The production was notoriously difficult, marred by issues with the cast, harsh weather and a skyrocketing budget. Bruce Willis was originally hired to play Edward Prendick, but allegedly dropped out as he started divorce procedures from Demi Moore, his wife at the time. Willis was replaced by Kilmer, who made his availability limited, and later had anger issues with most of the cast after also being served divorce papers on set. Then actor Rob Morrow quit because of script rewrites.[3][4][5][6][7][8]
Brando's role as Moreau was supposed to be expanded, but following his daughter's suicide, Brando retreated to his private island, leaving production in limbo, not knowing when or even if he would show up. Brando also did not want to learn his lines, so he requested them through an earpiece and/or improvised his dialogue. Original director Richard Stanley was dismissed by New Line Cinema after problems arose during production, including a major hurricane, with Frankenheimer being brought in to replace him. The film received generally negative reviews and was considered a box office bomb.[3][4][5][6][7][8]
In 2014, the documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau was released, covering Stanley's experiences while he conceived and developed the project, his time as director, and the aftermath of his departure and the effect it had on the cast, crew and overall film.[9] Kilmer also shared some behind-the-scenes footage of the film in the 2021 documentary Val where he shared his side of events.[10]
Plot
United Nations negotiator Edward Douglas survives a plane crash in the Java Sea and is rescued by a passing boat. Aboard, Dr. Montgomery tends to him and, after telling him the boat has no radio, he promises Douglas the captain will take him to Timor. However, when they arrive at Montgomery's destination, referred to as "Moreau's Island", he instead advises Douglas to disembark so he can use the radio on the island.
Montgomery unloads a shipment of rabbits at a pen where he kills one for Douglas' meal. They go to the Main House, where Douglas is warned not to wander. He meets a daughter of Dr. Moreau's called Aissa, but Montgomery turns him away from her and leads him to his room. On the way, they discuss how Moreau vanished after becoming obsessed with his animal research. Montgomery locks Douglas in his room, for his own safety, but he escapes that night. After exploring briefly, he hears strange, moaning cries coming from nearby. He is curious and enters a laboratory building, and finds a room of medical equipment, incubation chambers and liquid-filled, cylindrical artificial “wombs”, containing what appear to be fetuses developing. He hears the cries again and, from a distance, watches in shock as a female human/llama mutant gives birth, with several doctors attending to the delivery.
Douglas’ presence is noticed by one of the male doctors—who peels back his face mask to reveal he is, also, a human/animal hybrid—and flees, finding Aissa who leads him to the ‘village’ of the mutants. Still confused and shocked by what he has witnessed, Aissa simply looks at him when he asks questions. The two find a partially-eaten rabbit and observe a leopard/human hybrid called Lo-Mai (also referred to by the nickname "Cheetah").
At the village, they find the ‘Sayer of the Law’—a generally benevolent goat/sheep/human hybrid with large, curled horns growing from his head, and hoof-like hands—whose Law preaches "being human" instead of animalistic, in terms of practicing manners, restraint and discipline. Dr. Moreau appears, apparently worshipped and referred to as "The Father" by the mutants. It is discovered that he keeps the hybrids subjugated by using a remote-controlled electrical implant, surgically placed at birth under their skin. This is one of the few methods of security Moreau implements against his "creations".
Dr Moreau tells the villagers to release Douglas and demands Montgomery give him back his handgun. Moreau then calmly reassures a shocked Douglas, explaining who he is and who his "children" are. He explains his genetic creations; he introduced human DNA into animals in search of a higher being, supposedly incapable of harm. The existing Beast-Folk are imperfect, but Moreau claims to be very close to a "solution". Moreau's son Azazello comes in with the half-eaten rabbit, much to the disgust of the apparent pacifistic Moreau (who forbids meat-eating). When he learns of the eaten rabbit, he promises that there will be a "trial" the next day. Douglas tries to escape by boat, but stops as it is overrun with humanoid rats.
At the outdoor trial, Lo-Mai (the leopard hybrid) becomes enraged and runs at Moreau. When the remote-controlled implant doesn't stop him, Azazello suddenly shoots Lo-Mai dead, much to the shock of all in attendance. His body is cremated publicly and not immediately disposed of. A humanoid hyena/pig called "Hyena-Swine" comes to grieve his friend. When inspecting the charred remains, he notices a strange object embedded in Lo-Mai's arm bone, the control implant. He then feels for the same implant on his own body and subsequently digs it out and removes it from the bone, roaring loudly in pain. Hyena then realizes what the implant is. He says "no more pain" and wants to spread the word to all the other mutants. Montgomery reveals to Douglas that in addition to the pain, the animals are controlled through regular drugging to prevent them from "retrogressing". Hyena-Swine reveals his removed implant to Montgomery who sets the other beasts after him. Meanwhile, Douglas tries to contact the outside world, but Montgomery sabotages the radio and Aissa reveals to Moreau that she is regressing as she shows her cat-like pupils, canine teeth becoming fangs, and her fingernails becoming sharper.
Hyena-Swine and his trackers—now on his side and also free of implants—break into the main compound and confront Moreau. Initially, Moreau comforts a seemingly depressed and sad Hyena-Swine, who begins to get more angry. He asks Moreau "what are we?" Moreau replies lovingly "my children", which causes Hyena-Swine to become enraged, saying they reject humanity and the Law. Now, realizing he may actually be in danger, Moreau presses the remote control repeatedly, to no effect—the group subsequently attacks and kills Moreau. Douglas sees the aftermath of the attack and fires a gunshot, scaring the group off. Moreau's children grieve, except for Azazello, who steals Montgomery's handgun and goes to join Hyena-Swine's faction. Aissa informs Douglas that he can stop her regression with a serum from the lab. However, it turns out Montgomery has gone insane and destroyed it. Douglas also finds samples and a file with his name on them and finds out that Moreau was planning to use his DNA to stop Aissa's regression permanently, completing his experiments. Meanwhile, Azazello leads the mutants to the armory.
The mutants have now taken over the island, keeping the Sayer of the Law and others as hostages. Montgomery has lost his mind and is promoting hedonism amongst the mutants. He sits in the former Doctor's throne as if he were a King; Azazello then shoots the drunken Montgomery dead as he watches a mutant orgy, and Hyena-Swine's group continues to rampage around the island. Azazello hangs Aissa before being executed by Hyena-Swine, having outlived his usefulness. Douglas manages to survive by telling Hyena-Swine to impose his leadership and be "God Number One" among the others of his faction, especially those who helped him kill Moreau, causing Hyena-Swine to kill his supporters. While he's distracted, M'Ling, another one of Moreau's sons, triggers an explosion that causes Hyena-Swine to lose his gun and allows Douglas to escape. Finding himself outnumbered and defenseless, Hyena-Swine retreats into the burning building where he burns himself alive in anguish and despair.
The Sayer of the Law, Assassimon, and several other peaceful-minded mutants see-off Douglas as he leaves on a raft. The Sayer tells Douglas that the hybrids are now wanting to return to their natural state of being and believes it is better to end their creator's work. In closing narration, scenes of various human wars, conflicts, and destruction are shown as Douglas reflects on the comparable savagery that can emerge in humans. The film ends as he claims to leave the island "in fear" and that mankind is the true "animal".
Cast
Marlon Brando as Dr. Moreau, a mad scientist who created the Beast-Folk in an attempt to forge the "perfect" species.
Val Kilmer as Dr. Montgomery, a former neurosurgeon who is a vet and security enforcer and pharmacist on Dr. Moreau's island.
David Thewlis as Edward Douglas, a U.N. agent who gets stranded in the middle of the Indian Ocean and comes to the island.
Fairuza Balk as Aissa, a cat/human hybrid and Moreau's daughter who has been receiving regular experimental feline hormonal treatments, but still looks more human than the other hybrids.
Daniel Rigney as Hyena-Swine, a vicious hyena/pig/human hybrid.
Temuera Morrison as Azazello, a dog/human hybrid and Moreau's "son", who is also a surgeon and assigned to find the hybrids.
Nelson de la Rosa as Majai, a miniature version of Dr. Moreau who does not speak and was created from a fusion of pig DNA and human DNA.
Peter Elliott as Assassimon, a baboon/human hybrid who is the only primate hybrid and Five Finger Man. Frank Welker provided the uncredited voice of Assassimon.
Mark Dacascos as Lo-Mai, a leopard/human hybrid who is accused of breaking the laws (drinking water from a stream, walking on all fours and eating flesh).
Ron Perlman as the Sayer of the Law, a blind sheep/goat/human hybrid who is the priest figure among the hybrids.
Marco Hofschneider as M'Ling, another dog/human hybrid and "child" of Moreau.
Peter Cullen provided the trailer narration for this film.
Production
Casting
As recounted in David Gregory's documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau (2014), the chaotic events of the making of the film quickly led to its becoming one of the most difficult and troubled productions in Hollywood history.[11] A film version of Dr. Moreau had been a long-standing dream of original director Richard Stanley, who had first read the book as a child. He spent four years developing the project before getting the green-light from New Line Cinema. Although Stanley had envisaged Jürgen Prochnow in the lead role, New Line managed to secure Marlon Brando, but some time later, Stanley learned that New Line had gone behind his back and offered the movie to director Roman Polanski.[11]
Furious, Stanley demanded a meeting with Brando who, unexpectedly, proved very sympathetic to Stanley's vision, not least because of Stanley's intimate understanding of the novel and its history - including its connections with Joseph Conrad's Heart of Darkness (the main inspiration for Francis Ford Coppola's Apocalypse Now) - and because of Stanley's family relation to legendary African explorer Sir Henry Morton Stanley, one of the chief inspirations for Conrad's lead character, Kurtz. According to Stanley, Brando still was fascinated by Kurtz more than 15 years after he had played a version of the character in Coppola's film.[11]
With Brando supporting him, Stanley was confirmed as director, and he was able to recruit two more major stars: Bruce Willis as Edward Prendick, a U.N. negotiator who washes up on Moreau's island after his plane crashes, and James Woods as Montgomery, Moreau's chief assistant. Buoyed by these developments, Stanley enthusiastically launched into pre-production, collaborating with special effects creator Stan Winston on the creation of makeup and costumes for Moreau's hybrid creatures and preparing the location and sets. As the time for principal photography approached, however, problems began to multiply: Bruce Willis withdrew from the film (Stanley says in Lost Soul that the actor was divorcing his wife Demi Moore at the time, but the couple did not announce their separation until the summer of 1998,[12] with the divorce made final two years later).[13]
He was replaced with Val Kilmer, who, to Stanley's dismay, demanded a 40% reduction in the number of days he was required on set. Stanley solved this problem when he had the idea to switch Kilmer from the protagonist to the supporting role of Montgomery, who had far less screen time.[11] However, this meant James Woods had to leave the production. New Line hurriedly recruited former Northern Exposure star Rob Morrow for the lead role. Another significant setback occurred before filming began when Brando's daughter Cheyenne committed suicide. The devastated star retreated to his private island, leaving Stanley and his producers in limbo, not knowing when or if he would show up.[11][14]
Shooting
Stanley as director
The chosen location for the film was the rain forest outside Cairns in North Queensland, Australia, including Bramston Beach, Queensland, Mossman Gorge, etc. Tensions between Stanley and New Line had been growing during pre-production, partly because of Stanley's quirky, insular nature, and his marked unwillingness to attend studio meetings, but they reached crisis point within the first few days of filming. Stanley's vulnerability to studio pressure was exacerbated by the continuing absence of his main ally, Brando, but the biggest problem proved to be the notorious on-set behaviour of Kilmer, who reportedly arrived two days late.[11]
Kilmer later attributed his obnoxious behaviour to the fact that, just as filming began, he learned from a television report that he was being sued for divorce by his wife of seven years, Joanne Whalley.[15] Whatever his reasons, many of the cast and crew have testified to Kilmer's bullying and his consistently hostile and obstructive manner during the first days of shooting. He would not deliver the dialogue as scripted and repeatedly criticized Stanley's ideas; what little footage was shot was deemed unusable.[11]
The studio mainly seems to have blamed the director for not getting Kilmer under control,[15][16] but another significant factor was the sudden departure of co-star Rob Morrow on the second day of shooting. With the location being pounded by bad weather that had temporarily stopped filming, Morrow found himself unable to bear the tension and hostility on set any longer, so he telephoned New Line chairman Rob Shaye in Hollywood and tearfully begged to be let go. Shaye agreed.[11]
After a third day of filming, following emergency consultations with its on-set executives, New Line abruptly fired Stanley by fax. The beleaguered director reacted angrily, shredding documents in revenge and then vanishing after being delivered to the airport for the return flight to Hollywood. The reasons for Stanley's dismissal were not made clear and false rumours were spread about his allegedly erratic behaviour, but the main reasons appear to have been his perceived unwillingness to deal with studio executives and especially his problems in dealing with Kilmer, whose already well-established reputation for being "difficult" was soon to be enshrined in movie lore thanks to this film.[15]
Stanley had been offered his full fee on condition that he leave the production quietly and not speak about his firing, so his disappearance caused consternation at New Line, who feared he might try to sabotage the filming. His removal also predictably sent shock waves through the cast and crew. Outraged female lead Fairuza Balk stormed off the set after a heated exchange with New Line executives and then had a production assistant drive her all the way from Cairns to Sydney - a distance of some 2,500km - in a rented limousine. By her own account, however, Balk's agent then warned her in blunt terms that the studio would ruin her and that she would never work in films again if she broke her contract, so she was soon forced to return to the set.[11]
Frankenheimer as director
With a potential disaster looming, New Line brought in veteran director John Frankenheimer. He came on board in part because - like virtually every member of the cast and crew - he wanted the opportunity to work with the legendary Brando,[17] but he also used the studio's desperation to his advantage, successfully demanding a hefty fee and a three-picture deal in exchange for his services. Well known as one of the last of the "old style" Hollywood directors, Frankenheimer's gruff, dictatorial approach was radically different from Stanley's and he soon alienated many of the cast and crew. Brando agreed to his decision to have the then-current script by Richard Stanley, Michael Herr and Walon Green rewritten by Frankenheimer's previous collaborator Ron Hutchinson. Frankenheimer also needed to find a new lead actor to replace Rob Morrow and brought in David Thewlis to play Douglas. The whole production was shut down for a week and a half while these changes were implemented.[18]
Once shooting resumed, the problems continued and escalated. Brando routinely spent hours in his air-conditioned trailer when he was supposed to be on camera, while actors and extras sweltered in the tropical heat in full make-up and heavy costumes. The antipathy between Brando and Kilmer rapidly escalated into open hostility and on one occasion, as recounted in Lost Soul, this resulted in the cast and crew being kept waiting for hours, with each actor refusing to come out of his respective trailer before the other. New script pages were turned in only a few days before they were shot. Frankenheimer and Kilmer had an argument on-set, which reportedly got so heated, Frankenheimer stated afterwards, "I don't like Val Kilmer, I don't like his work ethic, and I don't want to be associated with him ever again".[16]
According to Thewlis, "we all had different ideas of where it should go. I even ended up improvising some of the main scenes with Marlon". Thewlis went on to rewrite his character personally.[19] The constant rewrites also got on Brando's nerves and, as on many previous productions, he refused to learn lines, so he was equipped with a small radio receiver, so that his assistant could feed his lines to him as he performed - a technique he had used on earlier films.[11]
Thewlis recollected that Brando would "be in the middle of a scene and suddenly he'd be picking up police messages and would repeat, 'There's a robbery at Woolworth's'".[19] Meanwhile, friction between him and Kilmer elicited the former's quip: "Your problem is you confuse the size of your paycheck with the size of your talent".[20] Upon completion of Kilmer's final scene, Frankenheimer is reported to have said to the crew, "Now get that bastard off my set".[11][19] Kilmer denied having a feud with Brando. He shared some behind-the-scenes footage of friendly moments he had with Brando as well as his complaining to Thewlis about Frankenheimer in the documentary Val. In his memoir I'm Your Huckleberry, Kilmer said "John Frankenheimer went on to blame me publicly for ruining the movie. I always thought it an odd thing to try to do, blame me for his failure to make an entertaining film, because my character dies halfway through, and the last half of the film sucks as bad as the first".[21] Screenwriter Ron Hutchinson said "everybody behaved monstrously to each other" and Brando had "poisonous" relations with most actors.[1] Brando also wanted to change the script to add his own plot points and decided not wanting his character to die.[22]
Stanley had reportedly jokingly told the film's production designer to burn the set down, but when Stanley disappeared after being fired, security was tightened in case he was actually trying to sabotage the project.[11][19] Stanley later revealed that he had in fact stayed in Australia - suffering a total emotional breakdown, he had retreated to a remote area in the Cairns region to recover.[11] There, he had a chance meeting with some of the film's former production staff, who had been rehired as extras and were camping in the area. It was confirmed by these same production staff in the Lost Soul documentary[19] that with their help Stanley secretly came back to the set over several days, disguised in full costume as one of the dog-men, and performed as an extra on the film he originally had been hired to direct.[11][23] It has been reported that he showed up at the film's wrap party, where he ran into Kilmer, who was said to have apologized profusely for Stanley's removal from the film.[19]
Director's cut
A director's cut was released on Blu-ray on July 24, 2012, and on DVD on April 4, 2017, extending the 96-minute film to 100 minutes.[24]
Reception
The film was met with negative reviews; Rotten Tomatoes currently rates the film with a 22% "Rotten", based on 36 reviews with the consensus: "Timid and unfocused in its storytelling, The Island of Dr. Moreau is more lackluster misfire than morbid curiosity".[25][26][27] Audiences surveyed by CinemaScore gave the film a grade of "C−" on a scale of A+ to F.[28] The film grossed only $49 million worldwide on a $40 million budget, which, with marketing and other expenses, lost money for the studio.[29][30][31][32] In an article written upon Brando's death in 2004, critic Roger Ebert described The Island of Dr. Moreau as "perhaps [Brando's] worst film".[33]
Mike Myers has acknowledged that the character of Mini-Me, a miniature version of the villain Dr. Evil in the Austin Powers films, was directly inspired by the character of Majai in this film.[35]
The character of Dr Alphonse Mephesto and his adopted son Kevin from South Park are direct homages to Marlon Brando's Dr Moreau and Nelson de la Rosa's Majai.
John Michael Frankenheimer was an American film and television director known for social dramas and action/suspense films. Among his credits were Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964), The Train (1964), Seconds (1966), Grand Prix (1966), French Connection II (1975), Black Sunday (1977), The Island of Dr. Moreau (1996), and Ronin (1998).
Marlon Brando Jr. was an American actor and activist. Widely considered one of the greatest and most influential actors of all time, he received numerous accolades throughout his career, which spanned six decades, including two Academy Awards, two Golden Globe Awards, one Cannes Film Festival Award, and three British Academy Film Awards. Brando is credited with being one of the first actors to bring the Stanislavski system of acting and method acting to mainstream audiences.
Val Edward Kilmer is an American actor. Originally a stage actor, he found fame after appearances in comedy films, starting with Top Secret! (1984) and Real Genius (1985), as well as the military action film Top Gun (1986) and the fantasy film Willow (1988). Kilmer gained acclaim for his portrayal of Jim Morrison in Oliver Stone's The Doors (1991). He was cast as a main character in films such as the western Tombstone (1993), and the crime dramas True Romance (1993) and Heat (1995). He portrayed Batman in Joel Schumacher's Batman Forever (1995), and continued to star in films such as The Ghost and the Darkness (1996), The Saint (1997), The Prince of Egypt (1998), Alexander (2004), Kiss Kiss Bang Bang (2005), and The Snowman (2017). In 2022, Kilmer reprised his role as Iceman in Top Gun: Maverick (2022).
Edward Montgomery Clift was an American actor. A four-time Academy Award nominee, he was known for his portrayal of "moody, sensitive young men", according to The New York Times.
Richard Stanley is a South African filmmaker, known for his work in the horror genre. He began his career making short films and music videos, and subsequently directed the feature films Hardware (1990) and Dust Devil (1992), both of which are considered cult classics. He was the original director of The Island of Dr. Moreau (1996), but was fired early into principal photography due to creative differences, an episode recounted in the 2014 documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau. In 2019, he returned to feature films after more than 20 years, directing the H. P. Lovecraft adaptation Color Out of Space.
David Charles Hudson is an Australian Aboriginal musician, entertainer and artist. Hudson is a multi-instrumentalist and was taught to play traditional didgeridoo from an early age. He also plays guitar, kit drums, percussion. He plays traditional music, as well as more ambient music, country-folk, rock, and new age.
One-Eyed Jacks is a 1961 American Western film directed by and starring Marlon Brando, his only directorial credit. Brando portrays the lead character Rio, and Karl Malden plays his partner, "Dad" Longworth. The supporting cast features Pina Pellicer, Katy Jurado, Ben Johnson and Slim Pickens. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress.
The Ghost and the Darkness is a 1996 American historical adventure film directed by Stephen Hopkins and starring Val Kilmer and Michael Douglas. The screenplay, written by William Goldman, is a fictionalized account of the Tsavo man-eaters, a pair of male lions that terrorized workers in and around Tsavo, Kenya during the building of the Uganda-Mombasa Railway in East Africa in 1898.
The Island of Doctor Moreau is an 1896 science fiction novel by English author H. G. Wells. The text of the novel is the narration of Edward Prendick, a shipwrecked man rescued by a passing boat. He is left on the island home of Doctor Moreau, a mad scientist who creates human-like hybrid beings from animals via vivisection. The novel deals with a number of themes, including pain and cruelty, moral responsibility, human identity, human interference with nature, and the effects of trauma. Wells described it as "an exercise in youthful blasphemy."
Mini-Me is a fictional character from the Austin Powers film franchise, portrayed by Verne Troyer. He debuts in the second film in the trilogy, Austin Powers: The Spy Who Shagged Me, and appears again in the third film, Austin Powers in Goldmember.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois, who, after encountering a series of personal losses, seeks refuge with her sister and brother-in-law in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
Mutiny on the Bounty is a 1962 American Technicolor epic historical drama film released by Metro-Goldwyn-Mayer, directed by Lewis Milestone and starring Marlon Brando, Trevor Howard, and Richard Harris. The screenplay was written by Charles Lederer, based on the novel Mutiny on the Bounty by Charles Nordhoff and James Norman Hall. Bronisław Kaper composed the score.
Island of Lost Souls is a 1932 American science fiction horror film directed by Erle C. Kenton. Produced and distributed by Paramount Productions, it is based on H. G. Wells' 1896 novel The Island of Doctor Moreau, and stars Charles Laughton, Richard Arlen, and Kathleen Burke. Island of Lost Souls is about Edward Parker (Arlen), a sailor who finds himself stranded on an island that is occupied by the scientist Dr. Moreau (Laughton). Parker agrees to stay until the next boat arrives; Moreau introduces him to Lota (Burke), who unknown to Parker, is part-panther. It is revealed all of the island's inhabitants are the results of Moreau's experiments to create humans from animals. Moreau tries to persuade Lota to have sex with Parker so he can continue his experiments.
The Island of Dr. Moreau is a 1977 American science fiction horror film directed by Don Taylor, the second English-language adaptation of H. G. Wells' 1896 novel of the same name, following Island of Lost Souls (1932).
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The Island of Doctor Moreau is an 1896 science fiction novel written by H. G. Wells.
Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau is a 2014 American documentary film directed by David Gregory. The film had its world premiere at the London FrightFest Film Festival on August 24, 2014, and covers Richard Stanley's experiences while he conceived and developed the project, as well as his time as director for the 1996 film The Island of Dr. Moreau and the aftermath of his departure and the effect it had on the cast, crew, and overall film.
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