Facsimile

Last updated
Les Tres Riches Heures du duc de Berry
, a famous illuminated manuscript, is on view to both the public and to scholars only in the form of a high-quality facsimile Les Tres Riches Heures du duc de Berry decembre.jpg
Les Très Riches Heures du duc de Berry , a famous illuminated manuscript, is on view to both the public and to scholars only in the form of a high-quality facsimile

A facsimile (from Latin fac simile, "to make alike") is a copy or reproduction of an old book, manuscript, map, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and conservation. Many are sold commercially, often accompanied by a volume of commentary.

Contents

The term "fax" is a shortened form of "facsimile", though most faxes are not reproductions of the quality expected in a true facsimile.

Facsimiles in the age of mechanical reproduction

Advances in the art of facsimile are closely related to advances in printmaking. Maps, for instance, were the focus of early explorations in making facsimiles, although these examples often lack the rigidity to the original source that is now expected. [1] An early example is the Abraham Ortelius map (1598). [1] Innovations during the 18th century, especially in the realms of lithography and aquatint, facilitated an explosion in the number of facsimiles of old master drawings that could be studied from afar. [2]

Facsimile of Edgar Allan Poe's original manuscript for The Murders in the Rue Morgue RueMorgueManuscript.jpg
Facsimile of Edgar Allan Poe's original manuscript for The Murders in the Rue Morgue

In the past, techniques and devices such as the philograph (tracing an original through a transparent plane), photostat, hectograph, or lithograph were used to create facsimiles. More recently, facsimiles have been made by the use of some form of photographic technique. For documents, a facsimile most often refers to document reproduction by a photocopy machine. In the digital age, an image scanner, a personal computer, and a desktop printer can be used to make a facsimile.

A separate category consists of the so-called digital facsimiles, which are meant to be stored, viewed, and sometimes edited or annotated on a computer. These are often available online in repositories that consist of manuscripts from a particular location or collection. [3] Such digital facsimiles are considered separate objects from the manuscripts or books that they represent. [4] They are an important research aid, especially for historians.

Facsimiles and conservation

Important illuminated manuscripts like Les Très Riches Heures du duc de Berry are not only on display to the public as facsimiles, but available in high quality to scholars. [5] [6] However, unlike normal book reproductions, facsimiles remain truer to the original colors—which is especially important for illuminated manuscripts—and preserve defects. [7]

Facsimiles are best suited to printed or hand-written documents, and not to items such as three-dimensional objects or oil paintings with unique surface texture. [8] Reproductions of those latter objects are often referred to as replicas.

See also

Related Research Articles

<span class="mw-page-title-main">Codex</span> Historical ancestor of the modern book

The codex was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. In Japan, concertina-style codices called orihon developed during the Heian period (794–1185) were made of paper.

<span class="mw-page-title-main">Manuscript</span> Document written by hand

A manuscript was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.

<span class="mw-page-title-main">Vellum</span> Animal skin used as a writing material

Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin, or simply by being of a higher quality. Vellum is prepared for writing and printing on single pages, scrolls, and codices (books).

Copy may refer to:

<span class="mw-page-title-main">Bodleian Library</span> Research library of the University of Oxford

The Bodleian Library is the main research library of the University of Oxford, and is one of the oldest libraries in Europe. It derives its name from its founder, Sir Thomas Bodley. With over 13 million printed items, it is the second-largest library in Britain after the British Library. Under the Legal Deposit Libraries Act 2003, it is one of six legal deposit libraries for works published in the United Kingdom, and under Irish law it is entitled to request a copy of each book published in the Republic of Ireland. Known to Oxford scholars as "Bodley" or "the Bod", it operates principally as a reference library and, in general, documents may not be removed from the reading rooms.

<span class="mw-page-title-main">Copy editing</span> Improving the formatting, style, and accuracy of text

Copy editing is the process of revising written material ("copy") to improve quality and readability, as well as ensuring that a text is free of errors in grammar, style and accuracy. The Chicago Manual of Style states that manuscript editing encompasses "simple mechanical corrections through sentence-level interventions to substantial remedial work on literary style and clarity, disorganized passages, baggy prose, muddled tables and figures, and the like ". In the context of print publication, copy editing is done before typesetting and again before proofreading. Outside traditional book and journal publishing, the term "copy editing" is used more broadly, and is sometimes referred to as proofreading; the term sometimes encompasses additional tasks.

<span class="mw-page-title-main">Book of hours</span> Type of Christian devotional book, popular in the Middle Ages

Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.

<span class="mw-page-title-main">Vergilius Vaticanus</span>

The Vergilius Vaticanus, also known as Vatican Virgil, is a Late Antique illuminated manuscript containing fragments of Virgil's Aeneid and Georgics. It was made in Rome in around 400 CE, and is one of the oldest surviving sources for the text of the Aeneid. It is the oldest and one of only three ancient illustrated manuscripts of classical literature.

<span class="mw-page-title-main">History of books</span>

The history of books became an acknowledged academic discipline in the 1980s. Contributions to the field have come from textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words. Analysis of each component part of the book reveals its purpose, where and how it was kept, who read it, ideological and religious beliefs of the period, and whether readers interacted with the text within. Even a lack of evidence of this nature leaves valuable clues about the nature of that particular book.

<span class="mw-page-title-main">Codicology</span> Study of codices or manuscript books

Codicology is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features.

<span class="mw-page-title-main">Replica</span> Exact reproduction

A replica is an exact copy or remake of an object, made out of the same raw materials, whether a molecule, a work of art, or a commercial product. The term is also used for copies that closely resemble the original, without claiming to be identical. Copies or reproductions of documents, books, manuscripts, maps or art prints are called facsimiles.

<span class="mw-page-title-main">Aztec codex</span> Manuscripts painted by pre-Columbian and colonial Aztec

Aztec codices are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico.

The conservation and restoration of illuminated manuscripts is the care and treatment of illuminated manuscripts which have cultural and historical significance so that they may be viewed, read, and studied now and in the future. It is a specialty case of the conservation and restoration of parchment within the field of conservation and restoration of books, manuscripts, documents and ephemera.

<i>Antiquities of Mexico</i>

Antiquities of Mexico is a compilation of facsimile reproductions of Mesoamerican literature such as Maya codices, Mixtec codices, and Aztec codices, and also historical accounts and explorers' descriptions of archaeological ruins. It was assembled and published by Edward King, Viscount Kingsborough, in the early decades of the 19th century. While much of the material pertains to pre-Columbian cultures, there are also documents relevant to studies of the Spanish conquest of the Aztec Empire. Antiquities of Mexico was produced to make copies of rare manuscripts in European collections available for study by scholars.

<i>Commentary on the Apocalypse</i> Book by Beatus of Liébana

Commentary on the Apocalypse is a book written in the eighth century by the Spanish monk and theologian Beatus of Liébana (730–785) and copied and illustrated in manuscript in works called "Beati" during the 10th and 11th centuries AD. It is a commentary on the New Testament Apocalypse of John or Book of Revelation. It also refers to any manuscript copy of this work, especially any of the 27 illuminated copies that have survived. It is often referred to simply as the Beatus. The historical significance of the Commentary is made even more pronounced since it included a world map, which offers a rare insight into the geographical understanding of the post-Roman world. Well-known copies include the Morgan, the Saint-Sever, the Gerona, the Osma and the Madrid Beatus codices.

M. Moleiro Editor is a publishing house specialising in high-quality facsimile reproductions of codices, maps and illuminated manuscripts. Founded in Barcelona in 1991, the firm has reproduced many masterpieces from the history of illumination.

<span class="mw-page-title-main">Taddeo Crivelli</span> Italian painter

Taddeo Crivelli, also known as Taddeo da Ferrara, was an Italian painter of illuminated manuscripts. He is considered one of the foremost 15th-century illuminators of the Ferrara school, and also has the distinction of being the probable engraver of the first book illustrated with maps, which was also the first book using engraving.

<span class="mw-page-title-main">Outline of books</span> Overview of and topical guide to books

The following outline is provided as an overview of and topical guide to books:

<span class="mw-page-title-main">British Library, Harley MS 3686</span> 15th-century Venetian hand-written copy of Ptolemys Geographia

Harley MS 3686 is an early 15th-century Venetian hand-written re-creation of Claudius Ptolemy’s Geographia. It is part of the Harleian Collection at the British Library.

<span class="mw-page-title-main">Kennicott Bible</span> 15th-century illuminated Hebrew Bible codex

The Kennicott Bible, also known as the First Kennicott Bible, is an illuminated manuscript copy of the Hebrew Bible, copied in the city of A Coruña in 1476 by the calligrapher Moses ibn Zabarah and illuminated by Joseph ibn Hayyim. This manuscript is considered by some, such as the historian Carlos Barros Guimeráns, to be the most important religious manuscript of medieval Galicia. It is also regarded as one of the most exquisite illuminated manuscripts in Hebrew in an article published by the Library of the University of Santiago de Compostela, and the most lavishly illuminated Sephardic manuscript of the 15th century by Katrin Kogman-Appel.

References

  1. 1 2 C. Koeman, "An Increase in Facsimile Reprints", Imago Mundi, vol. 18 (1964), pp. 87-88.
  2. Craig Hartley, "Aquatint", The Oxford Companion to Western Art, ed. Hugh Brigstocke. Oxford University Press, 2001; Grove Art Online, Oxford University Press, 2005. [accessed 20 April 2008].
  3. "e-codices. Virtual Manuscript Library of Switzerland". www.e-codices.unifr.ch. Retrieved 2024-04-12.
  4. Fafinski, Mateusz (2021-04-01). "Facsimile narratives: Researching the past in the age of digital reproduction". Digital Scholarship in the Humanities. 37 (1): 94–108. doi:10.1093/llc/fqab017. ISSN   2055-7671.
  5. "Facsimile Editions - Our Books in Public Institutions". www.facsimile-editions.com. Archived from the original on 2017-07-16. Retrieved 2019-05-23.
  6. Paul Lewis, "Preservation takes rare manuscripts from the public", New York Times - 25 January 1987 [accessed 19 April 2008].
  7. Bronwyn Stocks, "The Facsimile and the Manuscript", - an exhibition in the Leigh Scott Gallery, University of Melbourne (on-line catalogue with additional images).
  8. Richard Godfrey, "Reproduction reproductive prints", The Oxford Companion to Western Art, ed. Hugh Brigstocke. Oxford University Press, 2001; Grove Art Online, Oxford University Press, 2005. [accessed 20 April 2008].