John Ward Dunsmore (February 29,1856 - 1945) was an American painter who during his career was known as one of the United States' most prominent painters of murals and historical subjects
He was in Paris from 1875 to 1879, where he studied at the Petite Ecole with Aimée Millet and privately with Thomas Couture. [1] In 1879, Dunsmore drew a deathbed portrait of Couture. [2]
Dunsmore painted a number of murals depicting various scenes from the American Revolution for Fraunces Tavern in Lower Manhattan. [3] [4] [5] His works are known for there exacting painstakingly researched historical detail and for the elaborate staging and dressings of models the artist produced in his studio His painting of Wolfgang Amadeus Mozart titled Mozart was exhibited at the 1893 World's Columbian Exposition held in Chicago. [6]
Works by Dunsmore are in the permanent collections of among other institutions and venues the National Portrait Gallery in Washington D.C., [7] The Fraunces Tavern Museum, and the New York Historical Society.
Dunsmore's was president of the Cincinnati Art Club from 1899 to 1902. [8]
Thomas Couture was a French history painter and teacher. He taught such later luminaries of the art world as Édouard Manet, Henri Fantin-Latour, John La Farge, Pierre Puvis de Chavannes, John Ward Dunsmore, Karel Javůrek, William Morris Hunt, and Joseph-Noël Sylvestre.
Events from the year 1879 in art.
Julius Garibaldi Melchers was an American artist. He was one of the leading American proponents of naturalism. He won a 1932 Gold medal from the American Academy of Arts and Letters.
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Gabrielle de Veaux Clements was an American painter, print maker, and muralist. She studied art at the Philadelphia School of Design for Women, Pennsylvania Academy of the Fine Arts, and in Paris at Académie Julian. Clements also studied science at Cornell University and graduated with a Bachelor of Science degree. She created murals, painted portraits, and made etchings. Clements taught in Philadelphia and in Baltimore at Bryn Mawr School. Her works have been exhibited in the United States and at the Paris Salon. Clements works are in several public collections. Her life companion was fellow artist Ellen Day Hale.
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