Venom are an English heavy metal band formed in Newcastle upon Tyne in 1978. Coming to prominence towards the end of the new wave of British heavy metal, Venom's first two albums, Welcome to Hell (1981) and Black Metal (1982), are considered major influences on thrash metal and extreme metal in general. Their second album proved influential enough that its title was used as the name of the black metal genre; as a result, Venom were part of the early wave of the genre, along with Mercyful Fate and Bathory.
Possessed is an American death metal band, originally formed in 1983. Noted for their fast style of playing and Jeff Becerra's growled vocals, they are often called the first band in the death metal genre, and paved the way for the 1980s Bay Area thrash metal scene, along with Metallica, Exodus, Testament and Death Angel. The band is also notable for featuring future Primus member Larry LaLonde, who was the guitarist for Possessed from 1984 to 1987.
Atomkraft are an English speed metal band from Newcastle, who were part of the new wave of British heavy metal movement. They formed in 1979, disbanded in 1988, and reformed in 2005. Atomkraft's "Total Metal" approach draws inspiration from fellow NWOBHM bands such as Motörhead and Venom, punk rock bands such as The Dickies, and early Exodus or Slayer. Lead vocalist/bassist Tony Dolan also fronted Venom for a number of years in the late 1980s and 90s.
Conrad Thomas Lant, also known by his stage name Cronos, is an English musician. He is the founder, vocalist and bassist of heavy metal band Venom.
Frederick Paul Mascherino is an American musician best known for his work as lead guitarist and co-lead vocalist in alternative rock band Taking Back Sunday. He is currently active with bands The Color Fred and Say Anything. Fred is also known for working with Terrible Things. He also runs the record label Heading East Records. He is vegan and straight edge.
Welcome to Hell is the debut studio album by English heavy metal band Venom. It was released in December 1981 through Neat Records at the culmination of the new wave of British heavy metal movement. The album was re-released by Sanctuary Records in 2002.
Jeffrey "Mantas" Dunn is a British guitarist best known as one of the founding members of the heavy metal band Venom, with which he played as a guitarist from 1979 to 1985 and 1989 to 2002. He currently plays in Venom Inc. alongside fellow former Venom member bassist/vocalist Tony Dolan and drummer Jeramie Kling.
Temples of Ice is the seventh studio album by English heavy metal band Venom. The album was originally supposed to be produced by ex-Child's Play producer Howard Benson; however, he was unavailable. The band decided to stay with Kevin Ridley, who co-produced the band's previous album Prime Evil. It was released on Under One Flag records in 1991, and marketed and distributed by Music for Nations.
This is a timeline documenting the events of heavy metal in the year 1986.
Prime Evil is the sixth studio album by British heavy metal band Venom. It was released in 1989 and is the first in a series of three albums with Atomkraft bassist and vocalist Tony Dolan, replacing Conrad "Cronos" Lant, as a band member and composer.
The Waste Lands is the eighth studio album by British heavy metal band Venom. It is the last with bassist/singer Tony "Demolition Man" Dolan and also the last before the reunion of the classic Venom line-up from their first four albums, Welcome to Hell, Black Metal, At War with Satan and Possessed. Like the previous album, Temples of Ice, the album was originally supposed to be produced by ex-Child's Play producer Howard Benson, however he was once again unavailable so the band decided to stay with Kevin Ridley. The working title for this album was Kissing the Beast, but the band changed it when they got the album cover from Tari József.
Antony "Antton" Lant is an English drummer, best known for his time with thrash metal band Venom. He was the band's drummer from 2000 to 2009 and recorded three albums with them. His oldest brother is Graham Lant, former drummer of Prefab Sprout,. He is a direct cousin of the frontman of Enthroned, Nornagest.
"Countess Bathory" is a song by English heavy metal band Venom. The song originally appeared on the band's 1982 album Black Metal as well as their 1986 live album Eine kleine Nachtmusik.
Joe Matera is an Italian-Australian guitarist, rock journalist and author. In addition to a solo career, Matera is the guitarist in the Sweden-based rock band Rough Rockers, and was formerly the lead guitarist of Australian famous pop rock band Geisha between 2007 and 2010. Before joining Geisha, Matera was the lead guitarist of classic rock band Double Vision, from 2003 to 2008. He's currently working as a solo artist, releasing solo instrumental albums and contributing guitar on various recordings around the world. In 2022, he collaborated with the British band, The Korgis, on an album for the Japanese market.
Total Metal: The Neat Anthology is a compilation album by British heavy metal band Atomkraft. It contains songs from albums published by Neat Records, as well as some previously unreleased material. It was released in 2004.
Venom Inc. is a British heavy metal band from Newcastle upon Tyne. Formed in 2015, the band features former Venom members Tony "Demolition Man" Dolan, Jeffrey "Mantas" Dunn and previously Anthony "Abaddon" Bray.
"In League with Satan" is the first song released by the English extreme metal band Venom. It was released on 19 April 1981 as a single with the B-side "Live Like an Angel" by Neat Records and later appeared on the band's first album, Welcome to Hell. The song has been cited as the first black metal song and is also often cited by critics who claim a connection between heavy metal and Satanism.
"Bloodlust" is a single released by English speed metal band Venom on August 13, 1982 through Neat Records. It is the bands second single and the follow-up to their debut single "In League with Satan".
Warfare was a British heavy metal band from Newcastle upon Tyne that formed in 1982 and disbanded in 1993. They were part of the latter stages of the new wave of British heavy metal.
