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No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
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NIGHT is an art/fashion/music/literature/nightlife periodical co-edited by Anton Perich and Robert Henry Rubin. Established in Manhattan, New York, in 1978 the magazine was created during the punk-new wave-disco nightclub era of among others; Studio 54, Xenon, Club A, Regine's, The Continental, Hurrah's, Danceteria, and the Mudd Club. Today the magazine continues to focus on the beautiful, the exclusive, the intelligent and the controversial. Among the contributors have been Charles Plymell, Helmut Newton. Taylor Mead, Harold Stevenson, Victor Bockris, Lee Klein, Charles Henri Ford and countless others.
The World was a large nightclub in New York City, which operated from the early 1980's until 1991 at 254 East 2nd Street, in Manhattan's East Village neighborhood. The venue, which included a secondary establishment called "The It Club," was housed in a former catering hall and theater. The World attracted a clientele that was economically, racially, and sexually diverse, and included artists, celebrities, and fashion designers, such as Keith Haring, Afrika Bambaataa, Madonna, Brooke Shields, Prince, Stephen Sprouse, RuPaul, and Carolina Herrera, together with banjee boys and members of voguing houses
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Haoui Montaug was a doorman of the New York City nightclubs Hurrah, Mudd Club, Danceteria, Studio 54, and the Palladium. Montaug also ran the roving cabaret revue No Entiendes which showcased among others a young Madonna and early performances by the Beastie Boys.
Scott B and Beth B were among the best-known New York No Wave underground film makers of the late 1970s and early 1980s.
References
- ↑ Post, H.: "New Wave After Dark: The Big Clubs, New York, Pg. 55, Nov. 3, 1980.
- ↑ New York Rock: From the Rise of The Velvet Underground to the Fall of CBGB by Steven Blush
- ↑ Shapiro, P.: Turn the Beat Around: The Secret History of Disco, page 256. Faber & Faber, October 2006.
- ↑ Christgau, Robert: "The Pazz & Jop Critics' Poll (Almost) Grows Up", Village Voice, Jan. 28, 1980.
- ↑ Shore, M.: The Rolling Stone Book of Rock Video, pg. 73, Quill, 1984.
- ↑ Haden-Guest, Anthony: "The gang of new york", The Observer, 18 July 2004.
- ↑ Martin, D.: "Arthur Weinstein, Starter of Nightclubs, Dies at 60", The New York Times, July 16, 2008.
- ↑ Palmer, R.: "New York Rock Bands Excite London", The New York Times, February 20, 1981.
- ↑ "The Pazz & Jop Critics' Poll (Almost) Grows Up", Village Voice, Jan. 28, 1980.
- ↑ Gussow, Mel (17 April 1978). "The Neon Woman' by Eyen is Staged". The New York Times.
- ↑ "Search - Lortel Archives". www.lortel.org. Archived from the original on 2016-03-07.
- ↑ Tucker, R.: "My New York: Sid & Nancy", The New York Post, July 27, 2010.
- ↑ Pegg, Nicholas: The Complete David Bowie, Reynolds & Hearn, 2000.
- ↑ "Haoui Montaug; Disco Doorman, 39". The New York Times. p. 25.
- Shapiro, P. Turn the Beat Around: The Secret History of Disco, Faber & Faber, October 2006.
- Orth, Maureen: "The Beat Comes East," pg. 39, New York, 26 March 1979.
- Turcotte, Bryan Ray, and Miller, Christopher T., Fucked Up + Photocopied: Instant Art of the Punk Rock Movement, Gingko Press, August 1999.
