Postal service in the United States began with the delivery of stampless letters whose cost was borne by the receiving person, later encompassed pre-paid letters carried by private mail carriers and provisional post offices, and culminated in a system of universal prepayment that required all letters to bear nationally issued adhesive postage stamps.
The Trans-Mississippi Issue is a set of nine commemorative postage stamps issued by the United States to mark the 1898 Trans-Mississippi Exposition held in Omaha, Nebraska. The finely engraved stamps depict various scenes of the West and are presently valued much by collectors. This was only the second commemorative issue offered by the U.S. Post Office and closely followed the pattern of its predecessor, the Columbian Exposition series of 1893: both sets appeared in conjunction with important international world's fairs; both offered a wide range of stamp denominations; both adopted the double-width stamp format to accommodate pictorial tableaux.
The Liberty issue was a definitive series of postage stamps issued by the United States between 1954 and 1965. It offered twenty-four denominations, ranging from a half-cent issue showing Benjamin Franklin to a five dollar issue depicting Alexander Hamilton. However, in a notable departure from all definitive series since 1870, the stamp for a normal first-class letter—the 3-cent value—did not present the portrait of a president, but instead offered a monocolor image of the Statue of Liberty. Moreover, two-color renderings of the Statue of Liberty appeared on both the 8 cent and 11 cent stamps; and it is from these three denominations that the Liberty issue takes its name. Pictures of other national landmarks, such as Bunker Hill and Mount Vernon, are found on several values, while the rest of the stamps follow tradition, containing portraits of well-known historic Americans. The six denominations in the set that illustrate buildings were all designed in landscape format, resulting in a free intermixture of landscape and portrait orientation for the first time in a definitive U.S. issue.
Postage stamps and postal history of the Canal Zone is a subject that covers the postal system, postage stamps used and mail sent to and from the Panama Canal Zone from 1904 up until October 1978, after the United States relinquished its authority of the Zone in compliance with the treaty it reached with Panama.
Fractional currency, also referred to as shinplasters, was introduced by the United States federal government following the outbreak of the Civil War. These low-denomination banknotes of the United States dollar were in use between 21 August 1862 and 15 February 1876, and issued in denominations of 3, 5, 10, 15, 25, and 50 cents across five issuing periods. The complete type set below is part of the National Numismatic Collection, housed at the National Museum of American History, part of the Smithsonian Institution.
The Presidential Issue, nicknamed the Prexies by collectors, is the series of definitive postage stamps issued in the United States in 1938, featuring all 29 U.S. presidents who were in office between 1789 and 1928, from George Washington to Calvin Coolidge. The presidents appear as small profile busts printed in solid-color designs through 50¢, and then as black on white images surrounded by colored lettering and ornamentation for $1, $2, and $5 values. Additional stamps in fractional-cent denominations offer busts of Benjamin Franklin and Martha Washington, as well as an engraving of the White House. With its total of 32 stamps, this was the largest definitive series yet issued by the U. S. Post Office.
The Columbian Issue, also known as the Columbians, is a set of 16 postage stamps issued by the United States to commemorate the World's Columbian Exposition held in Chicago during 1893. The finely-engraved stamps were the first commemorative stamps issued by the United States, depicting various events during the career of Christopher Columbus and are presently much valued by collectors.
ABCorp is an American corporation providing contract manufacturing and related services to the authentication, payment and secure access business sectors. Its history dates back to 1795 as a secure engraver and printer, and assisting the newly formed First Bank of the United States to design and produce more counterfeit resistant currency. The company has facilities in the United States, Canada, Australia, and New Zealand.
Presidents of the United States have frequently appeared on U.S. postage stamps since the mid-19th century. The United States Post Office Department released its first two postage stamps in 1847, featuring George Washington on one, and Benjamin Franklin on the other. The advent of presidents on postage stamps has been definitive to U.S. postage stamp design since the first issues were released and set the precedent that U.S. stamp designs would follow for many generations.
Clair Aubrey Huston was chief postage stamp designer at the United States Bureau of Engraving and Printing (BEP) early in the 20th century. He was the great-grandson of Michael Leib (1759–1822), an American physician and politician. Huston worked at the BEP for more than 21 years and was the designer of numerous United States postage issues.
The 1930 Graf Zeppelin stamps were a set of three airmail postage stamps, each depicting the image of the Graf Zeppelin, issued by the United States Post Office Department in 1930, exclusively for delivery of mail carried aboard that airship. Although the stamps were valid for postage on mail sent on the Zeppelin Pan American flight from Germany to the United States, via Brazil, the set was marketed to collectors and was largely intended to promote the route. 93.5% of the revenue generated by the sale of these stamps went to the Zeppelin Airship Works in Germany. The Graf Zepplin stamps were issued as a gesture of goodwill toward Germany. The three stamps were used briefly and then withdrawn from sale. The remainder of the stock was destroyed by the Post Office Department. Due to the high cost of the stamps during the Great Depression, most collectors and the general public could not afford them. Consequently, only about 227,000 of the stamps were sold, just 7% of the total printed, making them relatively scarce and prized by collectors.
The first revenue stamps in the United States were used briefly during colonial times, among the most notable usage involved the Stamp Act. Long after independence, the first revenue stamps printed by the United States government were issued in the midst of the American Civil War, prompted by the urgent need to raise revenue to pay for the great costs it incurred. After the war ended however, revenue stamps and the taxes they represented still continued. Revenue stamps served to pay tax duties on items that came under two main categories, Proprietary and Documentary. Proprietary stamps paid tax duties on goods like alcohol and tobacco, and were also used for various services, while Documentary stamps paid duties on legal documents, mortgage deeds, stocks and a fair number of other legal dealings. Proprietary and Documentary stamps often bore these respective designations, while in several of the issues they shared the same designs, sometimes with minor variations. Beginning in 1862 the first revenue stamps were issued, and would continue to be used for another hundred years and more. For the first twelve years George Washington was the only subject featured on U.S. revenue stamps, when in 1875 an allegorical figure of Liberty finally appeared. Revenue stamps were printed in many varieties and denominations and are widely sought after by collectors and historians. Revenue stamps were finally discontinued on December 31, 1967.
The Washington–Franklin Issues are a series of definitive U.S. Postage stamps depicting George Washington and Benjamin Franklin, issued by the U.S. Post Office between 1908 and 1922. The distinctive feature of this issue is that it employs only two engraved heads set in ovals—Washington and Franklin in full profile—and replicates one or another of these portraits on every stamp denomination in the series. This is a significant departure from previous definitive issues, which had featured pantheons of famous Americans, with each portrait-image confined to a single denomination. At the same time, this break with the recent past represented a return to origins. Washington and Franklin, after all, had appeared on the first two American stamps, issued in 1847, and during the next fifteen years, each of the eight stamp denominations available featured either Washington or Franklin.
The Regular Issues of 1922–1931 were a series of 27 U.S. postage stamps issued for general everyday use by the U.S. Post Office. Unlike the definitives previously in use, which presented only a Washington or Franklin image, each of these definitive stamps depicted a different president or other subject, with Washington and Franklin each confined to a single denomination. The series not only restored the historical tradition of honoring multiple presidents on U.S. Postage but extended it. Offering the customary presidential portraits of the martyred Lincoln and Garfield, the war hero Grant, and the founding fathers Washington and Jefferson, the series also memorialized some of the more recently deceased presidents, beginning with Hayes, McKinley, Cleveland and Roosevelt. Later, the deaths of Harding, Wilson and Taft all prompted additions to the presidential roster of Regular Issue stamps, and Benjamin Harrison's demise (1901) was belatedly deemed recent enough to be acknowledged as well, even though it had already been recognized in the Series of 1902. The Regular Issues also included other notable Americans, such as Martha Washington and Nathan Hale—and, moreover, was the first definitive series since 1869 to offer iconic American pictorial images: these included the Statue of Liberty, the Capitol Building and others. The first time (1869) that images other than portraits of statesmen had been featured on U.S. postage, the general public disapproved, complaining that the scenes were no substitute for images of presidents and Franklin. However, with the release of these 1922 regular issues, the various scenes—which included the Statue of Liberty, the Lincoln Memorial and even an engraving of an American Buffalo—prompted no objections. To be sure, this series presented pictorial images only on the higher-value stamps; the more commonly used denominations, of 12 cents and lower, still offered the traditional portraits.
The 1869 Pictorial Issue is a series of definitive United States postage stamps released during the first weeks of the Grant administration. Ten types of stamp in denominations between one cent and ninety cents were initially offered in the series, with eight of these introduced on March 19 and 20, 1869 and the two greatest values being distributed somewhat later. During May, however, the Post Office began distributing a revised version of the 15-cent stamp, in which the original, poorly aligned frame had been modified ; and collectors consider this eleventh stamp an integral part of the Pictorial Issue. The two 15-cent stamps were assigned separate Scott Catalogue numbers: 118 and 119.
The Series of 1902, also known as the Second Bureau Issue, is a set of definitive postage stamps in fourteen denominations ranging between one cent and five dollars, produced by the U. S. Bureau of Engraving and Printing and issued by the United States Post Office. Two denominations appeared in November and December 1902 and the other twelve were released between January and June 1903. These stamps were assigned the Scott Catalogue numbers 300 through 313. Also considered part of the series is a fifteenth stamp which appeared in November 1903—a second version of the 2¢ value, the original having faced severe criticism. This series, particularly noted for its exceptional ornateness and opulence of design, remained in circulation until late 1908, when it was superseded by the Washington-Franklin Issues.
The history of Virginia through the colonial period on into contemporary times has been depicted and commemorated on postage stamps accounting for many important personalities, places and events involving the nation's history. Themes are particularly rich in early American and new nation history, historical landmarks, and Virginia-born presidents.
The U.S. Parcel Post stamps of 1912–13 were the first such stamps issued by the U.S. Post Office Department and consisted of twelve denominations to pay the postage on parcels weighing 16 ounces and more, with each denomination printed in the same color of "carmine-rose". Their border design was similar while each denomination of stamp bore its own distinctive image in the center (vignette). Unlike regular postage items, whose rates were determined by weight in ounces, Parcel Post rates were determined and measured by increments in pounds. The new stamps were soon widely used by industry, farmers and others who lived in rural areas. Partly owing to some confusion involving their usage, their exclusive use as Parcel Post stamps proved short lived, as regular postage stamps were soon allowed to be used to pay parcel postage rates.
General George Washington at Trenton is a large full-length portrait in oil painted in 1792 by the American artist John Trumbull of General George Washington at Trenton, New Jersey, on the night of January 2, 1777, during the American Revolutionary War. This is the night after the Battle of the Assunpink Creek, also known as the Second Battle of Trenton, and before the decisive victory at the Battle of Princeton the next day. The artist considered this portrait "the best certainly of those which I painted." The portrait is on view at the Yale University Art Gallery in New Haven, Connecticut, an 1806 gift of the Society of the Cincinnati in Connecticut. It was commissioned by the city of Charleston, South Carolina, but was rejected by the city, resulting in Trumbull painting another version.
The United States two-dollar bill ($2) is a current denomination of United States currency. A portrait of Thomas Jefferson, the third president of the United States (1801–1809), is featured on the obverse of the note. The reverse features an engraving of the c. 1818 painting Declaration of Independence by John Trumbull.
