Tonie Joy

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Tonie Joy
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Background information
Birth nameAnthony R. Joy
Genres Hard rock, psychedelic rock, post-hardcore, punk rock
Instrument(s)Guitar, vocals, bass
Years active1986–present
Labels Kill Rock Stars, Gravity, Gold Standard Laboratories, Vermiform, Ebullition, Vermin Scum

Anthony R. "Tonie" Joy is an American musician based in Baltimore, Maryland. Joy is known for his work in various underground rock and post-hardcore bands. He ran the independent record label Vermin Scum from 1989 until 2001. He emerged in the late 1980s and has been a key figure in several notable bands.

Contents

Joy is perhaps best known for his role in Moss Icon, a band that played a significant part in the development of the post-hardcore and emo scenes with their complex song structures and introspective lyrics. Moss Icon's music, especially their album Lyburnum Wits End Liberation Fly, has been highly influential in shaping the sound of later emo and post-hardcore bands.

Apart from Moss Icon, Joy has been involved with other bands, including Breathing Walker, an offshoot of Moss Icon, Universal Order of Armageddon (UOA), The Convocation, and Born Against. Each of these projects has contributed uniquely to various sub-genres of punk and hardcore, with UOA being notable for their intense, chaotic sound and The Convocation Of... blending post-rock and experimental elements.

Throughout his career, Joy has been appreciated for his innovative guitar work and his ability to blend intensity with emotion in his music. His contributions have left a lasting impact on the alternative and punk music landscapes.

Musical career

Early Influences

Having been inspired by his father Bill's early '70s acid rock band Grok and previous group The Verdicts, Joy began playing music as a teenager. Joy got his first guitar when he was 15 years old. He met up with his father at a guitar store, and they split the cost of the guitar - with his father paying half as a Christmas present. This was the first time Joy was able to start seriously learning and playing guitar.

Joy had a diverse range of early musical influences starting from a young age. He was drawn to the loud, distorted sounds of 1970s hard rock and metal bands that his parents and older cousin, who loaned him records by Joy Division and Throbbing Gristle. [1] He listened to, such as Deep Purple, Black Sabbath, and Led Zeppelin, as well as psychedelic rock from the late 1960s (bands like Jefferson Airplane). As the 1970s progressed, he began gravitating towards more experimental and avant-garde music. In the late 1970s and early 1980s, he was exposed to punk rock and gained an appreciation for bands in the emerging hardcore scene like Minor Threat. Joy also listened to new wave and post-punk acts like Siouxsie and the Banshees. Throughout his teenage years, Joy remained open-minded with his tastes, enjoying a variety of styles including psychedelic rock, metal, and any "weird" or unique music. These diverse influences from his early life helped inform the unconventional sound that Joy and Moss Icon would go on to create in the 1980s DC underground scene. [2]

Moss Icon (1986 - 1991)

In 1986 he co-founded Moss Icon [3] which is known as an early influence on the hardcore punk rock splinter genre known as "emotive hardcore" or emo. [4] Tonie Joy has said that seeing The Hated play for the first time inspired he and Jonathan Vance to start Moss Icon, saying, "“I remember thinking, ‘This is like hardcore thrash meets Richie Havens.’ How were they strumming so fast?” Joy says. “I think that night jump-started the idea of us doing a band.” [5] Moss Icon were active until 1991, briefly in 2001, and occasionally since 2007. [6] Joy recalls: "The folks in Moss Icon, we were between 16 and 18," Joy said ..., "all in middle class and upper-middle class suburbia outside of Annapolis. I lived with my grandmother, which made me a little different than most of my friends. I was never much of a child. I thought the Black Panthers were cool when I was, like, 10." [7] In 1990 Joy played guitar in Breathing Walker, a band containing members of Moss Icon as well as other musicians.

Post-Moss Icon (1991 - 1995)

Shortly thereafter, following a brief period playing guitar in and contributing artwork to Lava, Joy co-founded Universal Order of Armageddon, another influential post-hardcore group. [8] During this time Joy served as the bassist in the final lineup of the political hardcore band Born Against. [9] Joy's first appearance as a front man came in 1995 with The Great Unraveling, a band formed by members of Universal Order of Armageddon. Joy was also an occasional member in the group Men's Recovery Project in the late 1990s.

Universal Order of Armageddon (1992 - 1994)

The band was known for its intense, chaotic performances and a sound that blended elements of punk, hardcore, and experimental rock. Universal Order of Armageddon's music was marked by frantic energy, complex structures, and a raw, aggressive sound. Their performances were often unpredictable and highly energetic, contributing to their reputation in the underground music scene. They released a self-titled EP, a full-length album, and several singles. The band's influence, especially marked by Joy's distinctive style of guitar work, extended beyond their brief existence, impacting many subsequent post-hardcore and punk bands.

The Convocation (1998 - present)

After Universal Order of Armageddon's dissolution in 1997, Joy co-founded The Convocation Of..., who, despite a period of inactivity from 2002–2005, currently remain active under the name The Convocation. It was formed in 1998 by Joy and drummer George France. They were later joined by bassist Guy Blakeslee. The band's sound is characterized by a mix of post-hardcore, experimental rock, and psychedelic influences. Their music often features intricate guitar work, dynamic rhythms, and a blend of melodic and dissonant elements. The Convocation is known for its atmospheric and expansive soundscapes, distinguishing them within the post-hardcore scene. [10]

2010 - present

In 2010 he briefly played bass in the hard rock band The Pilgrim [11] and in 2011 played guitar on a few tracks on the Cold Cave LP Cherish the Light Years [12] and was a touring guitarist on their 2011 UK and EU tour. Later this year, Joy debuted his 7 piece live band called Slow Bull, the culmination of several years of solo writing and recording efforts. Joy currently is in band called Rogue Conjurer [9] [13] Joy also in 2024 contributed guitar tracks to the forthcoming record of Caithlin de Marrais, the singer and bassist for Rainer Maria.

TonieJoyFenderStrat.jpg

Equipment

When asked why he preferred Fenders and single coils over Gibsons and humbuckers, Joy explained that Strats felt more comfortable and he appreciated working within their limitations. He also admired Ritchie Blackmore, who used Strats. [14]

Signature sound

Tonie Joy’s guitar playing style is distinctive and influential within the post-hardcore and experimental rock scenes. Overall, Tonie Joy’s guitar style is a blend of aggressive punk energy, experimental creativity, and complex rhythms, all delivered with a raw and authentic DIY spirit.

Tonie Joy’s approach is marked by a raw and aggressive sound, typical of the post-hardcore genre. His playing often features heavy distortion and a gritty tone, which contributes to the intense atmosphere of his music. [15]

Joy incorporates experimental elements into his guitar work, utilizing unconventional chord structures and dissonance. This experimentation adds an atmospheric and sometimes chaotic feel to the music, setting it apart from more traditional punk and hardcore styles [16]

He frequently employs various effects pedals to create a wide range of sounds, from reverb and delay to more flanger and phaser. This contributes to the expansive and layered textures in his music [17]

His playing often features complex rhythms and time signatures, which adds to the unpredictability and excitement of the music. This complexity is a hallmark of his work with bands like Universal Order of Armageddon and The Convocation [18]

Influenced by the DIY ethic of the hardcore punk scene, Joy’s style also reflects a hands-on, unpolished approach that emphasizes authenticity and emotional expression over technical perfection [19]

His playing is deeply emotive, often conveying a sense of urgency and passion that resonates with listeners. This emotional intensity is a key aspect of his contribution to the development of the emo and post-hardcore genres. [20]

Related Research Articles

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.

<span class="mw-page-title-main">Music of Washington (state)</span>

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<span class="mw-page-title-main">Moss Icon</span> American post-hardcore band

Moss Icon is an American post-hardcore band formed in late 1986 in Annapolis, Maryland, United States. Its original lineup comprised vocalist Jonathan Vance, guitarist Tonie Joy, bassist Monica DiGialleonardo, and drummer Mark Laurence. Alex Badertscher joined as second guitarist in 1990. Moss Icon is considered to be an early influence on the hardcore punk splinter genre known as post-hardcore, as well as on the eventual development of emo, although the band members themselves have repeatedly denied knowingly contributing to the latter genre in any way.

<span class="mw-page-title-main">Sunny Day Real Estate</span> American rock band

Sunny Day Real Estate is an American emo band from Seattle, Washington, formed in 1992. The band currently consists of founding members Jeremy Enigk, Dan Hoerner (guitar) and William Goldsmith (drums), alongside Greg Suran (guitar), who originally played with the band between 2000 and 2001, and Chris Jordan (bass), who joined the band in 2022. Founding bass guitarist Nate Mendel was a member of the band during three of its four incarnations.

<span class="mw-page-title-main">Screamo</span> Aggressive subgenre of emo

Screamo is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

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Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records. The label was responsible raising San Diego's profile in the underground music scene of the mid-1990s. The band, breaking up in 1994 and releasing one final studio album posthumously in 1995, are now considered to be one of the most influential bands of the early 1990s that shaped emo and post-hardcore music of the late 1990s and early 2000s.

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Men's Recovery Project was an American experimental noise rock band formed by Sam McPheeters and Neil Burke in Richmond, Virginia, active from 1993–2002. The group's post-modern absurdist musical attitude resulted in a diverse and consistently obtuse output, with varied material touching on electronic, avant garde, comedy and spoken word motifs that often alluded to their roots in hardcore punk.

Universal Order of Armageddon was an American hardcore band, active from 1992 to 1994 and reformed in 2010.

The Great Unraveling was an American post-punk rock band from Baltimore, Maryland. The band was fronted by Tonie Joy of Moss Icon, Universal Order of Armageddon, and Born Against. They were active from 1995 to 1997.

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References

  1. Nelson, Chris (September 24, 2012). "Return of Moss Icon". Austin American-Statesman. Retrieved June 5, 2024.
  2. Tom Mullen (2020). "Tonie Joy (Moss Icon)" (Podcast). Washed Up Emo Podcast. Retrieved May 1, 2024.
  3. "Moss Appeal:Tonie Joy's first band follows him around – and molded his personal investment in music making". Baltimore City Paper. May 12, 2010. Retrieved March 10, 2012.
  4. "What the heck *is* emo anyway?" . Retrieved March 10, 2012.
  5. Jenkins, Craig (January 27, 2023). "The Hated reunion: How a band helped shape hardcore and emo". The Washington Post. Retrieved June 5, 2024.
  6. "Moss Icon Reunite for Live Shows". Pitchfork. March 1, 2012. Retrieved March 10, 2012.
  7. Nelson, Chris (September 24, 2012). "Return of Moss Icon". Austin American-Statesman. Retrieved June 5, 2024.
  8. "Close to Far Away". Baltimore City Paper. January 19, 2011. Retrieved March 10, 2012.
  9. 1 2 "FRIDAY: Tonie Joy & Slow Bull at Strange Matter". RVA. February 16, 2012. Retrieved March 10, 2012.
  10. "The Convocation". Baltimore City Paper. April 13, 2005. Archived from the original on August 14, 2011. Retrieved March 10, 2012.
  11. "The Pilgrim". Baltimore City Paper. January 25, 2012. Retrieved March 10, 2012.
  12. "Cold Cave – The Great Pan is Dead". Stereogum. April 4, 2011. Retrieved March 10, 2012.
  13. "Tonie Joy and Slow Bull w/ The Pilgrim, Frosty & Hadol". Nashville Scene. February 24, 2012. Retrieved March 10, 2012.
  14. "The Defining Guitarists and Gear of '90s Hardcore Punk". Reverb. July 24, 2019. Retrieved June 5, 2024.
  15. "Tonie Joy Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved June 5, 2024.
  16. "The Enduring Legacy of Moss Icon: An Interview with Tonie Joy". Post-Trash. Retrieved June 5, 2024.
  17. "an interview w/ Tonie Joy of Moss Icon, on the reunion and discography release (win a TEST PRESSING)". BrooklynVegan. Retrieved June 5, 2024.
  18. "Tonie Joy Discography". Discogs. Retrieved June 5, 2024.
  19. "an interview w/ Tonie Joy of Moss Icon, on the reunion and discography release (win a TEST PRESSING)". BrooklynVegan. Retrieved June 5, 2024.
  20. "The Enduring Legacy of Moss Icon: An Interview with Tonie Joy". Post-Trash. Retrieved June 5, 2024.