Author | Dave Marsh and John Swenson (Editors) |
---|---|
Subject | |
Publisher | Random House/Rolling Stone Press |
Publication date | 1979 |
Media type | Hardcover / paperback |
Pages | 631 |
ISBN | 0-394-41096-3 |
OCLC | 5353861 |
789.9/136/4 | |
LC Class | ML156.4.P6 M37 |
The Rolling Stone Album Guide, previously known as The Rolling Stone Record Guide, is a book that contains professional music reviews written and edited by staff members from Rolling Stone magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, [1] while a list of albums given a five star rating by the guide can be seen at Rocklist.net. [2] [3]
The Rolling Stone Record Guide was the first edition of what would later become The Rolling Stone Album Guide. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods.
Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book TV Movies and Robert Christgau's review column in the Village Voice . He gives Phonolog and Schwann's Records & Tape Guide as raw sources of information.
The first edition included black and white photographs of many of the covers of albums which received five star reviews. These titles are listed together in the Five-Star Records section, which is coincidentally five pages in length.
The edition also included reviews for many comedy artists including Lenny Bruce, Lord Buckley, Bill Cosby, The Firesign Theatre, Spike Jones, and Richard Pryor.
Comedy artists were listed in the catch-all section "Rock, Soul, Country and Pop", which included the genres of folk (Carter Family, Woody Guthrie, Leadbelly), bluegrass (Bill Monroe), funk (The Meters, Parliament-Funkadelic), and reggae (Toots & the Maytals, Peter Tosh), as well as comedy. Traditional pop performers were not included (e.g. Andrews Sisters, Tony Bennett, Perry Como, Bing Crosby, Peggy Lee, Rudy Vallee, Lawrence Welk), with the notable exceptions of Frank Sinatra and Nat King Cole. (Dave Marsh justified this decision in his Introduction.)
Included too were some difficult-to-classify artists (e.g. Osibisa, Yma Sumac, Urubamba) who might now be considered as world music. (Ethnic music was the normal term in 1979.)
Big band jazz was handled selectively, with certain band leaders omitted (e.g. Tommy Dorsey, Glenn Miller, Paul Whiteman), while others were included (e.g. Count Basie, Cab Calloway, Duke Ellington, Benny Goodman). Many other styles of jazz did appear in the Jazz section.
The book was notable for the time in the provocative, "in your face" style of many of its reviews. For example, writing about Neil Young's song, "Down by the River", John Swenson described it both as an "FM radio classic" (p. 425), and as a "wimp anthem" (p. 244). His colleague, Dave Marsh, in reviewing the three albums of the jazz fusion group Chase, gave a one-word review: "Flee." Marsh's review of a then-current rock band called Platypus stated simply: "Lays eggs."
The guide employs a five star rating scale with the following descriptions of those ratings:
Author | Dave Marsh and John Swenson (Editors) |
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Subject | Music, popular music, discography, sound recording, reviews |
Publisher | Random House/Rolling Stone Press |
Publication date | 1983 |
Media type | Paperback |
Pages | 648 |
ISBN | 0-394-72107-1 |
The New Rolling Stone Record Guide was an update of 1979's The Rolling Stone Record Guide. Like the first edition, it was edited by Marsh and Swenson. It included contributions from 52 music critics and featured chronological album listings under the name of each artist. In many cases, updates from the first edition consist of short, one-sentence verdicts upon an artist's later work.
Instead of having separate sections such as Blues and Gospel, this edition compressed all of the genres it reviewed into one section except for Jazz titles which were removed for this edition and were later expanded and published in 1985 Rolling Stone Jazz Record Guide (ed. Swenson). Besides adding reviews for many emerging punk and New Wave bands, this edition also added or expanded a significant number of reviews of long-established reggae and ska artists (such as U-Roy, Prince Buster, Ijahman, et al.).
Since the goal of this guide was to review records that were in print at the time of publication, this edition featured a list of artists who were included in the first edition but were not included in the second edition because all of their material was out of print. This edition also dispensed with the album cover photos found in the first edition.
The second edition uses exactly the same rating system as the first edition, the only difference being that in addition to a rating, the second edition also employs the pilcrow mark (¶) to indicate a title that was out of print at the time the guide was published. Many albums had their rating revised from the first edition; some artists had their ratings lowered (notably The Doors, Yes and Neil Young) as the book now offered a revisionist slant to rock's history, whilst others, such as Little Feat and Richard Hell And The Voidoids, garnered higher ratings from a re-evaluation of their work. [2]
Author | John Swenson (Editor) |
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Subject | Music, jazz, discography, sound recording, reviews |
Publisher | Random House/Rolling Stone Press |
Publication date | 1985 |
Media type | Paperback |
Pages | 219 |
ISBN | 0-394-72643-X |
The Rolling Stone Jazz Record Guide was published in 1985 and incorporated the jazz listings omitted from The New Rolling Stone Record Guide with additional reviews edited by John Swenson. It included contributions from 16 music critics and featured alphabetical album listings under the name of each artist.
This jazz edition uses the same rating system as the first two editions.
Author | Anthony DeCurtis and James Henke, with Holly George-Warren(Editors) |
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Subject | Music, popular music, discography, sound recording, reviews |
Publisher | Random House |
Publication date | 1992 |
Media type | Paperback |
Pages | 838 |
ISBN | 0-679-73729-4 |
The Rolling Stone Album Guide was a complete rewrite of both 1979's The Rolling Stone Record Guide and 1983's The New Rolling Stone Record Guide. The title change reflects the fact that by the time this edition was published in 1992, records were almost completely replaced by cassettes and CDs. This edition employs three new editors and reduces the number of reviewers from more than 50 as seen in previous editions to a mere four. This edition also included reviews of Jazz albums, which had been removed from the previous edition for the sake of publishing a separate Jazz guide. Unlike both previous editions, this edition did not include comedy artists.
Similar to the first edition, it employed a five star rating scale (without the "zero stars" (▪) rating), but this edition had new definitions of what the number of stars meant, and employed the use of 1/2 stars in the reviews. The descriptions of the markings used in the third edition of the guide are:
Some of the artists included in the previous editions but omitted in this edition include:
The Rolling Stone Jazz & Blues Album Guide was first published by Random House in 1999, with John Swenson as the editor. [4]
Reviewing the book for All About Jazz , C. Michael Bailey regarded it as a consolidation of the 1985 jazz guide and the blues coverage from other Rolling Stone guides. He recommended it to novices, calling it "a worthy addition to any serious jazz/blues collector's library", even though it was not as comprehensive as The Penguin Guide to Jazz or All Music Guide to Jazz , in his opinion. [5]
Author | Nathan Brackett with Christian Hoard (editors) |
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Subject | More than 10,000 of the best rock, pop, hip-hop and soul records, reviewed and rated |
Publisher | Fireside |
Publication date | 2004 |
Media type | Paperback |
Pages | 838 |
ISBN | 0-7432-0169-8 |
Approximately 70 writers contributed to this edition. Text on the back cover of the fourth edition claims that the guide had been "completely updated and revised to include the past decade's artists and sounds", and offered "biographical overviews of key artists' careers, giving readers a look at the personalities behind the music".
Some of the artists included in the previous guides but omitted in this edition include:
Beatles '65 is an album by the English rock band the Beatles that was issued in the United States and Canada in December 1964. Released as the North American alternative to Beatles for Sale, it was the band's fifth studio album culled by Capitol Records in the US from the Beatles' EMI releases. The LP was also issued in West Germany on the Odeon label.
Dave Marsh is an American music critic, author, editor and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday, The Village Voice, and Rolling Stone, and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.
St. Louis to Liverpool is the seventh studio album and tenth album overall by rock and roll artist Chuck Berry, released in 1964 on Chess Records, catalogue number 1488. It peaked at number 124 on the Billboard album chart, the first of Berry's studio albums to appear on the chart. Music critic Dave Marsh named it "one of the greatest rock & roll records ever made".
Indianola Mississippi Seeds is B. B. King's eighteenth studio album. It was released in October 1970 on ABC Records on LP and May 1989 on MCA Records on CD. On this album B. B. King mixed elements of blues and rock music. Producer Bill Szymczyk decided to follow up on the success of the hit "The Thrill Is Gone" by matching King with a musical all-star cast. The result was one of King's most critically acclaimed albums and one of the most highly regarded blues crossover albums of all time.
The Fabulous Charlie Rich is a 1969 album by country music legend Charlie Rich. In its review, AllMusic praises the album for capturing "the eclectic nature of Rich's music better than the great majority of his albums", but warns "country purists" that producer Billy Sherrill's production may make it less to their tastes. In spite of launching several hit singles, the album was not a widespread commercial success. The album has, however, been critically well received, warmly praised by a number of reviewers including Rolling Stone, who gave the album "five stars", and Robert Christgau who asserted that "I never took Charlie's could-been-Elvis rep very seriously until I heard the passionately confident Jimmy Reed medley that opens side two of this Nashville album".
Rufus featuring Chaka Khan is the gold-selling fourth studio album by the funk band Rufus and Chaka Khan, released on the ABC Records label in 1975. It remained on top of the R&B album chart for six consecutive weeks.
Numbers is the seventh studio album by funk band Rufus, released on the ABC Records label in 1979. It was the band's first album without Chaka Khan on lead vocals. Instead, band members Tony Maiden and David "Hawk" Wolinski shared lead vocal duties, with additional female leads by Helen Lowe and Maxayne. The album reached #15 on Billboard's R&B Albums chart, #81 on Pop and included the single release "Keep It Together ".
Party 'Til You're Broke is the ninth studio album by funk band Rufus, released on the MCA Records label in 1981. Party 'Til You're Broke which was the band's second album not to be fronted by Chaka Khan reached #24 on Billboard's R&B Albums chart and #73 on Pop and included the singles "Tonight We Love" and "Hold on to a Friend", making Party 'Til You're Broke the most successful Khan-less album from Rufus.
Buffy is the tenth album by Buffy Sainte-Marie and her first after leaving Vanguard Records, with whom her relationship had been strained for several albums.
Sweet America was the twelfth studio album by Buffy Sainte-Marie and her last before retiring from music to work on Sesame Street and in education. The album was dedicated to the American Indian Movement and featured some songs with tribal rhythms and vocals that she was later to develop on her 1992 comeback Coincidence and Likely Stories.
Electric Guitarist is the fourth solo album by guitarist John McLaughlin, released in 1978 through Columbia Records originally on vinyl; a remastered CD edition with expanded liner notes was reissued in 1990 as part of the Columbia Jazz Contemporary Masters series.
The Best of John Fahey 1959–1977 is a compilation album by American fingerstyle guitarist and composer John Fahey, released in 1977. The songs are collected from four of Fahey's dozen or so releases up to that point.
David Bromberg is the debut album by American multi-instrumentalist and singer-songwriter David Bromberg. It was released by Columbia Records in February 1972. The album includes "The Holdup", written by Bromberg and George Harrison, and "Sammy's Song", which features Bob Dylan on harmonica.
In: Sanity is an album by American jazz group The 360 Degree Music Experience led by drummer Beaver Harris and pianist Dave Burrell recorded in 1976 for the Italian Black Saint label.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
Couchois was an American rock band consisting of the Couchois brothers - Chris (vocals), Pat (guitar), and Mike (drums) - along with Chas Carlson (keyboards) and Howard Messer (bass). Formed in 1979, the band released two albums on Warner Bros. Records: Couchois in 1979, and Nasty Hardware in 1980.
MusicHound was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the Detroit Free Press.
In the Tradition is an album by American saxophonist and composer Anthony Braxton recorded in 1974 and released on the Danish SteepleChase label. The album features Braxton's interpretations of jazz standards and was followed by a second volume recorded at the same sessions which was released in 1976. It was originally going to be a Dexter Gordon album, but due to Dexter being ill, Braxton filled in for him.
Lee Konitz with Warne Marsh is a 1955 studio album by jazz saxophonists Lee Konitz and Warne Marsh. The Atlantic catalogue number was SD 1217. It was recorded on June 14, 1955, at Coastal Studios in New York City.
Last Sessions is an album by Mississippi John Hurt. It was recorded at a Manhattan hotel in February and July 1966 shortly before Hurt's death that year, and released in 1972 by Vanguard Records.
Copies of the 1st, 2nd, and 4th editions are available to loan through the Internet Archive and Open Library (registration required):