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Peter Malick | |
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| Background information | |
| Born | November 28, 1951 Brookline, Massachusetts, U.S. |
| Genres | Blues, rock |
| Occupation(s) | Musician, record producer |
| Instrument(s) | Guitar |
| Years active | 1967–present |
| Labels | Capricorn, E1 |
| Website | www |
Peter Malick (born November 28, 1951) is an American blues guitarist, record producer and entrepreneur. He's currently the CEO of InboundAV.
In the late 1960s, Malick was a member of the band Listening. [1] Listening was signed by Vanguard Records in New York City when Malick was sixteen.
He played guitar with blues pianist Otis Spann, who invited Malick to live with his family in Chicago. Over the years, Malick backed up and toured with blues greats such as Muddy Waters, Big Mama Thornton, and John Lee Hooker. Later, Malick was a conductor and music director for the national touring company of Hair . Malick next joined the James Montgomery Band, recording First Time Out and High Roller, both for Capricorn Records. [2]
For the next twenty years, he made money at cards. He returned to music in the 1990s, recording Wrong Side of My Life (1998) and Sons of the Jet Age (2000). He won the W.C. Handy Award for historic album of the year in 2001 for the Otis Span album Last Call. Two years later he wrote and produced the album New York City featuring Norah Jones. [2]
Malick opened Chessvolt Studios in 2006,[ citation needed ] a recording studio where he worked with a number of indie artists including Hope Waits, Courtney Jones, and Butch Norton.[ citation needed ] While running Chessvolt, Malick and his partner ran Luxury Wafers Sessions,[ citation needed ] which hosted live recording sessions with artists including Mother Mother, Gaby Moreno, J Tillman (Father John Misty), Langhorne Slim, Dengue Fever, Heartless Bastards, and Lissie.[ citation needed ]
Malick closed Chessvolt Studios in 2009 but continued to make music, including co-writing the album Wix n’ Lix with drummer John Wicks and writing and producing the song "27 Years" with Korean Popstar Jung Yong Hwa. [3]
Malick shifted his professional focus in 2013, becoming CMO of Westlake Pro Audio [4] in Los Angeles, CA. [5]
In January 2017, Malick left Westlake Pro Audio to pursue his own marketing business, first as co-founder of Lumen Foundry, [6] and later that year, as founder and CEO of InboundAV which he still owns and operates. InboundAV, an inbound marketing agency, initially catered to the professional audio and music industry. Malick has since led InboundAV to expand its reach, acquiring a number of clients outside of the pro audio industry. [7] Under his leadership, InboundAV became a Platinum HubSpot Solutions Partner and earned HubSpot’s Custom Integration Accreditation. [8]
with James Cotton Blues Band
with Listening
with James Montgomery Band
with Butch Norton
with Jung Yong-hwa
with John Wicks
Otis Spann was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist.
James Henry Cotton was an American blues harmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career.
"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II. He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera Tommy.
Blues Jam in Chicago is a studio recording by the British rock band Fleetwood Mac, originally released in two single-LP volumes by Blue Horizon in December 1969. It was the result of a recording session in early 1969 at Chess Records in Chicago with Fleetwood Mac, then a young British blues band, and a number of famous Chicago blues artists from whom they drew inspiration. The album has also been released, with slightly different track listings, under the titles Blues Jam at Chess Volumes One and Two and Fleetwood Mac in Chicago, the latter by Sire Records in 1976.
The Biggest Thing Since Colossus is an album by American blues musician Otis Spann, released in 1969. The album is also notable for the fact that Spann's backing band on this occasion were members of Fleetwood Mac, who were touring in America at the time. Spann had been involved in the recording of the Blues Jam at Chess album, and a rapport had been struck between Spann and the British band, which led to their participation on Spann's new album.
New York City is an album by the Peter Malick Group featuring Norah Jones. It was recorded during August and September 2000, a few weeks before Jones made her own demos for Blue Note Records, and released three years later. Jones performs vocals on all seven tracks, and this album is more bluesy than Jones' debut album, Come Away with Me. One of the tracks of the album, "Strange Transmissions", was bundled with the Nokia 6230 mobile phone.
I Am the Blues is the sixth studio Chicago blues album released in 1970 by the well-known bluesman Willie Dixon. It is also the title of Dixon's autobiography, edited by Don Snowden.
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
Spivey Records was a specialist blues record label founded by blues singer Victoria Spivey and jazz historian Len Kunstadt in 1961. Spivey Records released a series of blues and jazz albums between 1961 and 1985.
"Hard to Handle" is a 1968 song written by American soul singer Otis Redding along with Al Bell and Allen Jones. Originally recorded by Redding, it was released in 1968 as the B-side to "Amen". The song also appears on the 1968 album The Immortal Otis Redding. Redding's version reached number 38 on the Billboard R&B chart and number 51 on the pop chart.
His Best is a 1997 greatest hits compilation album by American rock and roll icon Bo Diddley released by Chess and MCA Records on April 8, 1997. The album was re-released by Geffen Records on April 17, 2007 as The Definitive Collection with a different album cover. The Definitive Collection reached #2 on Billboard magazine's Blues Albums chart on June 21, 2008, which was the week that the album debuted on the charts.
His Best is a greatest hits album by Chicago blues harmonica player Little Walter, released on June 17, 1997 by MCA and Chess Records as a part of The Chess 50th Anniversary Collection. The album is seen as the CD successor to the 1958 The Best of Little Walter and features ten of the songs from that album.
Super Blues is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. A follow-up album The Super Super Blues Band was released later that year and featured Howlin' Wolf replacing Little Walter.
"Don't Start Me Talkin'" is a blues song written and performed by Sonny Boy Williamson II. It was Williamson's first single recorded for Checker Records, and reached number three in the US Billboard R&B chart in 1955.
Down and Out Blues is the first LP record by American blues musician Sonny Boy Williamson. The album was released in 1959 by Checker Records.
Fathers and Sons is the seventh studio album by the American blues musician Muddy Waters, released as a double LP by Chess Records in August 1969.
Lucille Spann, was an American blues singer who participated in the Chicago Blues community in the 1960s and 1970s.
Otis Spann's Chicago Blues is an album by blues pianist and vocalist Otis Spann recorded in Chicago at two sessions in 1965 and released by the Testament label.
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