| The Conquering Hero | |
|---|---|
 Page from sheet music (cropped) | |
| Music | Mark Charlap |
| Lyrics | Norman Gimbel |
| Book | Larry Gelbart |
| Productions | 1961 Broadway |
The Conquering Hero is a musical with a music by Mark Charlap, lyrics by Norman Gimbel, and book by Larry Gelbart. The musical was based on Preston Sturges's 1944 film Hail the Conquering Hero . The musical ran for only eight performances on Broadway in 1961.
The musical was originally staged and choreographed by Bob Fosse, who was replaced during previews by Albert Marre as director and Todd Bolender as choreographer. [1] The New York Times reported that Fosse quit over a disagreement "over the direction of the show's book." [2] Settings and lighting were by Jean Rosenthal.
Produced by Robert Whitehead and Roger L. Stevens, the musical opened on January 16, 1961 at the ANTA Playhouse, where it ran for eight performances. Featured in the cast were Tom Poston and Lionel Stander. The New York Times reviewer noted that neither the director nor the choreographer was listed in the program, and went on to write "Whoever mixed the ingredients failed to produce freshness or excitement." The reviewer did note that the first act ended with "an extended dance number that has speed and spirit." [3]
During out-of-town tryouts in Philadelphia, Gelbart was quoted as saying "If Hitler's alive, I hope he's out of town with a musical." [4]
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Larry Simon Gelbart was an American television writer, playwright, screenwriter, director and author, most famous as a creator and producer of the television series M*A*S*H, and as co-writer of the Broadway musicals A Funny Thing Happened on the Way to the Forum and City of Angels.
Gwyneth Evelyn "Gwen" Verdon was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and she served as an uncredited choreographer's assistant and specialty dance coach for theater and film. Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s, having originated many roles in musicals, including Lola in Damn Yankees, the title character in Sweet Charity and Roxie Hart in Chicago.
All That Jazz is a 1979 American musical drama film directed by Bob Fosse. The screenplay, by Robert Alan Aurthur and Fosse, is a semi-autobiographical fantasy based on aspects of Fosse's life and career as a dancer, choreographer and director. The film was inspired by Fosse's manic effort to edit his film Lenny while simultaneously staging the 1975 Broadway musical Chicago. It borrows its title from the Kander and Ebb tune "All That Jazz" in that production.
Robert Louis Fosse was an American actor, choreographer, dancer, and film and stage director. He directed and choreographed musical works on stage and screen, including the stage musicals The Pajama Game (1954), Damn Yankees (1955), How to Succeed in Business Without Really Trying (1961), Sweet Charity (1966), Pippin (1972), and Chicago (1975). He directed the films Sweet Charity (1969), Cabaret (1972), Lenny (1974), All That Jazz (1979), and Star 80 (1983).
Kander and Ebb were a highly successful American songwriting team consisting of composer John Kander and lyricist Fred Ebb. Known primarily for their stage musicals, which include Cabaret and Chicago, Kander and Ebb also scored several movies, including Martin Scorsese's New York, New York. Their most famous song is the theme song of that movie. Recorded by many artists, "New York, New York" became a signature song for Frank Sinatra. The team also became associated with two actresses, Liza Minnelli and Chita Rivera, for whom they wrote a considerable amount of material for the stage, concerts and television.
Fred Ebb was an American musical theatre lyricist who had many successful collaborations with composer John Kander. The Kander and Ebb team frequently wrote for such performers as Liza Minnelli and Chita Rivera.
Damn Yankees is a 1955 musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's 1954 novel The Year the Yankees Lost the Pennant.
Preston Sturges was an American playwright, screenwriter, and film director. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic and mature, despite the farcical situations. It is not uncommon for a Sturges character to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene.
How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
Jerome Robbins was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.
Michael Bennett was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven.
Gower Carlyle Champion was an American actor, theatre director, choreographer, and dancer.
Fosse is a three-act musical revue showcasing the choreography of Bob Fosse. The musical was conceived by Richard Maltby Jr., Chet Walker, and Ann Reinking.
Redhead is a musical with music composed by Albert Hague and lyrics by Dorothy Fields, who with her brother, Herbert, along with Sidney Sheldon and David Shaw wrote the book/libretto. Set in London in the 1880s, around the time of Jack the Ripper, the musical is a murder mystery in the setting of a wax museum.
New Girl in Town is a musical with a book by George Abbott and music and lyrics by Bob Merrill based on Eugene O'Neill's 1921 play Anna Christie, about a prostitute who tries to live down her past. New Girl, unlike O'Neill's play, focuses on the jealousy of the character Marthy and on love's ability to conquer all. The musical ends far more hopefully than the play.
Carnival is a musical, originally produced by David Merrick on Broadway in 1961, with the book by Michael Stewart and music and lyrics by Bob Merrill. The musical is based on the 1953 film Lili, which again was based on the short story and treatment titled "The Seven Souls of Clement O'Reilly" by Paul Gallico. The show's title originally used an exclamation point ; it was eventually dropped during the show's run, as director Gower Champion felt it gave the wrong impression, saying, "It's not a blockbuster. It's a gentle show."
Joan Hume McCracken was an American dancer and actress who became famous for her role as Sylvie in the original 1943 production of Oklahoma! She also was noted for her performances in the Broadway shows Bloomer Girl (1944), Billion Dollar Baby (1945) and Dance Me a Song (1950), and the films Hollywood Canteen (1945) and Good News (1947).
Dancin' is a musical revue created, directed, and choreographed by Bob Fosse and originally produced on Broadway in 1978. The plotless, dance-driven revue is a tribute to the art of dance, and the music is a collection of mostly American songs, many with a dance theme, from a wide variety of styles, from operetta to jazz to classical to marches to pop. The original production received seven 1978 Tony Award nominations, with Fosse winning for best choreography.
Carnival in Flanders is a musical with a book by Preston Sturges, lyrics by Johnny Burke, and music by Jimmy Van Heusen.
Big Deal is a musical with a book by Bob Fosse using songs from various composers such as Ray Henderson, Eubie Blake, and Jerome Kern. It was based on the 1958 film Big Deal on Madonna Street by Mario Monicelli. The musical received five Tony Award nominations, with Fosse winning for Choreography. The production was Fosse's final work, as he died the next year.