Portrait of a Young Man (Raphael)

Last updated
Portrait of a Young Man
Italian: Ritratto di giovane uomo, Polish: Portret młodzieńca
Raphael missing.jpg
artificially coloured
Artist Raphael
Year1513–1514
Dimensions72 cm× 56 cm(28 in× 22 in)
Locationwhereabouts unknown since 1945
formerly exhibited at the Czartoryski Museum, Kraków, Poland
Portrait of a young Man, unknown master, 80,5 x 63,5 cm, private collection Berlin. Raph2.jpg
Portrait of a young Man, unknown master, 80,5 x 63,5 cm, private collection Berlin.

Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Germans from Poland. Many historians regard it as the most important painting missing since World War II. [1] [2]

Contents

The portrait is in oil on panel, probably from 1513 to 1514, and is by the Italian High Renaissance Old Master painter and architect Raffaello Sanzio da Urbino better known simply as Raphael. [3] The subject's identity is unverified, but many scholars have traditionally regarded it as Raphael's self-portrait. The facial features are perceived by specialists as compatible with, if not clearly identical to, the only undoubted self-portrait by Raphael in his fresco The School of Athens at the Vatican, identified as such by Vasari. If it is a self-portrait, no hint is given of Raphael's profession; the portrait shows a richly dressed and "confidently poised" young man. [4]

No colour photographs of the painting were made before it disappeared; the colour image has been artificially coloured.

Analysis

As a portrait painting of the High Renaissance, Raphael's emphasis on erect poise, gesture, texture, decorous ornament, and softened form all represented cultivated Mannerist expression with the attributes of the noble class in a style which spread through southern Italy after Raphael's death. The textural details of a flesh-colored wall, sable fur, and wavy dark hair not only strike a Neo-Classical, sensitive balance between real humanity and nature, but they also extend gestures seen in previous female hand placement to stress man's role as a well-travelled humanist. Raphael humanized male gender so that the sleeve ribbon and hazy edges around both hair and landscape reflected the interchangeability of each gender. A left palm placed near the heart emphasized self-identity and a passionate stance. A striking contrast between pure white and sable intensified the doctrinal harmony between Heaven and Earth.

It is probable that Raphael's studious approach to the idealized representation of human proportion was based on his studies of ancient athletic and military heroes in Classical sculpture such as Doryphoros and Augustus of Prima Porta. The painting was brought to Poland, along with Leonardo da Vinci's Lady with an Ermine and many Roman antiquities, by Prince Adam George Czartoryski, son of Princess Izabela Czartoryska, on his travels to Italy in 1798. [2]

The Nazi German theft

Original black and white photo image. Raphael-Young man-1.jpg
Original black and white photo image.

At the onset of the Nazi German invasion of Poland in 1939, then family patriarch Prince Augustyn Józef Czartoryski rescued numerous pieces from the Czartoryski Museum, including Portrait of a Young Man, Leonardo's Lady with an Ermine and Rembrandt's masterpiece, Landscape with the Good Samaritan . [5] The collection was hidden at a residence in Sieniawa, but was later discovered by the Gestapo, working for Hans Frank, Hitler's appointee as the governor of the General Government. [2] From the collection, these three paintings decorated Frank's residence in Kraków before they were sent to Berlin, [3] and Dresden, to become part of the Führer's own collection at Linz, arranged by Hitler's plenipotentiary, Hans Posse. [2]

In January 1945, Frank brought the paintings back from Germany to Kraków for his own use at the royal Wawel Castle. This is where Portrait of a Young Man was last seen. [1] When the Germans evacuated from Kraków later that month ahead of the Soviet offensive, it is thought that Frank took the paintings with him to Silesia [6] and then to his own villa in Neuhaus am Schliersee  [ de ].[ citation needed ] The Americans arrested Frank on May 3, 1945, pending trial for extensive war crimes (he was executed in 1946). The Polish representative at the Allies Commission for the Retrieval of Works of Art located some of the paintings stolen by him, and claimed them on behalf of the Czartoryski Museum. However, Portrait of a Young Man and 843 other artifacts were missing from storage. [2] In her 1994 book on Nazi plunder, The Rape of Europa , Lynn H. Nicholas suggested that if the painting were to reappear, it would be worth in excess of USD$100 million (equivalent to $197.44 million in 2022). [7]

Unknown whereabouts

Czartoryski Museum in Krakow Czartoryski Museum Cracow interior.jpg
Czartoryski Museum in Krakow

After the Cold War, the Czartoryski family made a constant effort to locate the painting. [8] In an interview, Prince Adam Czartoryski stated that he has tried to recover many of the paintings that were lost during the Second World War. [9] The painting was placed in a three-piece collection of the Czartoryski family alongside Rembrandt's Landscape with the Good Samaritan and Leonardo's Lady with an Ermine . Unlike Portrait of a Young Man, the latter two paintings were found and kept. [10] However, it is believed that the portrait is not lost but stolen. [11]

The painting's location is unknown, although the Polish Ministry of Foreign Affairs states that it has been known "for years" the painting survived the war. [12] However, in the summer of 2012 a false report about the painting's rediscovery appeared in popular media, attributed to an alleged statement made by a representative of the Polish Foreign Minister for the restitution of cultural property. [8] It was reported to be hidden in a bank vault of an unidentified location. [8] The Polish newsflash was a hoax intended to drum up readership. Soon afterward, the ministry spokesman explained in a public announcement that there are no new leads in regard to the whereabouts of the artwork; affirming their confidence in its express return to Poland once it is indeed found. [13]

In 2016, the royal pieces moved from the Princes Czartoryski Museum after being bought by the Polish state. [10] The original empty frame of the painting currently hangs in the National Museum of Krakow where the royal collection of works holds openings. [10]

The portrait appeared on The Simpsons episode "Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish'" shows it as one of the paintings that Montgomery Burns and Abraham Simpson steal. Once it is recovered it is turned over to the heir of its rightful owner by the US State Department.

In the 2014 film The Monuments Men , the painting is shown being destroyed by the Germans. It is shown as a prominent painting in a large cache of stolen art stored in an unidentified cave or mine that German troops set on fire with flamethrowers. The scene ends with a close-up of the painting as it starts to bubble and is then consumed by the flames. At the end of the film, during a briefing George Clooney's character Frank Stokes is giving to President Harry Truman in a darkened screening room, he projects a picture of the painting on the screen and groups it with many other known paintings still to be found.

The National Geographic Channel TV series Hunting Nazi Treasure explores the potential suspects of the theft of artwork in the episode 'Missing masterpiece'. [14]

In the first episode of National Treasure: Edge of History , the series antagonist found the painting in a hidden cache in Madrid, Spain.

See also

Notes

  1. 1 2 Winid, Boguslaw. "Not Lost Forever: Recovery of Polish Art Looted During WWII," Archived 2010-03-12 at the Wayback Machine Polish Art club of Buffalo. 3 April 2004.
  2. 1 2 3 4 5 "History of The Czartoryski Museum". Czartoryski.org. Archived from the original on 2007-04-07. Retrieved 2008-10-16.
  3. 1 2 Houpt, Simon et al. (2006). Museum of the Missing, p. 49.
  4. Jones, Roger et al. (1983). Raphael, p. 170–171.
  5. "The Story of the Lost Raphael's Portrait of a Young Man - Renaissance". 19 December 2019.
  6. "Could looted art from WWII be hidden under village chapel?". www.thefirstnews.com. Retrieved 2020-04-04.
  7. PBS: The Rape of Europa, 2006 film, aired November 24, 2008.
  8. 1 2 3 "Raphael's Portrait of a Young Man Rediscovered". Art Law. 2012-08-03. Retrieved 2020-04-04.
  9. "Confusion surrounding Raphael's Portrait of a Young Man in the Czartoryski Collection - The Art Tribune". www.thearttribune.com. Retrieved 2020-04-04.
  10. 1 2 3 Stanska, Zuzanna (2019-12-19). "The Story of the Lost Raphael's Portrait of a Young Man - Renaissance". DailyArtMagazine.com - Art History Stories. Retrieved 2020-04-04.
  11. "Poland's Famed Renaissance Masterpiece, Raphael's Portrait of a Young Man; Found After Half a Century". Center for Art Law. 2012-08-02. Retrieved 2020-04-04.
  12. Ministry of Foreign Affairs of Poland. "MSZ: nie mamy informacji, gdzie jest "Portret młodzieńca" Rafaela, depesza PAP 01.08.2012" [Communiqué of the Ministry of Foreign Affairs: we have no new information about the painting]. MSZ in the Media (in Polish). Polish Press Agency . Retrieved 2 February 2014.
  13. Małgorzata Skowrońska (August 2, 2012). "Obraz Rafaela cudownie odnaleziony i szybko utracony" [The Raphael painting miraculously found and again lost instantaneously]. Gazeta.pl > Kraków. Archived from the original on 2012-08-05. Retrieved 14 January 2014. The hoax (available online) and discussed by director of Wawel Royal Castle Prof. Jan Ostrowski among others, was confirmed by the Polish Ministry of Foreign Affairs.
  14. National Geographic TV

Related Research Articles

<span class="mw-page-title-main">Krzeszowice</span> Place in Lesser Poland Voivodeship, Poland

Krzeszowice is a town in southern Poland, situated in the Lesser Poland Voivodeship. As of 2004, its population was 9,993. Krzeszowice belongs to Kraków Metropolitan Area, and lies 25 kilometers west of the center of the city of Kraków. The town has a rail station, on a major route from Kraków to Katowice, and lies along National Road Nr. 79, which goes from Warsaw to Bytom. In 1928–1966 the town had the status of a spa. Krzeszowice has a sports club called Świt, founded in 1923.

<span class="mw-page-title-main">Art theft</span> Stealing of paintings or sculptures from museums

Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.

<span class="mw-page-title-main">Kunsthistorisches Museum</span> Art museum in Vienna, Austria

The Kunsthistorisches Museum is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide.

<i>Lady with an Ermine</i> Painting by Leonardo da Vinci, 1489–1491

The Lady with an Ermine is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza, Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.

<span class="mw-page-title-main">Czartoryski Museum</span> National museum in Kraków, Poland

The Princes Czartoryski Museum – often abbreviated to Czartoryski Museum – is a historic museum in Kraków, Poland, and one of the country's oldest museums. The initial collection was formed in 1796 in Puławy by Princess Izabela Czartoryska. The Museum officially opened in 1878.

<span class="mw-page-title-main">Adam Karol Czartoryski</span> Polish and Spanish aristocrat

Prince Adam Karol Czartoryski is a Polish and Spanish aristocrat who is head of the Polish House of Czartoryski. He is related to both the Spanish royal family and to France's House of Orléans. In 2016, he sold the family art collection held in the Czartoryski Museum to the Polish state for approximately €100 million.

<span class="mw-page-title-main">Julian Fałat</span> Polish painter

Julian Fałat was one of the most prolific Polish watercolorists, one of the country's foremost landscapists, and a leading impressionist.

<span class="mw-page-title-main">Wawel Castle</span> Castle in Kraków, Poland

The Wawel Royal Castle and the Wawel Hill on which it sits constitute the most historically and culturally significant site in Poland. A fortified residency on the Vistula River in Kraków, it was established on the orders of King Casimir III the Great and enlarged over the centuries into a number of structures around an Italian-styled courtyard. It represents nearly all European architectural styles of the Medieval, Renaissance and Baroque periods.

<span class="mw-page-title-main">Nazi plunder</span> Nazi looting in WWII

Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.

Lost artworks are original pieces of art that credible sources indicate once existed but that cannot be accounted for in museums or private collections or are known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.

<i>Rescuing Da Vinci</i> Book by Robert M. Edsel

Rescuing Da Vinci is a largely photographic, historical book about art reclamation and preservation during and after World War II, written by American author Robert M. Edsel, published in 2006 by Laurel Publishing.

<span class="mw-page-title-main">National Museum in Kraków</span> National museum in Kraków, Poland

The National Museum in Kraków, popularly abbreviated as MNK, is the largest museum in Poland, and the main branch of Poland's National Museum, which has several independent branches with permanent collections around the country. Established in 1879, the museum consists of 21 departments which are divided by art period: 11 galleries, 2 libraries, and 12 conservation workshops. It holds some 780,000 art objects, spanning from classical archeology to modern art, with special focus on Polish painting.

<i>The Rape of Europa</i> (book) 2007 American film

The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War is a 1994 book by Lynn H. Nicholas and a 2006 documentary film. The book explores the Nazi plunder of looted art treasures from occupied countries and the consequences. It covers a range of associated activities: Nazi appropriation and storage, patriotic concealment and smuggling during World War II, discoveries by the Allies, and the extraordinary tasks of preserving, tracking, and returning by the American Monuments officers and their colleagues. Nicholas was awarded the Légion d'Honneur by France.

Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork by the Nazis has resulted in the loss of many pieces being scattered across the world."

<span class="mw-page-title-main">National Museum, Poznań</span> National museum in Poznań, Poland

The National Museum in Poznań, Poland, abbreviated MNP, is a state-owned cultural institution and one of the largest museums in Poland. It houses a rich collection of Polish painting from the 16th century on, and a collection of foreign painting. The museum is also home to numismatic collections and a gallery of applied arts.

The Art Loss Register (ALR) is the world's largest database of stolen art. A computerized international database that captures information about lost and stolen art, antiques, and collectibles, the ALR is a London-based, independent, for-profit corporate offspring of the New York–based, nonprofit International Foundation for Art Research (IFAR). The range of functions served by ALR has grown as the number of its listed items has increased. The database is used by collectors, the art trade, insurers, and law enforcement agencies worldwide. In 1991, IFAR helped create the ALR as a commercial enterprise to expand and market the database. IFAR managed ALR's U.S. operations through 1997. In 1998, the ALR assumed full responsibility for the IFAR database, although IFAR retains ownership. In 1992, the database comprised only 20,000 items, but it grew in size nearly tenfold during its first decade.

<span class="mw-page-title-main">Dagobert Frey</span>

Dagobert Frey was an Austrian art historian, a criminal responsible for the theft of the most valuable European and Polish collections from the Warsaw and Kraków museums and national art galleries during the Nazi German occupation of Poland.

<span class="mw-page-title-main">Looting of Poland in World War II</span>

The looting of Polish cultural artifacts and industrial infrastructure during World War II was carried out by Nazi Germany and the Soviet Union simultaneously after the invasion of Poland of 1939. A significant portion of Poland's cultural heritage, estimated at about half a million art objects, was plundered by the occupying powers. Catalogued pieces are still occasionally recovered elsewhere in the world and returned to Poland.

<i>A Negress</i> 1884 painting by Anna Bilińska

A Negress is an 1884 oil painting by the Polish artist Anna Bilińska. The painting was stolen from the National Museum in Warsaw during World War II and remained missing until it appeared at auction in 2011 and was returned to the museum in 2012.

References