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The following is a list of bands, past and present, who have had recordings released on the Dischord Records label:
| | This article needs additional citations for verification .(January 2021) |
The following is a list of bands, past and present, who have had recordings released on the Dischord Records label:
Smart Went Crazy was an American rock band from Washington, D.C.
Solid Brass is the second and final studio album by the band Circus Lupus. It was released by Dischord Records in 1993; its catalog number is DIS79.
Novelty is the second studio album by the American post-hardcore band Jawbox, released by Dischord Records in May 1992. The songs "Tongues" and "Ones and Zeros" were previously released as a single, and "Static" was featured on a split 7-inch with Tar. A video was produced for the track "Cutoff."
Faraquet is an American post-hardcore band from Washington D.C., United States, sometimes placed in the math rock genre. The trio formed in 1997 and disbanded in 2001 after releasing its debut full-length on Dischord Records. Faraquet were influenced by D.C.-based peers like Fugazi, Jawbox, and Nation of Ulysses as well as progressive rock bands like King Crimson. The band has recently reissued all of the material released prior to their full-length and briefly reformed to play shows in support of this project in Brazil and their native Washington, D.C.
No Kill No Beep Beep is the debut album by Q and Not U. It was released on October 24, 2000. The album brought a slightly groovier, more dance-oriented sound to the Dischord label.
Wig Out At Denko's is the second studio album by the American melodic hardcore band Dag Nasty, released in 1987 on Dischord Records.
The Untouchables were an American hardcore punk band that arose from the Washington, D.C. hardcore punk scene of the late 1970s and early 1980s. The band existed from October 1979 until January 1981 and released four tracks.
In Mass Mind is an album by The Make-Up, released in 1998.
The Aquarium is an album by The Aquarium, released in 2006 on the Dischord records label.
Autoclave is a posthumous compilation album by the indie math rock band Autoclave.
Grippe is the first album by the post-hardcore band, Jawbox. It was released in May 1991 on Dischord Records.
Soda Pop * Rip Off is the debut album by American punk rock band Slant 6. It was released in 1994 by Dischord.
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
The Unsustainable Lifestyle is the first full-length CD by indie rock band Beauty Pill. It was released in 2004 on Dischord Records.
The 2008 Houston Dynamo season was the third season of the existence for the Houston franchise. The Houston Dynamo were the defending back-to-back MLS Cup Champions, and sought to become the first club in Major League Soccer history to win three straight MLS Cups. It was the team's third season with head coach Dominic Kinnear, majority owner Philip Anschultz, president Oliver Luck, and chief operating officer Chris Canetti.
Sidra Intersection is a software package used for intersection (junction), interchange and network capacity, level of service and performance analysis, and signalised intersection, interchange and network timing calculations by traffic design, operations and planning professionals.
You Are Right to Be Afraid is the second release by Indie rock band Beauty Pill. It was released in 2003 on Dischord Records.
Sarah Louise Judd was the first commercial photographer in Minnesota. She also established the first schools in the area of Stillwater, Minnesota.
Holy Rollers was an American punk band that formed in 1988 in Washington, D.C. The band initially was composed of guitarist/vocalist Marc Lambiotte, bassist/vocalist Joe Aronstamn, and drummer/vocalist Max Micozzi. Band members alternated lead vocals and Holy Rollers were the first D.C. punk band to incorporate three-part harmonies. Music historians and authors Mark Andersen and Mark Jenkins described the band's sound as "kinetic punk-funk" with "passionate, message-driven songs." Holy Rollers were a part of new trend in post-hardcore artistic diversity that developed within the D.C. punk scene of the late 1980s and early 1990s. They released three albums on Dischord Records, an American punk label that Noisey described as "one of the most respected and revered [record labels], punk or otherwise, in the world." As AllMusic declared, "[w]ithout being an arena act or coming off with the aggrandizing air of one, the Holy Rollers still make big music that can inspire and go beyond simple post-hardcore approaches."
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