The lyrics reflect the concern felt by Strummer about world events with the reference to "a nuclear error" – the incident at Three Mile Island, which occurred earlier in 1979. Joe Strummer has said: "We felt that we were struggling about to slip down a slope or something, grasping with our fingernails. And there was no one there to help us."[1][6]
The line "London is drowning / And I live by the river" comes from concerns that if the River Thames flooded, most of central London would drown, something that led to the construction of the Thames Barrier.[1][6] Strummer's concern for police brutality is evident through the lines "We ain't got no swing / Except for the ring of that truncheon thing" as the Metropolitan Police at the time had a truncheon as standard issued equipment. Social criticism also features through references to the effects of casual drug taking: "We ain't got no high / Except for that one with the yellowy eyes". [original research?]
The lyrics also reflect desperation of the band's situation in 1979 struggling with high debt, without management and arguing with their record label over whether the London Calling album should be a single or double album. The lines referring to "Now don't look to us / Phoney Beatlemania has bitten the dust" reflects the concerns of the band over its situation after the punk rock boom in England had ended in 1977. [citation needed]
According to a retrospective assessment by Allmusic critic Donald A. Guarisco, the song "cleverly crossbreeds anthemic hard rock with reggae by juxtaposing slashing, staccato guitar riffs with an undulating rhythm section beat as Strummer lays down a snarling vocal..."[8] Guarisco finds that this gives the song "a hypnotic sense of drive."[8]
The song fades out with a Morse code signal spelling S-O-S,[9] reiterating the earlier urgent sense of emergency, and further alluding to drowning in the river.
The single has several issues, all with different covers. Four are from 1979 (catalogue number: 8087; S CBS 8087; 128087; S CBS 8087). In 1988, a special limited edition boxed set was released, containing three tracks, "London Calling" on side one, "Brand New Cadillac" and "Rudie Can't Fail" on side two, a poster and two badges (catalogue number: CLASH B2). Two were released by CBS Records in 1991 (catalogue number: 656946; 31-656946-22) both with "Brand New Cadillac" on the B-side, the second one has an additional track on side two "Return to Brixton (Jeremy Healy 7" Remix)" (see the table below).
In 2012, on the occasion of the International Record Store Day, a limited edition 7" was released, with a new mix of the song by Mick Jones, and an instrumental version on the B-side. [10]
Year
B-side
Format
Label
Country
Note
1979
"Armagideon Time"
45rpm 7" vinyl
CBS S CBS 8087
UK
Released on 7 December 1979; No.2 for 1979, No.37 overall.
New 2012 mix by Mick Jones and Bill Price. Released 21 April 2012
Chart success and critical reception
"London Calling" was released as the only single from the album in the UK and reached No.11 in the charts in January 1980,[5] becoming at once the band's highest-charting single until "Should I Stay or Should I Go" hit No.1 ten years later. The song did not make the U.S. charts, as "Train in Vain" was released as a single and broke the band in the United States, reaching No.23 on the pop charts.
BBC Radio One DJ Annie Nightingale made a bet with Strummer that London Calling would make the UK Top 10 without them appearing on Top of the Pops, the stake being a Cadillac ("Brand New Cadillac" being the second track on the London Calling album). When the record peaked at number 11, Nightingale was saved by a listener who donated a Cadillac. The Cadillac was subsequently auctioned to raise funds for the recession-hit steel town of Corby.[11]
"London Calling" was the first Clash song to chart elsewhere in the world, reaching the top 40 in Australia. The success of the single and album was greatly helped by the music video shot by Don Letts showing the band playing the song on a boat (Festival Pier), next to Albert Bridge on the south side of the Thames, Battersea Park in a cold and rainy night at the beginning of December 1979.[12][13]
The single fell off the charts after 10 weeks, but later re-entered the chart twice, spending a total of 15 non-consecutive weeks on the UK Singles Chart.
Over the years, "London Calling" has become regarded by many critics as the band's finest song. In 2004, Rolling Stone ranked it number 15 in its list of the 500 Greatest Songs of All Time;[14] in the 2021 update, the song was re-ranked at number 143.[15] In 2011, Paste ranked the song number two on their list of the 18 greatest songs by the Clash.[16] In 2020, The Guardian ranked the song number five on their list of the 40 greatest songs by the Clash.[17]
The Clash turned down a request from British Telecom to use the song for an advertising campaign in the early 1990s.[21] In 2002, the band incurred criticism when they sold the rights to Jaguar for a car advertisement. In an interview posted on his website, Strummer explained the reasons for the deal. "Yeah. I agreed to that. We get hundreds of requests for that and turn 'em all down. But I just thought Jaguar... yeah. If you're in a group and you make it together, then everybody deserves something. Especially twenty-odd years after the fact."[22]
The song was also used for a 2012 British Airways advertisement, picturing a jet aeroplane taxiing through the streets of London passing numerous landmarks and parking outside the Olympic Stadium.[23]
Joe Strummer later became a DJ for the BBC World Service, on a programme called "Joe Strummer's London Calling".[24]
Following the 2022 Russian invasion of Ukraine, the Clash gave permission to a Ukrainian punk band named Beton to rewrite the song as an anti-invasion anthem and charity fund-raiser titled "Kyiv Calling".[25]
1 2 "BBC - Radio 2 - Sold On Song - Brits25 - London Calling"(SHTML). Radio 2, Sold On Song. bbc.co.uk. Retrieved 31 December 2007. a) "Taken from the Clash's stunning 1979 double album London Calling, the single showcased the band's trademark fusion of reggae bass lines with punk guitar and vocals." b) "Reaching number eleven in December 1979, the song was the only track to be released as a single from their acclaimed London Calling album."
↑ "The Uncut Crap - Over 56 Things You Never Knew About The Clash". NME. 3. London: IPC Magazines. 16 March 1991. ISSN0028-6362. OCLC4213418. British Telecom wanted to use "London Calling" for their last advertising campaign. They were told to bog off
↑ Walker, Rob (15 September 2002). "Brand new Jag". Boston Globe. Archived from the original on 4 October 2002. Retrieved 31 December 2007.
The Clash were an English rock band that formed in London in 1976 and were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they used elements of reggae, dub, funk, ska, and rockabilly, and they contributed to the post-punk and new wave movements that followed punk. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
John Graham Mellor, known professionally as Joe Strummer, was a British musician. He was the co-founder, lyricist, rhythm guitarist, and lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second studio album, Give 'Em Enough Rope (1978), reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with London Calling (1979) and peaking with Combat Rock (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude greatly influenced rock music in general, especially alternative rock. Their music incorporated reggae, ska, dub, funk, rap, and rockabilly.
London Calling is the third studio album by the English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The Clash is the debut studio album by the English punk rock band the Clash, released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200. The album is tied with Combat Rock (1982) for being the highest-charting album for the Clash in their native United Kingdom.
Sandinista! is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's songs were credited to the Clash as a group, rather than to Joe Strummer and Mick Jones. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
"I Fought the Law" is a song written by Sonny Curtis of the Crickets and popularized by a cover by the Bobby Fuller Four, becoming a top-ten hit for the band in 1966. Their version of the song was ranked No. 175 on the Rolling Stone list of The 500 Greatest Songs of All Time in 2004, and the same year was named one of the 500 "Songs that Shaped Rock" by the Rock and Roll Hall of Fame.
"Spanish Bombs" is a song by English punk rock band The Clash, with principal vocals by Joe Strummer and additional vocals by Mick Jones. It was written by Strummer and recorded for the band's 1979 album London Calling.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 singles.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
"English Civil War" is a song by English punk rock band the Clash, featured on their second album Give 'Em Enough Rope, and released as a single on 23 February 1979. It reached number 25 in the UK Singles Chart and number 29 in the Irish Singles Chart.
"Train in Vain" is a song by the English punk rock band the Clash. It was released as the third and final single from their third studio album, London Calling (1979). The song was not originally listed on the album's track listing, appearing as a hidden track at the end of the album. This was because the track was added to the record at the last minute, when the sleeve was already in production. Some editions include the song in the track listing. It was the first Clash song to reach the United States Top 30 charts and in 2010, the song was ranked number 298 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
"The Guns of Brixton" is a song by the English punk rock band the Clash, originally released on their 1979 album London Calling. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
The Cost of Living is an EP by the English punk rock band the Clash. It was released on 11 May 1979 in a gatefold sleeve. The EP was produced by the band and Bill Price. It marked a transition in musical styles for the band, bridging the intensity of their earlier, punky albums with the broader, more American influenced rock and roll yet to come on London Calling, most evident on the folk rocking "Groovy Times" and "Gates of the West".
"The Call Up" is a song by English punk rock group the Clash. It was released as the first single from the band's fourth album, Sandinista!. The single was released in November 1980, in advance of the release of Sandinista!, with "Stop the World" as its B-side.
"Death or Glory" is a song by the English punk rock band the Clash featured on their 1979 album London Calling. The song was written by Joe Strummer and Mick Jones and features Strummer on lead vocals. The song was written about the previous generation of rock stars who swore that they would die before growing old. French rock critic Philippe Manoeuvre called it a "parody of Thin Lizzy".
"Should I Stay or Should I Go" is a song by English punk rock band the Clash from their album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global music charts. In the United States, "Should I Stay or Should I Go" charted on the Billboard Hot 100 without reaching the top 40. The song received greater attention nearly a decade later as the result of an early-1990s Levi's jeans commercial, leading to the song's 1991 re-release, which topped the UK Singles Chart and reached the top 10 in New Zealand and many European charts. The song was listed in Rolling Stone's 500 Greatest Songs of All Time in 2004.
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