Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving and modelling, in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.
A monolith is a geological feature consisting of a single massive stone or rock, such as some mountains. Erosion usually exposes the geological formations, which are often made of very hard and solid igneous or metamorphic rock. Some monoliths are volcanic plugs, solidified lava filling the vent of an extinct volcano.
Ellora Caves are a multi-religious rock-cut cave complex with inscriptions dating from the period 6th century CE onwards, located in the Aurangabad District of Maharashtra, India. They are also called verul caves.
The Church of Saint George is one of eleven rock-hewn monolithic churches in Lalibela, a town in the Amhara Region of Ethiopia. Originally named Roha (Warwar), the historical and religious site was named Lalibela after the King Gebre Mesqel Lalibela of the Zagwe dynasty, who commissioned its construction. He is regarded as a saint by the Ethiopian Orthodox Tewahedo Church.
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term relief is from the Latin verb relevare, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone or wood, the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are made by casting.
Chavín de Huántar is an archaeological site in Peru, containing ruins and artifacts constructed as early as 1200 BC, and occupied until around 400–500 BC by the Chavín, a major pre-Inca culture. The site is located in the Ancash Region, 434 kilometers (270 mi) north of Lima, at an elevation of 3,180 meters (10,430 ft), east of the Cordillera Blanca at the start of the Conchucos Valley.
The Chavín culture is an extinct, pre-Columbian civilization, developed in the northern Andean highlands of Peru around 900 BCE, ending around 250 BCE. It extended its influence to other civilizations along the Peruvian coast. The Chavín people were located in the Mosna Valley where the Mosna and Huachecsa rivers merge. This area is 3,150 metres (10,330 ft) above sea level and encompasses the quechua, suni, and puna life zones. In the periodization of pre-Columbian Peru, the Chavín is the main culture of the Early Horizon period in highland Peru, characterized by the intensification of the religious cult, the appearance of ceramics closely related to the ceremonial centers, the improvement of agricultural techniques and the development of metallurgy and textiles.
Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. Though, in India and China, the terms cave and cavern are often applied to this form of man-made architecture, caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples, tombs, and cave dwellings.
The unfinished obelisk is the largest known ancient obelisk and is located in the northern region of the stone quarries of ancient Egypt in Aswan, Egypt. It was studied in detail by Reginald Engelbach in 1922.
The Kailasha or Kailashanatha temple is the largest of the rock-cut Hindu temples at the Ellora Caves near Chatrapati Sambhaji Nagar district of Maharashtra, India. A megalith carved from a cliff face, it is considered one of the most remarkable cave temples in the world because of its size, architecture, and sculptural treatment. It has been called "the climax of the rock-cut phase of Indian architecture". The top of the structure over the sanctuary is 32.6 metres (107 ft) above the level of the court below, and although the rock face slopes downwards from the rear of the temple to the front, archaeologists believe it was sculpted from a single rock.
The Avukana statue is a standing statue of the Buddha near Kekirawa in North Central Sri Lanka. The statue, which has a height of more than 14 m (46 ft), depicts the Buddha with a hand raised in reassurance, a variation of the Abhaya mudra. The Avukana statue is one of the best examples of a standing statue built in Sri Lanka. It is now a popular tourist attraction.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
The Undavalli Caves, a monolithic example of Indian rock-cut architecture and one of the finest testimonials to ancient viswakarma sthapathis, are located in Vijayawada of Guntur district in the Indian state of Andhra Pradesh. The caves are located south west of Vijayawada, 22 km north east of Guntur City of Andhra Pradesh. It is one of the centrally protected monuments of national importance.
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
The Gal Vihara, and known originally as the Uttararama, is a rock temple of the Buddha situated in the ancient city Polonnaruwa, the capital of the ancient Kingdom of Polonnaruwa, now present-day Polonnaruwa, in North Central Province, Sri Lanka. It was fashioned in the 12th century by King Parakramabahu I. The central feature of the temple is four rock relief statues of the Buddha, which have been carved into the face of a large granite gneiss rock. The images consist of a large seated figure, another smaller seated figure inside an artificial cavern, a standing figure, and a reclining figure. These are considered to be some of the best examples of ancient Sinhalese sculpting and carving arts, and have made the Gal Vihara the most visited monument at Polonnaruwa.
The architecture of Ethiopia varies greatly from region to region. Over the years, it has incorporated various architectural styles and techniques.
The colossal statue of Shapur I is a statue of Shapur I, the second shah (king) of the Sassanid Empire. It stands in the Shapur cave, a huge limestone cave located about 6 km from the ancient city of Bishapur in the south of Iran.
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs. Rock reliefs have been made in many cultures throughout human history, and were especially important in the art of the ancient Near East. Rock reliefs are generally fairly large, as they need to be in order to have an impact in the open air. Most of those discussed here have figures that are over life-size, and in many the figures are multiples of life-size.
Cave temples are subterranean sacred buildings carved into the rock or created in a natural cave. Cave temples and monolithic rock temples carved out of the stone are a form of early natural architecture and rock construction, a building technique in solid rock closely related to sculpture. The most extensive artificially created cave temple complexes (subterranea) originated in India, where about 1200 complexes are documented, and in the neighboring regions of Asia.
