Elaine Mayes

Last updated

Elaine Mayes
Born (1936-10-01) October 1, 1936 (age 87)
NationalityAmerican
Education San Francisco Art Institute
Stanford University
OccupationPhotographer
Website www.elainemayesphoto.com

Elaine Mayes (born October 1, 1936) is an American photographer and a retired professor at New York University's Tisch School of the Arts.

Contents

Academia

Beginning in 1968, she taught at the University of Minnesota, and in 1971 joined Jerome Liebling as part of the founding faculty at Hampshire College, where she taught for ten years. [1] Her students included documentary filmmakers Ken Burns, Michel Negroponte, Roger Sherman, Buddy Squires, Kirk Simon, and Karen Goodman. [2] [3] In 1976, Mayes, and former students Burns and Sherman, founded a production company called Florentine Films in Walpole, New Hampshire. The company's name was borrowed from Mayes' hometown of Florence, Massachusetts. She left the company after 1 year.

In 2009 Hampshire established an endowment in Mayes' name to support student projects in film, photography and video. [4] Mayes also taught at Pratt Institute, The International Center of Photography, Bard College and New York University where she retired as Chair of the Photography Department in the Tisch School of the Arts in 2000. [5]

Subject matter

Known for her portraits of San Francisco's Haight-Ashbury residents in 1967-8 and for her iconic images of rock and roll performers in the late 1960s, Mayes' subject matter has also included landscapes and conceptual projects including her series, Autolandscapes, made with a National Endowment for the Arts Fellowship from a moving car while traveling across the country in 1971. She also photographed the New York downtown rock scene of the 1980s. [6] In 1982 she received a New York State CAPS grant. In 1985 she and No Theater of Northampton received a Massachusetts State Foundation for the Arts grant in support of a collaborative work, 'Photoplay.'

Collections

Mayes' photographic work is included in the permanent collections of the Metropolitan Museum of Art, [7] The Museum of Modern Art, [8] The Museum of Fine Arts, Boston, [9] The San Francisco Museum of Modern Art, the Telfair Museum of Art in Savannah, Georgia and a number of other art institutions across the United States.

Her videography was included in "Silverlake Life" (1992), an award-winning documentary that observed the struggles of film maker Tom Joslin and his partner with AIDS. [10] Mayes' Hawaii photographs were exhibited at the Honolulu Museum of Art Spalding House (formerly known as The Contemporary Museum, Honolulu) in 2003. [11] In the same year her book of photographs of the Monterey Pop Festival, "It Happened In Monterey", was published by Britannia Press. A selection of these photographs was included in the Criterion 2002 DVD release "The Complete Monterey Pop" along with commentary by Mayes. [12] Her Haight Ashbury portraits were exhibited at the Steven Kasher Gallery in Manhattan, and her work was included in group shows at MOMA. [13] In 2010 her work was included at SFMOMA's 75th Anniversary Exhibition. [14] Her 2014 book "Recently" grew out of her "unexpected nomadic life that lasted from 2006 until 2013. The photographs were taken in response to what I saw and experienced and can be seen as a visual diary." [15] In 2017 her photographs appeared in the De Young museum show "The Summer of Love Experience." [16]

Fellowships and grants

In 1978 she received two NEA Fellowships, [17] including an individual grant and support for participation in a Survey Grant that resulted in The Long Island Project, sponsored by Apeiron Workshops, now housed at Hofstra University. [18] [19]

In 1991 Mayes received a Guggenheim Fellowship [20] to photograph in Hawaii, and with an Atherton Foundation grant (2003) published this work in a limited edition book titled "Ki'i No Hawai'i" in 2009.

Related Research Articles

Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.

<span class="mw-page-title-main">Jay DeFeo</span> American painter (1929–1989)

Jay DeFeo was a visual artist who became celebrated in the 1950s as part of the spirited community of Beat artists, musicians, and poets in San Francisco. Best known for her monumental work The Rose, DeFeo produced courageously experimental works throughout her career, exhibiting what art critic Kenneth Baker called “fearlessness.”

<span class="mw-page-title-main">Ruth-Marion Baruch</span> American photographer

Ruth-Marion Baruch, was a German-born American photographer, remembered for her pictures of the San Francisco Bay Area in the 1960s.

<span class="mw-page-title-main">Henry Wessel Jr.</span> American photographer and educator (1942–2018)

Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".

Lois Conner is an American photographer. She is noted particularly for her platinum print landscapes that she produces with a 7" x 17" format banquet camera.

<span class="mw-page-title-main">Jerome Liebling</span> American photographer

Jerome Liebling was an American photographer, filmmaker, and teacher. The documentary filmmaker Ken Burns, who studied with him at Hampshire College, called Liebling his mentor, and used one of Liebling's photographs on the cover of his 2022 book Our America: A Photographic History.

Larry Sultan was an American photographer from the San Fernando Valley in California. He taught at the San Francisco Art Institute from 1978 to 1988 and at the California College of the Arts in San Francisco 1989 to 2009.

<span class="mw-page-title-main">Kapulani Landgraf</span>

Kapulani Landgraf is a Kanaka Maoli artist who is best known for her work in black-and-white photography. Through a series of photographic essays, objects, and installations, Landgraf celebrates Native Hawaiian culture while also addressing the legacies of colonialism and its impact on indigenous Hawaiian rights, value and history. While her work often centers on the negative impacts of land use and development, she also alludes to the resilience of the land and the indigenous population. Landgraf says about her work, "Although much of my work laments the violations on the Hawaiian people, land and natural resources, it also offers hope with allusions to the strength and resilience of Hawaiian land and its people.” Landgraf's most recent work combines photographic series with objects and installations.

<span class="mw-page-title-main">Eileen Cowin</span> American artist and photographer

Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."

<span class="mw-page-title-main">Meridel Rubenstein</span> American artist

Meridel Rubenstein is an American photographer and installation artist based out of New Mexico. She is known for her large-format photographs incorporating sculptures and unusual media.

Sage Sohier is an American photographer and educator.

Joyce Neimanas is an American artist known for her unorthodox approach to photography and mixed-media works.

Merry Alpern is an American photographer whose work has been shown in museums and exhibitions around the country including the Whitney Museum of American Art, San Francisco Museum of Modern Art, Museum of Modern Art, National Museum of Women in the Arts, and The Museum of Fine Arts, Houston. Her most notable work is her 1993-94 series Dirty Windows, a controversial project in which she took photos of an illegal sex club through a bathroom window in Manhattan near Wall Street. In 1994, the National Endowment for the Arts rejected recommended photography fellowships to Alpern, as well as Barbara DeGenevieve and Andres Serrano. Merry Alpern became one of many artists assaulted by congressional conservatives trying to defund the National Endowment for the Arts because of this series. As a result, museums such as the Museum of Modern Art in New York and San Francisco rushed to exhibit the series. She later produced and exhibited another series called Shopping which included images from hidden video cameras, taken in department stores, malls, and fitting rooms between 1997-99.

Barbara Bosworth is an American artist, educator, and photographer. She works primarily with a large-format, 8x10 view camera and focuses on the relationship between humans and nature. Bosworth's works have been included in magazines, journals, books and permanent collections, and shown in solo exhibits nationally and internationally. In 1985, she won a Guggenheim fellowship for her photographic work.

Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.

Holly Roberts is an American visual artist known best for her combination of photography and paint. “Holly Roberts caused a stir in the fine art photography world of the eighties by fusing painting and photography, painting directly onto photographs”. Roberts lives and works in Corrales, New Mexico. Her work is in the permanent collection of several museums in the United States.

Robert Stiegler (1938–1990) was a Chicago filmmaker and photographer, whose work grew out of the approaches to photography and design taught at the Institute of Design (ID) in the 1960s and 1970s. His work is in the collections of the Museum of Modern Art in New York, the Art Institute of Chicago, the George Eastman House, the Museum of Contemporary Art in Chicago, and the University of Illinois Chicago. His films Traffic (1960), Capitulation (1965), Licht Spiel Nur 1 (1967), and Full Circle (1968) are housed at the Chicago Film Archives.

<span class="mw-page-title-main">Janet Delaney</span> American photographer and educator

Janet Delaney is an American photographer and educator based in Berkeley, California. Her books include South of Market (2013) and Public Matters (2018).

Angela Strassheim is an American photographer living and working in Brooklyn, New York and Jerusalem. Prior to receiving her MFA from Yale in 2003, Strassheim worked as a certified forensic photographer. In this capacity she produced crime scene, evidence, and surveillance photography in Miami. Later, having moved to New York, she began to photograph autopsies as well.

<span class="mw-page-title-main">Steve Fitch</span> American photographer

Steve Fitch is an American photographer, visual artist, academic and author. He was a Professor of Photography at the Santa Fe University of Art and Design.

References

  1. Office of Communications (January 3, 2012). "Elaine Mayes Grants for Division III Work". Hampshire College. Hampshire College. Retrieved January 28, 2015.
  2. Ken Burns' Cinematic Walk in the Park | International Documentary Association
  3. Academy Award Win for ‘Strangers No More’
  4. Hampshire College Hampshire Funding for Projects and Internships
  5. Mayes: Tisch School of the Arts at NYU
  6. "Elaine Mayes | Debbie Harry, from television, 1983". Archived from the original on October 2, 2011. Retrieved May 5, 2011.
  7. The Metropolitan Museum of Art – Taxi and Landscape – San Francisco
  8. MoMA | The Collection | Elaine Mayes. Untitled. September 3, 1968
  9. "Search: Elaine Mayes". Museum of Fine Arts, Boston. Museum of Fine Arts, Boston. Retrieved January 28, 2015.
  10. Silverlake-Life-The-View-From-Here – Cast, Crew, Director and Awards|work=The New York Times
  11. "Honolulu Museum of Art » Spalding House". Archived from the original on July 20, 2011. Retrieved April 19, 2011.
  12. The DVD Journal | Reviews : The Complete Monterey Pop Festival
  13. "Into the Sunset: Photography's Image of the American West", page x, Eva Respini, Museum of Modern Art, 2009
  14. "SFMOMA | Exhibitions + Events | Calendar | 75 Reasons to Live: Day 1". Archived from the original on January 21, 2011. Retrieved May 5, 2011.
  15. "Elaine Mayes Photographer – Recently". www.elainemayesphoto.com. Retrieved March 14, 2019.
  16. Hotchkiss, Sarah (June 5, 2017). "She Photographed Jimi Hendrix Without Knowing His Name". KQED. Retrieved June 5, 2017.
  17. National Endowment for the Arts Annual Report, 1971, page 125
  18. National Endowment for the Arts Annual Report, 1971, pages 250 & 258
  19. Through the Lens of the City: NEA Photography Surveys of the 1970s, page 227, Mark Rice, University Press of Mississippi, 2005
  20. "Elaine Mayes – John Simon Guggenheim Memorial Foundation". Archived from the original on September 20, 2012. Retrieved April 19, 2011.