Surtitles

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Blank surtitle screen visible above the stage at the Royal Opera House, Covent Garden ROH auditorium 001.jpg
Blank surtitle screen visible above the stage at the Royal Opera House, Covent Garden

Surtitles, also known as supertitles, Captitles, SurCaps, OpTrans, are translated or transcribed lyrics/dialogue projected above a stage or displayed on a screen, commonly used in opera, theatre [1] or other musical performances. [2] The word "surtitle" comes from the French language sur, meaning "over" or "on", and the English language word "title", formed in a similar way to the related and similarly-named subtitles. The word Surtitle is a trademark of the Canadian Opera Company. [3] [4]

Contents

Surtitles were introduced in the 1990s to translate the meaning of the lyrics into the audience's language, or to transcribe lyrics that may be difficult to understand in the sung form in the opera-house auditoria. [5] The two possible types of presentation of surtitles are as projected text, or as the electronic libretto system. Titles in the theatre have proven a commercial success in areas such as opera, and are finding increased use for allowing hearing-impaired patrons to enjoy theatre productions more fully. Surtitles are used in live productions in the same way as subtitles are used in film and television productions.

Projected titles or translations

Opera Un ballo in maschera in Moscow with Russian surtitles 2019-07-01 - Un Ballo in Maschera in Moscow (Bolshoi Theatre) - Photo 2.jpg
Opera Un ballo in maschera in Moscow with Russian surtitles

Generally projected above the theatre's proscenium arch (but, alternately, on either side of the stage), surtitles are usually displayed using a supertitling machine. The text must be prepared beforehand as in subtitles. These machines can be used for events other than artistic performances, when the text is easier to show to the audience than it is to vocalize.

Surtitles are different from subtitles, which are more often used in filmmaking and television production. Originally, translations would be broken up into small chunks and photographed onto slides that could be projected onto a screen above the stage, but most companies now use a combination of video projectors and computers.

John Leberg developed the Surtitle system for the Canadian Opera Company when he was the company's director of operations. [6] Lotfi Mansouri, then general director of the company, first used the system in the January 1983 staging of Elektra . [7]

New York City Opera was the first American opera company to use supertitles, in 1983. [8]

The surtitle is given an insertion point in the score (piano score) for the surtitle's entry and exit. An operator will push a button at the marked point when following the music.

The American company called Figaro Systems established by Patrick Markle, Geoff Webb, and Ron Erkman developed the first assistive technology for individualized libretto-reading for audiences. [9] This technology allows the audience to select their preferred language from a list or simply turn it off, watching the performance without surtitles. [9]

Personal titling systems

Surtitles can be a distraction, focusing attention on the titles instead of the stage. Therefore, several systems have been developed to provide captions visible only to those individual viewers who wish to see them.

Electronic libretto system

Personal subtitle system at the Santa Fe Opera Subtitles at the Santa Fe Opera (230480544).jpg
Personal subtitle system at the Santa Fe Opera

The electronic libretto system uses individual screens placed in front of each seat allowing patrons either to view a translation or to switch them off during the performance. New York's Metropolitan Opera installed the patented Met Titles, becoming the first house in the United States to use this system.

The Vienna State Opera and Santa Fe Opera use such a system. It allows the patron to choose among several different languages.[ citation needed ]

Rear Window Captioning System

The Rear Window Captioning System is a method for presenting, through captions, a transcript of the audio portion of a film in theatres. The system was co-developed by WGBH and Rufus Butler Seder and initially targeted at people who are deaf or hard-of-hearing.

On the way into the theatre, viewers pick up a reflective plastic panel mounted on a flexible stalk. The panel sits in a seat cupholder or on the floor adjacent to the seat. A large LED display is mounted on a rear wall that displays caption characters in mirror image. Viewers move the panels into position (usually below the movie screen or stage) so they can read the reflected captions and watch the presentation. Others seated alongside do not watch, or usually even see, the captions.

Surtitling smart glasses

After a successful test run in 2015, the French-German surtitling company Panthea launched a pilot project on a larger scale introducing multilingual surtitles on smart glasses to the Festival d'Avignon 2017.

The system was the subject of a study which was later published by the French Ministry of Culture. [10] The device became commercially-available the following year and was tested by several houses, such as the Paris Opera. [11] The Theatre Times' test user report that: "Supertitles are displayed on the lenses during the performance so that you can concentrate more on what is happening on the stage rather than reading supertitles." [12]

In October 2019, the Théâtre Édouard VII, in partnership with Panthea and the Fondation pour l'audition (a non-profit foundation for the hearing-impaired), became the first Parisian theatre to offer surtitling smart glasses for a full season, providing the service at no extra cost for audience members with hearing impairments. [13]

See also

Related Research Articles

<span class="mw-page-title-main">Opera</span> Art form combining sung text and musical score in a theatrical setting

Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.

<span class="mw-page-title-main">Closed captioning</span> Process of displaying interpretive texts to screens

Closed captioning (CC) and subtitling are both processes of displaying text on a television, video screen, or other visual display to provide additional or interpretive information. Both are typically used as a transcription of the audio portion of a program as it occurs, sometimes including descriptions of non-speech elements. Other uses have included providing a textual alternative language translation of a presentation's primary audio language that is usually burned-in to the video and unselectable.

<span class="mw-page-title-main">Libretto</span> Text used in an extended musical work such as an opera or musical

A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.

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<span class="mw-page-title-main">San Francisco Opera</span> American opera company

The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California.

<span class="mw-page-title-main">Canadian Opera Company</span> Opera company based in Toronto, Ontario

The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs at the Four Seasons Centre for the Performing Arts, which was purpose-built for opera and ballet and is shared with the National Ballet of Canada. For forty years until April 2006, the COC had performed at the O'Keefe Centre.

<span class="mw-page-title-main">Opera North</span> Opera company based in Leeds, England

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An electronic libretto system is used primarily in opera houses and is a device which presents translations of lyrics into an audience's language or transcribes lyrics that may be difficult to understand when sung.

<span class="mw-page-title-main">Subtitles</span> Textual representation of events and speech in motion imagery

Subtitles are texts representing the contents of the audio in a film, television show, opera or other audiovisual media. Subtitles might provide a transcription or translation of spoken dialogue. Although naming conventions can vary, captions are subtitles that include written descriptions of other elements of the audio ,like music or sound effects. Captions are thus especially helpful to people who are deaf or hard-of-hearing. Subtitles may also add information that is not present in the audio. Localizing subtitles provide cultural context to viewers. For example, a subtitle could be used to explain to an audience unfamiliar with sake that it is a type of Japanese wine. Lastly, subtitles are sometimes used for humor, as in Annie Hall, where subtitles show the characters' inner thoughts, which contradict what they were saying in the audio.

The word titling, in the performing arts, defines the work of linguistic mediation encompassing subtitling and surtitling.

Figaro Systems, Inc. is an American company that provides seatback and wireless titling software and system installations to opera houses and other music performance venues worldwide. The company is based in Santa Fe, New Mexico. It was established in 1993 by Patrick Markle, Geoff Webb, and Ron Erkman and was the first company to provide assistive technology that enables individualized, simultaneous, multi-lingual dialogue and libretto-reading for audiences.

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AirScript is a hand-held device that provides theatregoers with subtitles in a variety of languages. It was designed by Show Translations, a company that specializes in live entertainment translation, and built by Cambridge Consultants, a leading technology and product development firm.

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The term multilingual titling defines, in the field of titling for the performing arts, the chance for the audience to follow more than one linguistic option.

Multimedia translation, also sometimes referred to as Audiovisual translation, is a specialized branch of translation which deals with the transfer of multimodal and multimedial texts into another language and/or culture. and which implies the use of a multimedia electronic system in the translation or in the transmission process.

Sonya Haddad was a libretto translator and surtitler for the Metropolitan Opera in New York.

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References

  1. Simantob, Eduardo (19 February 2020). "Non-German speakers can finally go to the theatre in Zurich". Swiss Info.
  2. Smith, Patrick (Winter 1986). "Supertitles". Arts Review. 3 (2): 32.
  3. "Surtitles™: An Introduction" . Retrieved 23 March 2017.
  4. "Canadian Trademarks Details 0498073 – Canadian Trademarks Database – Intellectual property and copyright – Canadian Intellectual Property Office – Innovation, Science and Economic Development Canada".
  5. Cooke, Mervyn (2005). The Cambridge Companion to Twentieth-Century Opera. Cambridge, UK: Cambridge University Press. p. 321. ISBN   0521780098.
  6. "The COC launches surtitles". Canadian Broadcasting Corporation (CBC). 27 March 1983. Retrieved 23 March 2017.
  7. "Lotfollah Mansouri." Marquis Who's Who TM. Marquis Who's Who, 2008. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2008. http://galenet.galegroup.com/servlet/BioRC Document Number: K2013018226. Fee. Retrieved 27 December 2008.
  8. Tommasini, Anthony (2007-07-22). "No Supertitle Goes Here, and That's a Good Thing". The New York Times .
  9. 1 2 Webb, Andrew (November 23, 2003). "Opera subtitle firm eyes new game". The Business Journals. Retrieved 2019-10-25.
  10. Lunettes de surtitrage, Festival d'Avignon 2017, Évaluation de l'expérimentation (Report). 2017.
  11. Cathelinais, Coralie (17 December 2017). "Avec ces lunettes, on peut apprécier un spectacle en VO sans être polyglotte". BFM Business.
  12. Wehle, Philippa (26 September 2019). "Glasses that translate. How is this possible?". The Theatre Times.
  13. "Surtitrage au théâtre !". La Fondation Pour l'Audition.