Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
David William Edmunds is a Welsh singer-songwriter, guitarist and record producer. Although he is mainly associated with pub rock and new wave, having many hits in the 1970s and early 1980s, his natural leaning has always been towards 1950s-style rock and roll and rockabilly.
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Texas blues is blues music from Texas. As a regional style, its original form was characterized by jazz and swing influences. Later examples are often closer to blues rock and Southern rock.
Freddie King was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar". Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists.
Love Sculpture were a Welsh blues rock band that was active from 1966 to 1970, led by Dave Edmunds, with bassist John David and drummer Rob "Congo" Jones.
"I Hear You Knocking" is a rhythm and blues song written by Dave Bartholomew. New Orleans rhythm and blues singer Smiley Lewis first recorded the song in 1955. The lyrics tell of the return of a former lover who is rebuffed.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song.
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". First recorded in 1960 by Freddie King, the song became a hit on the record charts. It has been interpreted and recorded by numerous blues and other musicians and has been recognized by the Rock and Roll Hall of Fame and the Grammy Hall of Fame.
"Come On" is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II”.
Boogie rock is a style of blues rock music that developed in the late 1960s. Its key feature is a repetitive driving rhythm, which emphasizes the groove. Although inspired by earlier musical styles, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
Let's Hide Away and Dance Away with Freddy King is a 1961 instrumental album by blues guitarist and singer Freddie King. Released on King Records, the album contained a number of influential songs and two hit singles, "Hide Away" and "San-Ho-Zay". The former reached number five on the Billboard Hot R&B chart and number 29 on the broader Hot 100 chart, while the latter reached numbers four and 47. The album, itself influential, has been critically well received.
"You've Got to Love Her with a Feeling", or "Love with a Feeling" as it was originally titled, is a blues song first recorded by Tampa Red in 1938. Numerous blues artists have interpreted and recorded the song, making it a blues standard. When Freddie King adapted it in 1961, it became his first single to appear in the record charts.
"The Hunter" is a blues song first recorded by Albert King in 1967 for his landmark album Born Under a Bad Sign. It was written by Stax Records' house band, Booker T. and the MGs, and Carl Wells. Along with "Born Under a Bad Sign" and "Crosscut Saw", "The Hunter" is one of King's best-known and most-recorded songs. In 1969, Ike & Tina Turner's version reached the singles charts in the U.S.
Freddy King Sings is an album by blues singer and guitarist Freddie King. Released in 1961, it was King's first album and includes four singles that appeared in Billboard magazine's R&B and Pop charts. In 2008, Freddy King Sings was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category.
40 Blue Fingers, Freshly Packed and Ready to Serve is the debut studio album by the blues band Chicken Shack, released in 1968. The album reached number 12 in the UK Albums Chart.
"I'm Tore Down" or "Tore Down" is a blues song first recorded in 1961 by Freddie King for Federal Records. Pianist Sonny Thompson, who played on several early King songs, is credited as the songwriter. When Federal released it as single in 1961, with the instrumental "Sen-Sa-Shun" as the B-side, it reached number five on Billboard's Hot R&B Sides singles chart.
Clifford Donley Scott, born and raised in San Antonio, Texas, was an American saxophonist and flautist who played in jazz, blues, and R&B idioms.
