Steve Norman

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Steve Norman
Steve Norman of Spandau Ballet, Liverpool, October 2009.jpg
Norman in October 2009
Background information
Birth nameSteven Antony Norman
Born (1960-03-25) 25 March 1960 (age 64)
London, England
Genres Synthpop, new wave, pop rock
Occupation(s)Musician, producer, songwriter
Instrument(s) Saxophone, guitar, percussion, vocals, keyboards
Years active1979–present
Labels Chrysalis
Website stevenorman-official.com

Steven Antony Norman (born 25 March 1960)[ citation needed ] is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new wave band Spandau Ballet.

Contents

Biography

Early years

Steve Norman was born in Stepney, east London, and was considered a musical child prodigy. [1] He started pursuing an interest in popular music as a guitarist in a Dame Alice Owen's School band called The Cut with Gary Kemp, Tony Hadley and John Keeble in 1976. [2] The band was later named The Makers, The Gentry and then Spandau Ballet.

Spandau Ballet

Spandau Ballet signed with Chrysalis Records. By the third Spandau Ballet album, Norman brought percussion to the mix and introduced the alto saxophone, which has since become his signature instrument. With Spandau Ballet, Norman toured the globe and continued to have hits throughout the 1980s. In 1985 Norman appeared with the band at Live Aid at Wembley Stadium. [3]

Because of a dispute over royalties, the band split up in the early 1990s. [4] [5] After a 20-year hiatus, newspaper reports claimed early in 2009 that Spandau Ballet was set to reform later that year.[ citation needed ] On 25 March 2009, Norman, Gary Kemp, Martin Kemp, Tony Hadley and John Keeble announced their reunion at a press conference on board HMS Belfast. The band also announced their 'Reformation Tour' starting in October 2009. [6]

Norman co-wrote the song "Once More" which became the first new Spandau Ballet single in 20 years. [7]

After Spandau Ballet

Spandau Ballet at Echo Arena Liverpool, November 2009 Spandau Ballet in Concert, Liverpool Echo Arena.jpg
Spandau Ballet at Echo Arena Liverpool, November 2009

In the early 1990s after the band went their separate ways, Norman moved to Ibiza and took some time off from performing. During his time on the island, Norman collaborated with numerous musicians and producers who lived there, including Lenny Krarup, Nacho Sotomayor, Stefan Zauner and DJ Pippi. Norman also worked with Rafa Peletey on various projects, including Funky Jack's "Saxomatic" percussion mix. Norman also sourced and compiled the music for the Made in Ibiza Chills n' Thrills compilation album and co-compiled A Journey Through Savannah with Peletey for their record label, Island Pulse Records. [8]

Norman continued to play live at house music events throughout the UK and on the international club scene, [9] performing with his saxophone, or occasionally percussion alongside such musicians as Byron Stingily of Ten City, Frankie Knuckles, Angie Brown, Steve Edwards, Alison Limerick, Jeremy Healy and Brandon Block. Norman formed a partnership with Hed Kandi, DJ John Jones and Martin Ikin from Soul Purpose called 'The Collective'. Their first production was a re-working of Joe Smooth's "Promised Land" featuring Peyton on lead vocals and Shelley Preston (formerly of Bucks Fizz) on backing vocals. [9] In 2012 and again in 2014, Norman was the featured guest saxophonist and percussionist for Steve Harley’s performances of the first two Cockney Rebel albums with orchestra and choir. In 2013, Norman played on three tracks on Bruce Foxton's album, Back in the Room. He also played on James Stevenson's album Everything's Getting Closer To Being Over released in 2014. The band he is performing live with as of 2021 is called The Sleevz. [10]

Norman has performed at various concerts in aid of The Prince's Trust charity. He also played at the "Free Nelson Mandela Concert" some years later along with Tony Hadley. [8]

Cloudfish

In 2001, Norman and Rafa Peletey formed a production team called Cloudfish and invited Shelley Preston to provide the vocals. [11] As a result, Cloudfish became a band with Norman, Preston and Peletey writing and producing their own songs. Peletey left in 2003 to front his own band, joining up with Norman and Preston from time to time.

Cloudfish have continued to write, produce and perform [12] and were featured artists on the eponymous CD of the Italian quintet, Quintessenza. Cloudfish sold out a number of concerts including the one at Ronnie Scott's. Their song "So High" was included on the CD compilation, Dome Ibiza: The Chillout Session Vol. 2.

Personal life

Norman writes a regular column reviewing CDs for the magazine Ibiza Now. [13]

He is a fan of Tottenham Hotspur F.C. [14]

Related Research Articles

<span class="mw-page-title-main">Spandau Ballet</span> English pop band

Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.

<i>True</i> (Spandau Ballet album) 1983 studio album by Spandau Ballet

True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.

<span class="mw-page-title-main">Tony Hadley</span> English pop singer

Anthony Patrick Hadley is an English pop singer. He rose to fame in the 1980s as the lead singer of the new wave band Spandau Ballet and launched a solo career following the group's split in 1990. Hadley returned to the band in 2009 but left again in 2017. Hadley is known for his "expressive voice" and "vocal range".

<span class="mw-page-title-main">John Keeble</span> Musical artist

John Leslie Keeble is an English pop and rock drummer. He is best known for his membership of the 1980s new wave band Spandau Ballet.

<span class="mw-page-title-main">Gary Kemp</span> English actor and musician

Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.

<span class="mw-page-title-main">True (Spandau Ballet song)</span> 1983 single by Spandau Ballet

"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.

<i>Journeys to Glory</i> 1981 studio album by Spandau Ballet

Journeys to Glory is the debut studio album by English synth-pop band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.

<i>Diamond</i> (Spandau Ballet album) 1982 studio album by Spandau Ballet

Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.

<i>Parade</i> (Spandau Ballet album) 1984 studio album by Spandau Ballet

Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.

<i>Through the Barricades</i> 1986 studio album by Spandau Ballet

Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album, Parade. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "True", and reshape the style of their music to that of a rock band. The title song, which details the struggles in a relationship, was chosen as the album title because of how they felt they were being perceived. Through the Barricades was also their first album with the label after leaving Chrysalis Records because of the downturn in their popularity in the US after "True".

<i>Heart Like a Sky</i> 1989 studio album by Spandau Ballet

Heart Like a Sky is the sixth studio album by English new wave band Spandau Ballet, released on 18 September 1989 by CBS Records. The album was mainly distributed in continental Europe. It was the group's last release before disbanding and is their last to be composed entirely of new material.

<span class="mw-page-title-main">Gold (Spandau Ballet song)</span> 1983 single by Spandau Ballet

"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry that was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it while others found it affected and overwrought. The song peaked at number 2 on the UK Singles Chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.

<i>Once More</i> (Spandau Ballet album) 2009 studio album by Spandau Ballet

Once More is the seventh and final studio album by English new wave band Spandau Ballet, released on 19 October 2009 by Mercury Records. The album includes 11 re-recordings from the band's back catalogue and two newly written songs. The first single, the title track "Once More", one of the two brand-new songs, was released as a promotional single on 5 October 2009 and as a digital download on the same day as the album was released. The album entered at number seven on the UK Album Chart on 25 October 2009, becoming their seventh UK Top 10 album.

<span class="mw-page-title-main">Lifeline (Spandau Ballet song)</span> 1982 single by Spandau Ballet

"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.

<span class="mw-page-title-main">Through the Barricades (song)</span> 1986 single by Spandau Ballet

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<span class="mw-page-title-main">Instinction (song)</span> 1982 single by Spandau Ballet

"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.

<span class="mw-page-title-main">The Freeze (song)</span> 1981 single by Spandau Ballet

"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.

<i>The Story: The Very Best of Spandau Ballet</i> 2014 greatest hits album by Spandau Ballet

The Story: The Very Best of Spandau Ballet is a greatest hits album by English new wave band Spandau Ballet, released on 13 October 2014. The album includes three new songs that were produced by Trevor Horn.

<span class="mw-page-title-main">Paint Me Down</span> 1981 single by Spandau Ballet

"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 ", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.

<span class="mw-page-title-main">She Loved Like Diamond</span> 1982 single by Spandau Ballet

"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.

References

  1. "Steve Norman Interview". The Best of Ibiza. July 2014. Archived from the original on 18 August 2014. Retrieved 7 November 2015.
  2. Kemp, Martin. True: the Autobiography of Martin Kemp. pp. 36–37.
  3. Watts, Halina (11 November 2014). "Band Aid 30 years on: Where are the original stars three decades after the 1984 song was released?". Mirror. Retrieved 6 November 2015.
  4. "Spandau Ballet in court over royalties". BBC News. 27 January 1999. Retrieved 6 May 2009.
  5. "Spandau court bid fails". BBC News. 30 April 1999. Retrieved 6 May 2009.
  6. "Spandau Ballet – Homepage". Spandauballet.com. 31 October 2011. Retrieved 13 November 2011.
  7. Johnson, David (4 October 2009). "Spandau Ballet, the Blitz kids and the birth of the New Romantics". The Guardian. London. Retrieved 13 November 2011.
  8. 1 2 "Biography". uk.yamaha.com. Retrieved 7 November 2015.
  9. 1 2 "Domain name holding page – LCN.com". steve-norman.com. Archived from the original on 6 October 2011. Retrieved 13 November 2011.
  10. Pingitore, Silvia (20 June 2021). "To the 1980s New Romantic and back: interview with Spandau Ballet's Steve Norman". the-shortlisted.co.uk. Retrieved 21 June 2021.
  11. Norman, Steve. "Radio Swiss Pop - Banca dati musicale - Musicista". www.radioswisspop.ch (in Italian). Retrieved 21 June 2021.
  12. "Steve Norman steers Cloudfish into an edgier urban groove". shapersofthe80s.com. 18 September 2015. Retrieved 7 November 2015.
  13. "Steve Norman of Spandau Ballet in Ibiza". ibiza-blog.com. 25 March 2009. Archived from the original on 3 November 2015. Retrieved 7 November 2015.
  14. Benyon, Lucy (31 October 2014). "His saxophone, football and fun: Five things Steve Norman can't live without". Express. Retrieved 7 November 2015.