The Prelude in F-sharp minor, Op. 23, No. 1 is a composition by Sergei Rachmaninoff completed and premiered in 1903. [1] [2] It is one of ten preludes composed by Rachmaninoff in 1901 and 1903.
The Prelude in F-sharp minor, Op. 23, No. 1 is a composition by Sergei Rachmaninoff completed and premiered in 1903. [1] [2] It is one of ten preludes composed by Rachmaninoff in 1901 and 1903.
The prelude is ternary and homophonic in nature. The "A" section (measures 1–13) introduces the first theme, section "B" (13–30) introduces a new set of variations, and measures 30–41 mark an altered return to the original "A" theme. Each of the larger ternary sections contains its set of "micro-variations" marked by changes in note values, dynamics, and rhythm. For instance, the "A" theme, introduced in measures 1 and 2, is varied in measure 8.
Measure 2
Measure 8
The Prelude proceeds from F-sharp minor to the relative major (A major) in measure 13, and returns to the tonic in measure 30.
A "hidden" chromatic sequence in the "A" section occurs in the bass line on the second beat of measure 1 and the first beat of measures 2–6. This sequence is later revealed as the basis for the "B" theme, first introduced transitorily as a modulation between the "A" and "B" sections. Compare measures 6 and 24:
Measure 6
Measure 24
The Rhapsody on a Theme of Paganini, Op. 43, is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement. Rachmaninoff wrote the work at his summer home, the Villa Senar in Switzerland, according to the score, from 3 July to 18 August 1934. Rachmaninoff himself, a noted performer of his own works, played the piano part at the piece's premiere on 7 November 1934, at the Lyric Opera House in Baltimore, Maryland, with the Philadelphia Orchestra conducted by Leopold Stokowski.
Six moments musicaux, Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December 1896. Each Moment musical reproduces a musical form characteristic of a previous musical era. The forms that appear in Rachmaninoff's incarnation are the nocturne, song without words, barcarolle, virtuoso étude, and theme and variations.
Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.
F-sharp minor is a minor scale based on F♯, consisting of the pitches F♯, G♯, A, B, C♯, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major.
Prelude in G minor, Op. 23, No. 5, is a piece of music by Sergei Rachmaninoff, completed in 1901. It was included in his Opus 23 set of ten preludes, despite having been written two years earlier than the other nine. Rachmaninoff himself premiered the piece in Moscow on February 10, 1903, along with Preludes No. 1 and 2 from Op. 23.
Peter Roy Katin was a British classical pianist and teacher.
Ten Preludes, Op. 23, is a set of ten preludes for solo piano, composed by Sergei Rachmaninoff in 1901 and 1903. This set includes the famous Prelude in G minor.
Thirteen Preludes, Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910.
The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre. Sixteen of these pieces are extant; all others are lost. Ten of these pieces were composed before he completed his Piano Concerto No. 1, his first opus, and the rest interspersed throughout his later life. In these casual works, he draws upon the influence of other composers, including Frédéric Chopin and Pyotr Tchaikovsky. The more substantial works, the Three Nocturnes and Four Pieces, are sets of well-thought out pieces that are his first attempts at cohesive structure among multiple pieces. Oriental Sketch and Prelude in D minor, two pieces he composed very late in his life, are short works that exemplify his style as a mature composer. Whether completed as a child or adult, these pieces cover a wide spectrum of forms while maintaining his characteristic Russian style.
The Piano Quartet No. 3 in C minor, Op. 60, completed by Johannes Brahms in 1875, is scored for piano, violin, viola and cello. It is sometimes called the Werther Quartet after Goethe's The Sorrows of Young Werther. The premiere took place in Vienna on November 18th 1875 to an anxious public. Richard Wagner and his wife Cosima were in attendance.
The Prelude in B-Flat Major, Op. 23 No. 2 is a composition by Sergei Rachmaninoff completed and premiered in 1903.
The Prelude in D Minor, Op. 23 No. 3 is a composition by Sergei Rachmaninoff completed and premiered in 1903.
The Prelude in D major, Op. 23 No. 4 is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23.
The Prelude in E-flat Major, Op. 23, No. 6 is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23.
The Prelude in C minor, Op. 23, No. 7 is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23.
The Prelude in A-flat major, Op. 23, No. 8, is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23.
The Prelude in E-Flat Minor, Op. 23 No. 9 is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23, and is one of the most difficult of the set.
The Prelude in G-Flat Major, Op. 23 No. 10 is a 1903 composition by Sergei Rachmaninoff. It is part of Rachmaninoff's Ten Preludes, Op. 23.
Sergei Rachmaninoff wrote a number of preludes, all for solo piano.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
