Paul Morrissey | |
---|---|
Born | New York City, U.S. | February 23, 1938
Occupation | Filmmaker |
Known for | Warhol superstar |
Paul Morrissey (born February 23, 1938) is an American film director, known for his early association with Andy Warhol. [1] His most famous films include Flesh , Trash (1970), Heat , Flesh For Frankenstein (1973) and Blood for Dracula (1974), all starring Joe Dallesandro, and the 1980's New York trilogy Forty Deuce (1982), Mixed Blood and Spike of Bensonhurst (1988). [2]
From 1965 - 1973, Morrissey ran the publicity and filmmaking activity for Warhol at The Factory (first at 231 E. 47th St. and then at 33 Union Square West in New York City). [3] Additionally, between 1966 - 67, he managed the Velvet Underground and Nico and co-conceived and named Warhol's traveling multi-media Happening the Exploding Plastic Inevitable. [4] [5] In 1969, alongside Warhol and publisher John Wilcock, Morrissey launched the print magazine Interview hiring its longtime editor Bob Colacello in autumn 1970. [6]
In 1971, Warhol and Morrissey purchased Eothen in Montauk, New York, a 12-hectare oceanfront estate on the Long Island shore for $225,000. [7] Morrissey would sell the estate in 2006 to J. Crew CEO Millard Drexler. [8]
In 1998, Morrissey was given the Jack Smith Lifetime Achievement Award at the Chicago Underground Film Festival. [9]
Of Irish extraction, Paul Joseph Morrissey grew up in Yonkers across from the Woodlawn section of the Bronx. [10] The second youngest of five children, Morrissey attended Fordham Prep and Fordham University, both Catholic schools. Upon graduation, he enlisted with the United States Army, going through basic training at Fort Benning and Fort Dix, achieving the rank of First Lieutenant. While on reserves from active duty, he moved to the East Village in late 1960 opening the Exit Gallery, a small cinematheque at 36 E. 4th St., where he programmed a mix of underground films and documentaries including Icarus (1960), the first film by Brian De Palma. [11] Simultaneously, Morrissey began making his own short, silent 16mm comedies including Mary Martin Does It (1962), Taylor Mead Dances (1963) and Like Sleep (1964). [12] [13]
Introduced by poet and filmmaker Gerard Malanga, he first met Andy Warhol in June 1965 at the Astor Place Playhouse where Morrissey was having a retrospective of his work. Warhol, taken by Morrissey's resourcefulness and filmmaking expertise, invited him to the Factory to assist him with his next project Space (1965 film), filmed at the E. 47th St. Factory in July 1965 and featuring Edie Sedgwick, Danny Fields, Donald Lyons (a friend of Morrissey's from his Fordham University days) and folk-singer Eric Andersen. Several more Warhol-Morrissey collaborations followed including My Hustler (1965), The Velvet Underground and Nico: A Symphony of Sound (1966), More Milk, Yvette (1966), Chelsea Girls (1966), Imitation of Christ (film) (1967), Tub Girls (1967), Bike Boy (1967), I, a Man (1967), San Diego Surf (film) (1968) and Lonesome Cowboys (1968). [14] [15]
While filming a scene in the Manhattan apartment of John Wilcock for Andy Warhol's 25 hour movie Four Stars (1967 film), Morrissey first met Joe Dallesandro who happened to have friends living in the same building. [16] Morrissey immediately cast him in a scene that would later appear in Loves of Ondine (1967), Dallesandro's first appearance in a Factory film. [17]
After the attempt on Warhol's life in June 1968 by Valerie Solanas, Morrissey directed his first solo feature Flesh (1968 film). Produced for $4,000 by Andy Warhol and starring Joe Dallesandro alongside Maurice Braddell, Geri Miller, Geraldine Smith, Patti D'Arbanville, Louis Waldon, Jackie Curtis and Candy Darling the film became a box office hit in West Germany with over 3 million tickets sold. [18] [19]
The commercial and popular success of Flesh continued into the 1970s with two more films directed by Morrissey, produced by Warhol and starring Dallesandro: Trash (1970 film), featuring Jane Forth and Holly Woodlawn, the first transgender actress ever cast as the girlfriend of a lead character, [20] and Heat (1972 film), a satire about Hollywood based on Sunset Boulevard (film) starring Dallesandro alongside Sylvia Miles.
In 1971, Morrissey would executive produce and direct Women in Revolt a send-up of the Women's liberation movement starring trans Warhol superstars Jackie Curtis, Holly Woodlawn and Candy Darling. [21] A film still of Candy Darling from Women In Revolt appears on the cover of the Sheila Take a Bow single by The Smiths, the second such instance of a Morrissey film appearing on the cover of a Smiths record. [22]
Reflecting on this period in an interview with Lucy Hughes-Hallett for British Vogue in 1978, Morrissey said: "To me, moviemaking is dealing with personalities, people who are always the way they are in every film, like John Wayne or Clint Eastwood, that kind of film-star personality which is not very fashionable now. It doesn’t really matter what the camera’s doing as long as the people are worth watching.” [23]
In March 1973, Morrissey went to Rome and directed two back-to-back features Flesh For Frankenstein (1973) and Blood for Dracula (1974) starring Dallesandro and Udo Kier. Produced by Carlo Ponti and presented by Andy Warhol, their international success propelled Morrissey out of the Factory and into his first and only attempt at directing a studio film The Hound of the Baskervilles (1978 film), co-written by Morrissey, Peter Cook and Dudley Moore. A commercial and critical flop, [24] Morrissey moved to Los Angeles in the late 1970s and returned to independently produced features starting with Madame Wang's (1981), a satire on the LA punk-rock scene, starring Patrick Schoene alongside Morrissey's niece Christina Indri. [25] [26]
Returning to New York City in the early 1980s, Morrissey began a collaboration with playwright and screenwriter Alan Bowne, directing a film version of his 1981 play Forty Deuce (1982) starring Orson Bean and Kevin Bacon. [27] Morrissey worked again with Bowne on the screenplays for Mixed Blood (1985) and Spike of Bensonhurst (1988) completing a trilogy of films taking a satirical, empathetic look at the political, social and moral decay of New York City and its outer bouroughs during the Ed Koch years. [28]
When film critic Jonathan Rosenbaum asked Morrissey in a 1975 interview for Oui (magazine) why he portrayed drug addicts and street hustlers with such sympathy despite his personal convictions as a lifelong conservative Catholic, Morrissey responded:
"A human being is a sympathetic entity. No matter how terrible a person might be, someone with an artist’s point of view will try to render his individuality without condescension or contempt. That’s the natural function of a dramatist. The movies I’ve made have no connection to my personal beliefs. They don’t say, "Do this", or "Don't do that". They portray a kind of emptiness in people who are living through a transitional cultural period when they don’t know who they are or what to do." [29] [30]
Morrissey's most recent feature News From Nowhere (2010) made its U.S. debut at Film at Lincoln Center in fall 2010. [31]
Speaking to screenwriter and biographer Gavin Lambert, filmmaker George Cukor said of Morrissey's work:
"He makes a marvelous kind of world, and a marvelous kind of mischief, holding nothing back and just watching it happen. 'Personal expression' is a much abused expression, but these films are real expression. . .Nobody has done anything like it. The selection of people, the casting, is absolutely brilliant and impertinent. The life they see, the gutter they see, or the world they see is so funny and agonizing, and they see it so vividly, with such original humor.” [32]
Edith Minturn Sedgwick Post was an American actress, model, and socialite, who was one of Andy Warhol's superstars, starring in several of his short films during the 1960s. Her prominence led to her being dubbed an "It Girl", while Vogue magazine named her a "Youthquaker".
Warhol superstars were a clique of New York City personalities promoted by the pop artist Andy Warhol during the 1960s and early 1970s. These personalities appeared in Warhol's artworks and accompanied him in his social life, epitomizing his dictum, "In the future everyone will be famous for fifteen minutes". Warhol would simply film them, and declare them "superstars".
Jackie Curtis was an American actor, writer, singer, and Warhol superstar.
The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction.
Gerard Joseph Malanga is an American poet, photographer, filmmaker, actor, curator and archivist.
Joseph Angelo D'Allesandro III is an American actor and Warhol superstar. He was a sex symbol of gay subculture in the 1960s and 1970s, and of several American underground films before going mainstream.
Candy Darling was an American transgender actress, best known as a Warhol superstar. She starred in Andy Warhol's films Flesh (1968) and Women in Revolt (1971), and was a muse of the Velvet Underground.
Trash is a 1970 American drama film directed and written by Paul Morrissey and starring Joe Dallesandro, Holly Woodlawn and Jane Forth. Dallesandro had previously starred in several other Andy Warhol/Paul Morrissey films such as The Loves of Ondine, Lonesome Cowboys, San Diego Surf, and Flesh.
Holly Woodlawn was a transgender American actress and Warhol superstar who appeared in the films Trash (1970) and Women in Revolt (1971). She is also known as the Holly in Lou Reed's hit glam rock song "Walk on the Wild Side".
Bad, also known as Andy Warhol's Bad, is a 1977 comedy film directed by Jed Johnson and starring Carroll Baker, Perry King, and Susan Tyrrell. It was written by Pat Hackett and George Abagnalo, and was the last film produced by Andy Warhol before his death in 1987.
Flesh for Frankenstein is a 1973 horror film written and directed by Paul Morrissey. It stars Udo Kier, Joe Dallesandro, Monique van Vooren and Arno Juerging. Interiors were filmed at Cinecittà in Rome by a crew of Italian filmmakers.
Blood for Dracula is a 1974 horror film written and directed by Paul Morrissey, and starring Udo Kier, Joe Dallesandro, Maxime McKendry, Stefania Casini, Arno Juerging and Vittorio de Sica. Upon its initial 1974 release in West Germany and the United States, Blood for Dracula was released as Andy Warhol's Dracula.
Heat is a 1972 American comedy drama film written and directed by Paul Morrissey, produced by Andy Warhol, and starring Joe Dallesandro, Sylvia Miles and Andrea Feldman. The film was conceived by Warhol as a parody of the 1950 film Sunset Boulevard. It is the final installment of the "Paul Morrissey Trilogy" produced by Warhol, following Flesh (1968) and Trash (1970).
The Exploding Plastic Inevitable, sometimes simply called Plastic Inevitable or EPI, was a series of multimedia events organized by Andy Warhol and Paul Morrissey in 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory, especially Mary Woronov and Gerard Malanga. Andy Warhol's Exploding Plastic Inevitable is also the title of an 18-minute film by Ronald Nameth with recordings from one week of performances of the shows which were filmed in Chicago, Illinois, in 1966. In December 1966 Warhol included a one-off magazine called The Plastic Exploding Inevitable as part of the Aspen No. 3 package.
Susan Dunn Whittier Bottomly, also known as International Velvet, is a former American model and actress. She is known primarily for her appearances in many of Andy Warhol's underground films, as well as her modeling career which spanned over a decade.
The Autobiography and Sex Life of Andy Warhol (ISBN 978-0-9706126-1-8) is a 1971 book by the British journalist John Wilcock. It was republished in June 2010 by Trela Media.
Geraldine Smith is an American actress.
My Hustler is a 1965 American drama film by Andy Warhol and Chuck Wein. Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy’s companionship via a “Dial-A-Hustler” service.
The Garrick Cinema was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films in this building in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967.