Tremont Temple | |
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General information | |
Address | 88 Tremont Street |
Coordinates | 42°21′27″N71°03′39″W / 42.35750°N 71.06083°W |
Opened | May 1896 |
Design and construction | |
Architect(s) | Clarence Blackall |
The Tremont Temple on 88 Tremont Street is a Baptist church in Boston, Massachusetts, affiliated with the American Baptist Churches, USA. The existing multi-storey, Renaissance Revival structure was designed by Boston architect Clarence Blackall, and opened in May 1896. It replaced a much smaller 1827 structure which had repeatedly suffered damage by fires.
The new facility was designed with a large auditorium, ground-floor retail shops, and upper-story offices, all of which could be leased commercially so that the congregation could welcome all worshippers for free.
The building is currently under study for landmark status by the Boston Landmarks Commission. [1]
On 28 December 1843, the Free Church Baptists bought the Tremont Theatre, built in 1827 in Greek Revival style. They renamed it the Tremont Temple and adapted it for use for religious worship. They did not charge for attending their church and had a racially integrated congregation.
Although the building was largely used for religious purposes, it also served occasionally as the venue for public events. An Egyptian mummy was displayed beginning on 28 September 1850, and Sam Houston gave a speech there against slavery on 22 February 1855. [2] Boston had a strong community of abolitionists, both black and white. Wendell Phillips gave a speech there the day after Lincoln’s election: “the slave has chosen a President … Not an Abolitionist, hardly an antislavery man, Mr. Lincoln consents to represent an idea. A pawn on the chessboard. … we may soon change him for knight, Bishop or queen, and sweep the board (applause).” [3] Frederick Douglass spoke there on December 3, 1860, in a hotly contested and even violent anti-slavery gathering that had to be quelled by Boston police. [4]
The Temple was damaged by fire in April 1852; at the time, offices were occupied by music instructors, dentists, a taxidermist, and several artists: Fitz Henry Lane, Benjamin Champney, Mr. Kimberly, John C. King, B. F. Mason, Wellman Morrison, John Pope, and John W. A. Scott. [5] It was also used for the storage of Thomas Thompson extensive art collection, largely destroyed. The temple suffered subsequent fires in 1879 and 1893 and was repaired.
The Temple was the site of Charles Dickens' first reading during his 1867–68 tour of the United States. Dickens read from "A Christmas Carol" and "The Pickwick Papers" during his two-hour reading on December 2, 1867.
The congregation called it Tremont Street Baptist Church and later Union Temple Baptist Church, adopting the name Tremont Temple Baptist Church in 1891. The Reverend George C. Lorimer served as pastor of the church for twenty-one years, interrupted by brief pastorships in other locations. He left in 1901, after guiding the congregation through construction and opening of a new building, to move to a New York City congregation.
The congregation had decided on a new, larger structure, which was completed and opened in May 1896. Designed by architect Clarence Blackall, it was intended to be a church with an auditorium and other spaces suitable for leasing for business purposes, in order to support church functions. The building originally was designed with retail stores on the ground floor and commercial offices on the upper floors. Revenue from business rents and rental of the auditorium for concerts enabled the church to continue to provide free seats to all worshippers. [6]
At various times in the 20th century, films were screened at Tremont Temple, though commercial leasing ended in 1956. [6] The auditorium was used December 31, 1985, for a staged production of the opera The Burning Fiery Furnace by Benjamin Britten. [7]
The Charles Street Meeting House is an early-nineteenth-century historic church in Beacon Hill at 70 Charles Street, Boston, Massachusetts.
Isaiah Rogers was an American architect from Massachusetts who eventually moved his practice south, where he was based in Louisville, Kentucky, and Cincinnati, Ohio. He completed numerous designs for hotels, courthouses and other major buildings in Boston, Massachusetts, and New York City, before that relocation.
Arthur H. Vinal was an American architect who lived and worked in Boston, Massachusetts. Vinal was born in Quincy, Massachusetts, on July 1, 1855, to Howard Vinal and Clarissa J. Wentworth. Vinal apprenticed at the firm of Peabody & Stearns in Boston before leaving to start his own practice in 1875. Vinal started a partnership with Henry F. Starbuck in 1877; the firm broke up when Starbuck moved away. Vinal served as the second City Architect of Boston from 1884 to 1887. Vinal is principally known for his Richardsonian Romanesque High Service Building at the Chestnut Hill Reservoir (1887). In addition to his other public buildings, Vinal designed numerous residences in Boston and nearby suburbs.
Tremont House, sometimes called the Tremont Hotel, was a hotel designed in 1829 by Isaiah Rogers in Boston, Massachusetts. Notable guests included Davy Crockett and Charles Dickens.
The Tremont Theatre (1827–1843) on 88 Tremont Street was a playhouse in Boston. A group of wealthy Boston residents financed the building's construction. Architect Isaiah Rogers designed the original Theatre structure in 1827 in the Greek Revival style. The playhouse opened on 24 September 1827.
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Tremont Street is a major thoroughfare in Boston, Massachusetts.
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Clarence Howard Blackall was an American architect who is estimated to have designed 300 theatres.
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William Washburn (1808–1890) was an architect and city councilor in Boston, Massachusetts, USA, in the mid-19th century. He designed Boston's National Theatre (1836), Revere House hotel (1847), Tremont Temple (1853) and Parker House hotel (1854). He served on the Boston Common Council from ward 6 in 1854 and 1855. He was chairman of the Boston Board of Aldermen in 1855.
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Domingo Mora (1840–1911) was a Spanish-American sculptor and architectural sculptor.