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Ella Jane Fitzgerald was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis of the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt.
Acid jazz, also known as club jazz, is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Japan, Eastern Europe, and Brazil. Acts included The Brand New Heavies, D'Influence, Incognito, Us3, and Jamiroquai from the UK and Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, the movement became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, neo soul, or jazz rap.
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions.
"Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album Time Out at Columbia Records' 30th Street Studios in New York City on July 1, 1959. Two years later it became a surprise hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996.
Black, Brown and Beige is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943.
"The Man I Love" is a popular standard in AABA form with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy Lady, Be Good, the song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit Rosalie.
"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930) and sung by Ginger Rogers.
"Confirmation" is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths. The harmonic rhythm of "Confirmation" is noted for its speed and intricacy, typical for the bebop era.
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may "cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire.
"Moonchild" is the fourth track from British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters, Guy Lombardo, and Charles Agnew.
A fringe theory is an idea or a viewpoint which differs from the accepted scholarship of the time within its field. Fringe theories include the models and proposals of fringe science, as well as similar ideas in other areas of scholarship, such as the humanities. In a narrower sense, the term fringe theory is commonly used as a pejorative; it is roughly synonymous with the term pseudo-scholarship. Precise definitions that make distinctions between widely held viewpoints, fringe theories, and pseudo-scholarship are difficult to construct because of the demarcation problem. Issues of false balance or false equivalence can occur when fringe theories are presented as being equal to widely accepted theories.
Newk's Time is an album by Sonny Rollins. It was his third album for Blue Note Records, recorded in 1957 and released in 1959. The title of the album is a reference to Rollins' nickname "Newk", which is apparently based on his resemblance to Don Newcombe, a pitcher for the Brooklyn Dodgers. "Namely You" was taken from the Broadway show Li'l Abner. The release marked the beginning of Blue Note 4000 series: from this album on, the releases would be catalogued as "BLP 4..." (mono) and "BST 84..." (stereo).
People Time: The Complete Recordings is a set of seven CDs of music by saxophonist Stan Getz and pianist Kenny Barron which was recorded in March 1991 at Jazzhus Montmartre in Copenhagen, Denmark. It was released in 2009.
References
- ↑ "The Surrey with the Fringe on Top". pbs.org. November 15, 2013. Retrieved February 25, 2020.
- ↑ "The Surrey with the Fringe on Top (1943)". jazzstandards.com. Retrieved February 25, 2020.
- ↑ Williams, Martin (1993). The Jazz Tradition (2nd ed.). Oxford University Press. p. 203. ISBN 978-0-19-507815-2.
- ↑ Faulkner, Robert R.; Becker, Howard S. (2009). 'Do You Know...?': The Jazz Repertoire in Action. The University of Chicago Press. p. 44. ISBN 978-0-226-23921-7.
