Vasantavilas

Last updated
Vasantavilas
Structures of desire, Vasanta Vilasa, 1451 CE.png
Structures of desire, Folio from Vasanta Vilasa, 1451 CE manuscript
Author(s)Unknown
Language Old Gujarati
Datefirst half of the 14th-century
Manuscript(s)Illustrated manuscript containing painting
First printed edition1923 by Keshav Harshad Dhruv
Genre Fagu
Subject Shringara

Vasantavilas (lit. The Joys of Spring) is a fagu poem by unknown author written in old Gujarati language, believed to be written in first half of the 14th-century. Its theme is the depiction of Shringara, an erotic sentiments. The poem has a significant historical value as it provides linguistic evidence of Old Gujarati.

Contents

Overview

Gujarati scholar Keshav Harshad Dhruv first discovered an illustrated manuscript of the Vasantavilas copied in 1455, and published it in Shalapatra. The published version seemed unsatisfied to him as the version needed many editing, he published it again with notes in Haji Muhammad Smarak Granth (1923). In the meanwhile, he found another manuscript from the Bhandarkar Oriental Research Institute, Pune, and with its help, he re-edited the text. In 1943, another scholar Kantilal B. Vyas published another carefully edited edition of the poem, which aroused interest among scholars in India and abroad. Vyas published its English translation in 1946. [1]

Authorship and dates

Example of the interweaving of languages and pictorial images, Vasanta Vilasa, 1451 CE manuscript Example of the interweaving of languages and pictorial images, Vasanta Vilasa, 1451 CE.png
Example of the interweaving of languages and pictorial images, Vasanta Vilasa, 1451 CE manuscript

The colophon of all manuscripts have no details about the author, but according to some scholars the poem was composed by Muni Deva, uncle of Someshvardeva, the royal priest of last Chaulukya king Vastupal. This assumption is based on the discussion in Girvan Vasantiki (Descripation of Spring in Sanskrit Literature). The last verse (Munja vayan ini thai) of the poem referenced to Munja also support this hypothesis. [1]

The fact is uncertain that whether the writer of this poem was a Jain or non-Jain. No mention found in any of the manuscripts. After analyzing the opinions of other scholars and considering the evidence provided by the text itself K. B. Vyas concluded that this is not the work of a Jain, but probably of someone belonging to one of the Brahmanical sects. He sets the date of composition somewhere around V.S. 1400-1425 (1343- 1368 A.D.), basing his decision upon the orthography of the manuscripts and his comparison of the phonology and the morphology of the text with linguistic specimens from the different periods of Old Gujarati. [2]

Structure

Section of the Vasanta Vilasa, 1451 CE Section of the Vasanta Vilasa, 1451 CE.png
Section of the Vasanta Vilasa, 1451 CE

The poem was found in an illustrated manuscript containing painting in the style of Ajanta. [3]

There are two texts are available of Vasantavilas. First is consist of 52 stanzas while other have 84 stanzas. As the author seems to be a well versed and genuine lover of poetry and beauty, he quoted many Sanskrit and Prakrit verse of renowned poets in this poem. [4] Its metrical form is 'upadohaka', a variety of Doha, a medieval poetic meter. [1] Thematically the poems are divided into two parts. The first part consist of 1 to 45 stanzas which narrates 'separation of couples', and the second part consist of 46 to 84 and it deals with 'union of couples'. [5]

Synopsis

"The breasts are not going to remain stiff for ever; do not behave like a fool, you i diot!
Why are you cross? Youth lasts just for a day or two."

"Get thee gone, you bee! do please leave us alone. Our body is reduced to a fraction, and why do you torture my frame,
O moon! We, certainly, have no old scores to settle."

- Vasantavilas [6]

The poems contains an erotic sentiments (Shringara rasa) with the background of the beauty of spring. [7]

The poem begin with a prayer addressed to Saraswati, the goddess of learning. Then the poet describes the arrival of spring season and its impact on the united or separated couples. Then the garden or the forest described metaphorically as the city of Kamadeva, the god of love. [4] Then it describes the pain of women whose husbands are away. When the husbands return, the couples are engaged in love-ecstasies with full abandon. The women wears new clothes and adorn themselves with beautiful ornaments to celebrate their reunion. Some ladies playfully taunt their lovers for their flirtations when they were away from home. The poem ends with a praise of love. [1]

Reception

The work has significant historical value as it provides linguistic evidence of Old Gujarati. [2] Muni Jinvijay considered Vasantavilas as one of the brightest gems of old Gujarati literature. [1] Kantilal Vyas wrote:

The poem is unique in old Gujarati literature in many respects. In an age when all worthwhile literature was invariably linked up with religion, this poem broke new ground by portraying the exotic sentiment of the common man, eschewing all mythological references. Its language has a rare freshness ad elegance, with a wide classical Sanskrit base. The interspersing of Sanskrit shlokas from well-known classics, the internal alliteration in every verse replete with wonderful imagery, and restrained portrayal of the erotic, render it unique in Gujarati literature. [1]

Editions

Further reading

Related Research Articles

Ṛtusaṃhāra, often written Ritusamhara, is a long poem or mini-epic in Sanskrit attributed to Kalidasa. The poem has six cantos for the six Indian seasons- grīṣma (summer), varṣā/pāvas (monsoon/rains), śarat (autumn), hemanta (cool), śiśira (winter), and vasanta (spring). It is considered to be Kalidasa's earliest work.

<i>Cīvaka Cintāmaṇi</i>

Civaka Cintamani, also spelled as Jivaka Chintamani, is one of the five great Tamil epics. Authored by a Madurai-based Jain ascetic Tiruttakkatēvar in the early 10th century, the epic is a story of a prince who is the perfect master of all arts, perfect warrior and perfect lover with numerous wives. The Civaka Cintamani is also called the Mana Nool. The epic is organized into 13 cantos and contains 3,145 quatrains in viruttam poetic meter. Its Jain author is credited with 2,700 of these quatrains, the rest by his guru and another anonymous author.

The history of Gujarati literature may be traced to 1000 AD, and this literature has flourished since then to the present. It is unique in having almost no patronage from a ruling dynasty, other than its composers.

Ponna (c. 945) was a noted Kannada poet in the court of Rashtrakuta Dynasty king Krishna III (r.939–968 CE). The emperor honoured Ponna with the title "emperor among poets" (Kavichakravarthi) for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengibisaya in Kammanadu,Andhra Pradesh, but later migrated to Manyakheta, the Rashtrakuta capital, after his conversion to the Jainism.

Hoysala literature Literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343)

Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

Umashankar Joshi Indian poet, scholar and writer

Umashankar Jethalal Joshi was an Indian poet, scholar and writer known for his contribution to Gujarati literature.

William Norman Brown was an American Indologist and Sanskritist who established the first academic department of South Asian Studies in North America and organized the American Oriental Society in 1926. He was the Professor of Sanskrit at the University of Pennsylvania for most of his academic career. He was president of the Association for Asian Studies in 1960. He is considered the founder of the field of South Asian Studies, which he pioneered in his career over four decades at the University of Pennsylvania, where he helped to found the Department of Oriental Studies (1931), and later single-handedly founded the Department of South Asia Regional Studies (1948). These departments are now survived by the departments of East Asian Languages and Civilizations, Near Eastern Languages and Civilizations, and South Asia Studies. W. Norman Brown also founded the American Institute of Indian Studies, which was located in the Van Pelt Library at the University of Pennsylvania.

Sukhlal Sanghvi

Sukhlal Sanghvi, also known as Pandit Sukhlalji, was a Jain scholar and philosopher. He belonged to the Sthanakvasi sect of Jainism. Pandit Sukhlal lost his eyesight at the age of sixteen on account of smallpox. However, he overcame this handicap and became profoundly versed in Jain logic and rose to become a professor at Banaras Hindu University. Paul Dundas calls him one of the most incisive modern interpreters of Jain philosophy. Dundas notes that Sanghavi represents what now seems to be a virtually lost scholarly and intellectual world. He was a mentor for famous Jain scholar Padmanabh Jaini. During his lifetime he won such awards as the Sahitya Akademi Award and won recognition from the Government of India by getting Padma Bhushan award. Sukhlalji was also known as Pragnachaksu because he was so vastly learned despite being visually challenged.

Muni Jinvijayji was a scholar of orientalism, archeology, indology and Jainism from India.

Fagu, also spelled Phagu, is a genre of poetry in Old Gujarati language popular during early period of Gujarati literature.

Shridhar Vyas was a 14th-15th century poet from western India. He is known for his historical and heroic poetry, Ranmall Chhand.

Jayant Pathak

Jayant Himmatlal Pathak was a Gujarati poet and literary critic from Gujarat, India. He was the president of the Gujarati Sahitya Parishad from 1990 – 1991. He received several awards, including the Sahitya Akademi Award, the Kumar Suvarna Chandrak, the Narmad Suvarna Chandrak, the Ranjitram Suvarna Chandrak and the Uma-Snehrashmi Prize. The Jayant Pathak Poetry Award is named after him.

Bhogilal Sandesara

Bhogilal Jayachandbhai Sandesara was a literary critic, scholar and editor from Gujarat, India. He was a scholar of Sanskrit, Prakrit, Apabhramsha and Old Gujarati language. He also contributed to the field of historical and cultural research. He has edited large number of historical works. He was appointed the president of Gujarati Sahitya Parishad in 1987.

Rasiklal Chhotalal Parikh (1897–1982) was a 20th-century Gujarati poet, playwright, literary critic, Indologist, historian, and editor from Gujarat, India. He was the president of Gujarat Sahitya Sabha and was appointed the president of Gujarati Sahitya Parishad in 1964. He received the Sahitya Akademi Award in 1960 for his play Sharvilak. He is also a recipient of the Ranjitram Suvarna Chandrak and the Narmad Suvarna Chandrak.

<i>Narmakosh</i>

Narmakosh, published in 1873, is a monolingual Gujarati dictionary prepared by Narmadashankar Dave (1833–1886), a poet and scholar. Regarded as the first of its kind in the Gujarati language, it contains 25,268 words.

Priyakant Premachand Maniyar was a Gujarati poet from Gujarat, India. He published seven collections of symbolic and imagist poetry, and was awarded the Sahitya Akademi Award posthumously in 1982 for Lilero Dhal (1979), a collection of love songs about Radha and Krishna.

<i>Kanta</i> (play) 1882 Gujarati play by Manilal Dwivedi

Kanta is an 1882 Gujarati play by Manilal Dwivedi, based on a historical event; the killing of King Jayshikhari of Patan by King Bhuvad of Panchasar. Dwivedi added the characters of Tarala, Haradas and Ratnadas from his own imagination and gave dramatic twists to the original story in order to make the story more suitable for a dramatic retelling. It has been called the most outstanding play of the 19th century in Gujarati literature. Reportedly, the play has elements of Sanskrit drama and Shakespearean tragedy reflected in its construction, due to Dwivedi's recent translation of Sanskrit play Malatimadhavam and studies of Shakespeare's plays. Kanta had moderate success on the stage. The Mumbai Gujarati Natak Mandali inaugurated its theatrical activities by staging this play on 29 June 1889.

Kantilal Baldevram Vyas was a Gujarati linguist, critic and editor from Gujarat, India. He published several works in the field of linguistics including Bhasha Vijnan, Bhasha, Vrutt ane Kavyalankar, Gujarati Bhashano Udgam, Vikas and Swaroop and Bhasha Sanshodhan.

Vastupāla was a prime minister of the Vāghelā king Vīradhavala and his successor Vīsaladeva, who ruled in present-day Gujarat region of India, in the early 13th century. Although he served in an administrative and military capacity, he was also a patron of art, literature and public works. He, together with his brother Tejapāla, assisted in the restoration of peace in the kingdom, and served in a number of campaigns against Lāṭa, Godraha, Kutch and the Delhi Sultanate. The brothers were instrumental in the construction of the Luniga-vasahi temple on Mount Abu and the Vastupala-vihara on Girnar.

References

  1. 1 2 3 4 5 6 Mohan Lal (2009). Encyclopaedia of Indian Literature: Sasay to Zorgot (3rd ed.). New Delhi: Sahitya Akademi. pp. 4507–4508. ISBN   978-81-260-1221-3.
  2. 1 2 Bender, Ernest (January–March 1947). "Review". Journal of the American Oriental Society . American Oriental Society. 67 (1): 72–73. doi:10.2307/596056. JSTOR   596056.(subscription required)
  3. Munshi, Kanaiyalal Maneklal (1967). Gujarat and Its Literature: From Early Times to 1852. Bombay: Bharatiya Vidya Bhavan. p. 138.
  4. 1 2 K. M. George, ed. (1997). Masterpieces of Indian literature. Vol. 1. New Delhi: National Book Trust. pp. 365–366. ISBN   978-81-237-1978-8 . Retrieved 5 March 2018.
  5. Brahmbhatt, Prasad (2016) [2002]. મધ્યકાલીન ગુજરાતી સાહિત્યનો ઈતિહાસ[History of Medieval Gujarati Literature] (in Gujarati). Ahmedabad: Parshva Publication. p. 39. ISBN   978-93-5108-300-9.
  6. Mansukhlal Maganlal Jhaveri (1978). History of Gujarati Literature. New Delhi: Sahitya Akademi. pp. 14–15.
  7. Amaresh Datta (1988). Encyclopaedia of Indian Literature: Devraj to Jyoti. New Delhi: Sahitya Akademi. p. 1258. ISBN   978-81-260-1194-0.
  8. Master, Alfred (1945). "Vasanta Vilāsa, an Old Gujarati Phagu by Kantilal B. Vyas". Journal of the Royal Asiatic Society of Great Britain and Ireland . Cambridge University Press (2): 203–204. JSTOR   25222049.(subscription required)
  9. Norman, K. R (April 1964). "Review". Journal of the Royal Asiatic Society of Great Britain and Ireland. Cambridge University Press (1/2): 67–67. JSTOR   25202740.(subscription required)
  10. Emeneau, M. B. (April–June 1966). "Review". Journal of the American Oriental Society . American Oriental Society. 86 (2): 217–218. doi:10.2307/596435. JSTOR   596435.(subscription required)