made with multiple mediums, from paintings to sculptures and paper to audio collages. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, one of the biggest awards given to an individual artist in the United States. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of 50,000 dollars. In December 2015 a 10-year survey of Jones's work, titled Compilation, opened at the Contemporary Arts Museum in Houston, Texas.
Steffani Jemison is an American artist, writer, and educator. Her videos and multimedia projects explore the relationship between Black embodiment, sound cultures, and vernacular practices to modernism and conceptual art. Her work has been shown at the Museum of Modern Art, Brooklyn Museum, Guggenheim Museum, Whitney Museum, Stedelijk Museum Amsterdam, and other U.S. and international venues. She is based in Brooklyn, New York and is represented by Greene Naftali, New York and Annet Gelink, Amsterdam.
Franz Fischnaller is a new media artist and transdisciplinary researcher. He is recognized for the creation of his digital, virtual reality and interactive art installations works across the fields of art, technology, humanities and cultural heritage.
Peter Burr is an American digital and new media artist. He specializes in animation and installation. He was also a touring member of the collective MOBILIVRE-BOOKMOBILE; and founded the video production company, Cartune Xprez. He is based in Brooklyn, New York.
Mario Klingemann is a German artist best known for his work involving neural networks, code, and algorithms. Klingemann was a Google Arts and Culture resident from 2016 to 2018, and he is considered as a pioneer in the use of computer learning in the arts. His works examine creativity, culture, and perception through machine learning and artificial intelligence, and have appeared at the Ars Electronica Festival, the Museum of Modern Art New York, the Metropolitan Museum of Art New York, the Photographers’ Gallery London, the Centre Pompidou Paris, and the British Library. Today he lives in Munich, where, in addition to his art under the name "Dog & Pony", he still runs a creative free space between gallery and Wunderkammer with the paper artist Alexandra Lukaschewitz.
Ai-Da is a robotic art exhibition created by British artist Aidan Meller, which has been described by its creator as "the world's first ultra-realistic humanoid robot". Completed in 2019, Ai-Da is an android incorporating computer graphics and artificial intelligence algorithms that makes drawings, paintings, and sculptures. It is named after Ada Lovelace.
Jane South is a British American artist and educator known for large scale installations, mixed media constructions, and fabric wall pieces.
