Doily

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Representation of ears of ripe wheat used as a table linen Wheat 2641t.jpg
Representation of ears of ripe wheat used as a table linen
Armenian Needlelace ArmenianNeedlelace.jpg
Armenian Needlelace
Eliza A. Jordson, Brooklyn L.I. 1848. Algae or seaweed specimen, pasted on colored construction paper, framed by paper lace doilies. Brooklyn Museum. Algae or seaweed specimen, pasted on colored construction paper, framed by paper lace doilies. The algae have been arranged into designs and scenes, 1848.jpg
Eliza A. Jordson, Brooklyn L.I. 1848. Algae or seaweed specimen, pasted on colored construction paper, framed by paper lace doilies. Brooklyn Museum.
A crocheted doily in use Napperon.JPG
A crocheted doily in use
Queen Elizabeth II holds a doily-wrapped posy. Wakefield queen3.jpg
Queen Elizabeth II holds a doily-wrapped posy.
Macarons on a paper doily Macarons on a paper doily, October 2010.jpg
Macarons on a paper doily

A doily (also doiley, doilie, doyly, or doyley) is an ornamental mat, typically made of paper or fabric, and variously used for protecting surfaces or binding flowers, in food service presentation, or as a clothing ornamentation, as well as a head covering for Jewish women and Christian women. It is characterized by openwork, which allows the surface of the underlying object to show through.

Contents

Doilies can be constructed in a variety of techniques, and the doily motif can also be represented in atypical non-textile formats.

Etymology

Doiley was a 17th-century London draper, [1] who made popular "a woolen stuff, 'at once cheap and genteel,' introduced for summer wear in the latter part of the 17th c." [2] [3] At the time, it was used as an adjective, as in "doily stuffs" or "doily suit". Later, usage shifted to refer to "a small ornamental napkin used at dessert," known as a "doily-napkin". [2]

Usage

Headcovering

The doily is worn as a headcovering for Jewish women as an alternative to the traditional tichel (headscarf). [4]

The doily is used as a headcovering by many Christian women who wear them in obedience to 1 Corinthians 11:1–13, especially by Conservative Anabaptist Christian women, including certain Conservative Mennonite fellowships such as the Biblical Mennonite Alliance. [5]

Furniture protection

In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects such as nativity scenes, or from spilled tea when used on tea trays or with cups and saucers. When used to protect the backs and arms of chairs, they are serving as antimacassars.

Flower arrangement

Doilies are traditionally used to bind the stems in posies (formal flower arrangements called tussie-mussies in the Victorian Era). [6]

Food service and etiquette

Doilies figure prominently in the custom of finger bowls, once common in formal, multi-course dinners. The linen doily (never paper) separates the dessert plate from the finger bowl. The custom requires that both doily and finger bowl are removed to the upper left of the place setting before briefly dipping fingertips into the water and drying them on the napkin. Failing to move both together is considered a faux pas.

Disposable paper doilies "were designed as a cheaper but respectable alternative to crocheted linen doilies" and are commonly used to decorate plates, placed under the food for ornamentation.

Backlash to disrespect for doily craftswomen

In response to a museum's diminishment of the work and value of women's textiles, scholar Elena Kanagy-Loux defended the artistry, value, and skill of the makers of doilies. [7] Cultural doily work and motifs have been celebrated by contemporary artists, including public art pieces [8] and shows. Collectors of doily textile art pieces find a wide range of styles and techniques are available. [9]

Techniques

They are crocheted, tatted or knitted out of cotton or linen thread. Many patterns for crocheting or knitting doilies were published by thread manufacturers in the first part of the 20th century. The designers were often uncredited. The designs could be circular or oval starting from the center and working outward, reminiscent of the polar coordinates system. Doilies, as well as other household items, may be made by crocheting rows on a grid pattern using a technique called filet crochet, similar to points on the cartesian coordinate system.

Contemporary designers continue to make patterns for modern hand craft enthusiasts. Although it may to some extent interfere with the original use, some doilies involve embroidery or have raised designs (rose petals, popcorn, or ruffles) rather than being flat.

Italian-American doily representation in public art Starr Sb-center (7704416522).jpg
Italian-American doily representation in public art

See also

Related Research Articles

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

<span class="mw-page-title-main">Tatting</span> Craft of making lace with loops and knots using a small shuttle

Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.

<span class="mw-page-title-main">Needlework</span> Craft of creating or decorating objects using needle

Needlework is decorative sewing and textile arts handicrafts. Anything that uses a needle for construction can be called needlework. Needlework may include related textile crafts such as crochet, worked with a hook, or tatting, worked with a shuttle.

<span class="mw-page-title-main">Lace</span> Openwork fabric, patterned with open holes in the work, made by machine or by hand

Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is split into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.

<span class="mw-page-title-main">Chain stitch</span> Type of embroidery stitch

Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.

<span class="mw-page-title-main">Macramé</span> Technique of knotting cords or thick yarns to make lace or fringe

Macramé is a form of textile produced using knotting techniques.

<span class="mw-page-title-main">Armenian needlelace</span>

Armenian needlelace is a pure form of needle lace made using only a needle, thread and pair of scissors.

<span class="mw-page-title-main">Knitted fabric</span> Textile material made using knitting techniques, often by machine knitting

Knitted fabric is a textile that results from knitting, the process of inter-looping of yarns or inter-meshing of loops. Its properties are distinct from woven fabric in that it is more flexible and can be more readily constructed into smaller pieces, making it ideal for socks and hats.

<span class="mw-page-title-main">Picot</span>

A picot is a loop of thread created for functional or ornamental purposes along the edge of lace or ribbon, or crocheted, knitted or tatted fabric. The loops vary in size according to their function and artistic intention.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

<span class="mw-page-title-main">Cutwork</span> Needlework technique

Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace.

<span class="mw-page-title-main">Walter Weldon</span> English chemist, journalist, and publisher of needlework patterns (1832–1885)

Walter Weldon FRS FRSE was a 19th-century English industrial chemist and journalist. He was President of the Society of Chemical Industry from 1883-84.

<span class="mw-page-title-main">Mathematics and fiber arts</span> Ideas from Mathematics have been used as inspiration for fiber arts

Ideas from mathematics have been used as inspiration for fiber arts including quilt making, knitting, cross-stitch, crochet, embroidery and weaving. A wide range of mathematical concepts have been used as inspiration including topology, graph theory, number theory and algebra. Some techniques such as counted-thread embroidery are naturally geometrical; other kinds of textile provide a ready means for the colorful physical expression of mathematical concepts.

Tulle-bi-telli, also known as Assuit or 'Assiut after Asyut where it is made, is a textile marrying cotton or linen mesh with small strips of metal. The first documentation of fabric is in the 18th century. Other spellings include assuite, asyut, assyut, asyute, and azute. The name translates roughly as "net with metal".

<span class="mw-page-title-main">English embroidery</span> Embroidery worked in England or by English people abroad

English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.

<span class="mw-page-title-main">String (structure)</span> Flexible structure made from fibers twisted together

String is a long flexible structure made from fibers twisted together into a single strand, or from multiple such strands which are in turn twisted together. String is used to tie, bind, or hang other objects. It is also used as a material to make things, such as textiles, and in arts and crafts. String is a simple tool, and its use by humans is known to have been developed tens of thousands of years ago. In Mesoamerica, for example, string was invented some 20,000 to 30,000 years ago, and was made by twisting plant fibers together. String may also be a component in other tools, and in devices as diverse as weapons, musical instruments, and toys.

<span class="mw-page-title-main">Hedebo embroidery</span> Danish white embroidery

The term Hedebo embroidery covers several forms of white embroidery which originated in the Hedebo (heathland) region of Zealand, Denmark, in the 1760s. The varied techniques which evolved over the next hundred years in the farming community were subsequently developed by the middle classes until around 1820. They were applied to articles of clothing such as collars and cuffs but were also used to decorate bed linen.

<span class="mw-page-title-main">Herbert Niebling</span> Designer of lace knitting patterns (b. 1903, d. 1966)

Herbert Niebling was a master designer of the style of lace knitting called Kunststricken (art-knitting). Today, his designs remain popular with lace knitting enthusiasts.

References

  1. "Doily". Merriam-Webster Online Dictionary. 2009.
  2. 1 2 "Doily, adj. and n." Oxford University Press.
  3. Harper, Douglas. "doily". Online Etymology Dictionary .
  4. Goldman, Ari L. (2 October 2007). Being Jewish: The Spiritual and Cultural Practice of Judaism Today. Simon and Schuster. p. 219. ISBN   978-1-4165-3602-4.
  5. Stevick, Richard A. (15 June 2014). Growing Up Amish: The Rumspringa Years. JHU Press. p. 319. ISBN   978-1-4214-1371-6.
  6. Felbinger, Elaine (May–June 2005). "Tussie Mussies". SUBROSA: The Huntington Rose and Perennial Gardens Newsletter (42). huntingtonbotanical.org/. Retrieved 26 January 2014.
  7. Kanagy-Loux, Elena (2024-04-25). "My Grandma's Doilies Are Not a Joke". Hyperallergic. Retrieved 2024-05-23.
  8. "A Continuous Thread". MTA. Retrieved 2024-05-23.
  9. "The Push-Pull of Doilies: Revered, Reviled, and Reconceived". PieceWork. Retrieved 2024-05-23.