The Florida Project | |
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Directed by | Sean Baker |
Written by |
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Produced by |
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Starring |
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Cinematography | Alexis Zabe |
Edited by | Sean Baker |
Production companies |
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Distributed by | A24 |
Release dates |
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Running time | 111 minutes [1] |
Country | United States |
Language | English |
Budget | $2 million [2] |
Box office | $11.3 million [3] |
The Florida Project is a 2017 American drama film directed by Sean Baker and written by Baker and Chris Bergoch. Starring Bria Vinaite, Brooklynn Prince, and Willem Dafoe, with Valeria Cotto, Christopher Rivera, and Caleb Landry Jones in supporting roles, it was many of the cast members' first film appearance. The slice of life plot focuses on the summertime adventures of a six-year-old girl who lives with her unemployed single mother in a budget motel in Kissimmee, Florida. Their struggle to make ends meet and stave off homelessness takes place in a surreal environment dominated by the nearby Walt Disney World, which was code-named "The Florida Project" during its planning stages. [4] It juxtaposes this with the local residents' less glamorous day-to-day lives and the children's joyful adventures as they explore and make the most of their surroundings while remaining blissfully ignorant of the hardships their adult caretakers face. [5]
The film premiered in the Directors' Fortnight section of the 2017 Cannes Film Festival, and was released theatrically in the United States by A24 on October 6, 2017. It was acclaimed by critics, [6] who praised the performances and Baker's direction; Vinaite earned particular acclaim for her performance. Prince's work earned her a Critics' Choice Movie Award for Best Young Performer, while Dafoe was judged to have given "his finest performance in recent memory", [7] receiving Best Supporting Actor nods at the Oscars, Golden Globes, SAG Awards, Critics Choice Awards, and BAFTA Awards. [8] [9]
Both the National Board of Review and the American Film Institute named The Florida Project one of the top ten films of the year. [10] [11]
Moonee, a six-year-old girl, lives with her young, single mother, Halley, at Magic Castle Inn and Suites, a budget motel in Kissimmee, Florida, near Walt Disney World. Moonee spends most of her summer days unsupervised and making mischief with her downstairs neighbor, Scooty, whom Halley is supposed to watch while his mother, Ashley, works as a waitress at a diner, and Dicky, who lives at the nearby Futureland Inn. After Stacy, a new Futureland resident, catches the trio spitting on her car, Dicky is grounded for a week, and Moonee and Scooty meet and befriend Stacy's granddaughter, Jancey, who lives with Stacy.
Halley has recently lost her job as a stripper after refusing to have sex with clients, but this now affects her eligibility for TANF benefits; she begins relying on food that Ashley gets from work. Struggling to pay the rent, Halley begins selling knockoff perfume to tourists in the parking lots of upscale hotels. Meanwhile, Moonee and Scooty show Jancey around the neighborhood and teach her things, like how to get ice cream by begging. They regularly inconvenience Bobby, the Magic Castle's manager, once shutting off the motel's power. Despite this, he remains protective of them. Bobby's duties include preparing expense reports, ejecting drug dealers, and doing repairs; he sometimes enlists the help of his son, Jack, with whom he has a tenuous relationship.
After Dicky's family moves to New Orleans, Scooty finds a lighter in a box that Dicky's family left behind; he, Moonee, and Jancey start a fire at an abandoned condominium complex. Seeing the fire, Ashley figures out that Scooty was involved, and forbids him from hanging out with Moonee or Jancey; she also stops talking to Halley.
Without the free food from Ashley, and with security guards beginning to bother her at the hotels, Halley's financial situation declines even further. She begins soliciting sex work online, keeping Moonee in the bathroom with loud music when she has a client over. When Halley steals a client's Disney World resort passes to scalp them, he returns to demand them back. Bobby scares him off but applies restrictions on unregistered guests in Halley's room; he also warns her that he will evict her if she continues having clients over. In desperation, Halley approaches Ashley to apologize and ask for money. Ashley criticizes Halley for doing sex work; enraged, Halley viciously beats her in front of Scooty.
The next day, DCF investigators show up and question Halley and Moonee separately about their lifestyle. In anticipation of another visit, Halley gives away her weed and has Moonee help clean their room. They go to a fancier hotel and have an extravagant meal, which Halley charges to a guest's room. When they return to Magic Castle, the investigators, having found evidence of Halley's sex work, are waiting with two police officers to take Moonee into foster care while they finish their inquiry. Not fully understanding what is happening, Moonee asks to say goodbye to Scooty, who lets slip that she is going to a new family. Upset, Moonee runs away from the investigators to bid Jancey goodbye. Seeing her friend's distress, Jancey grabs Moonee's hand and the two run away to Walt Disney World's Magic Kingdom theme park.
Writer Chris Bergoch noticed a lot of children playing in motel parking lots while visiting his mother in Orlando, Florida. Sean Baker said he had always been inspired by the Our Gang films, because the characters "were actually living in poverty, but the focus was the joy of childhood, the humor that comes from watching and hearing children." [12] [13]
In December 2017, producer Andrew Duncan stepped down from his role as financier of June Pictures after numerous allegations of sexual harassment. [14] Baker said: "While we did not witness nor have any knowledge of inappropriate behavior, we are of course deeply concerned about these allegations. I have been outspoken before and firmly believe that film sets and work environments absolutely must be safe spaces for everyone regardless of gender, age, race, or creed." [15] [16]
The Florida Project was filmed in the summer of 2016 on location in Osceola County, Florida, [17] including at the real Magic Castle Inn & Suites on U.S. Highway 192 in Kissimmee, about six miles from Walt Disney World. [18]
Unlike Baker's previous film, which was shot with an iPhone, The Florida Project was filmed on 35mm film, except for the final scene, which was shot without authorization in Disney World's Magic Kingdom park using an iPhone 6S Plus. [19] [20] To maintain secrecy, the shoot at the resort used a skeleton crew consisting of Baker, Bergoch, cinematographer Alexis Zabe, acting coach Samantha Quan, actors Valeria Cotto and Brooklynn Prince, and the girls' guardians. [20] Baker intended the ending to be open to interpretation: "We've been watching Moonee use her imagination and wonderment throughout the entire film to make the best of the situation she's in—she can't go to Disney's Animal Kingdom, so she goes to the 'safari' behind the motel and looks at cows; she goes to the abandoned condos because she can't go to the Haunted Mansion. And in the end, with this inevitable drama, this is me saying to the audience, if you want a happy ending, you're gonna have to go to that headspace of a kid because, here, that's the only way to achieve it." [20]
The film had its world premiere on May 22, 2017, in the Directors Fortnight section of the 2017 Cannes Film Festival, [21] [22] and A24 acquired the U.S. distribution rights shortly thereafter. [23] Its limited theatrical release in the U.S. began on October 6, 2017. [24] Lionsgate released the film on Blu-ray, DVD, and download.
The Florida Project received critical acclaim upon its release, with particular praise for Baker's direction and the performances of Dafoe, Prince, and Vinaite. On review aggregator website Rotten Tomatoes, it has an approval rating of 96% based on 320 reviews, with an average rating of 8.8/10; the site's "critics consensus" reads: "The Florida Project offers a colorfully empathetic look at an underrepresented part of the population that proves absorbing even as it raises sobering questions about modern America." [25] On Metacritic, the film has a weighted average score of 92 out of 100 based on reviews from 44 critics, indicating "universal acclaim". [26]
Ann Hornaday of The Washington Post wrote, "Dafoe delivers his finest performance in recent memory, bringing to life a levelheaded, unsanctimonious character who offers a glimmer of hope and caring within a world markedly short on both." [27] Richard Roeper of the Chicago Sun-Times wrote, "It's film that'll make you wince at times, and you'll most likely not want to see twice, but seeing it once is an experience you'll not soon forget." [28]
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