David Stenshoel

Last updated
David Stenshoel
Birth nameDavid Rockne Stenshoel
DiedSeptember 16, 2021 (age 71)
Minnetonka, Minnesota
GenresWorld music, Celtic rock, jazz
Occupation(s)Musician, visual artist
Instrument(s) Violin, tenor saxophone, electric mandolin, gaida, and others
Years active1970s–2021
Formerly of Boiled in Lead

David Rockne Stenshoel (died September 16, 2021, in Minnetonka, Minnesota) was an American musician and visual artist, most well known as a longtime member of Celtic-rock and world-music group Boiled in Lead.

Contents

Early life

Stenshoel grew up in Sioux Falls, South Dakota, and the Minneapolis suburbs. He had two brothers and a sister. [1] His father, Myles Stenshoel, founded the political science department at Augsburg College (now Augsburg University) and taught at many other institutions. [2]

Career

Stenshoel began playing the violin at age 10 and became a professional musician in his 20s. [3] In the 1970s, he played with his brother Peter in the Infinity Art Unit, an improvisational free jazz group which incorporated blues and medieval tunes. [4] [5] He and Peter also performed together in the mid-1980s jazz-rock group Intuitive Bikers. He also played on Peter's solo albums Strangely Colored Maps (1988) and Codex From The Trickster (1993). [1] [6]

Stenshoel maintained a lifelong, world-spanning interest in musical traditions and instruments from many cultures. While his main instruments were the violin, tenor saxophone, electric mandolin and gaida (southern European bagpipes), [3] [7] he was also proficient on a number of other ethnic instruments, including the zurna (a Turkish woodwind), [8] kaen (a Thai mouth organ), [9] and saz (a Persian lute also called a bağlama). [10] His broad musical proficiency was matched by speed; the day after he acquired a kaen, he had learned it well enough to perform on stage with it. [9] Near the end of his life, when an operation for oral cancer had prevented him from playing his usual instruments, he taught himself to play the oud. [3]

He was critically praised for his virtuosity. Steve Pick of the St. Louis Post-Dispatch wrote that Stenshoel "was adept at many different fiddle styles, capable of playing, with the right feel, melodies from Ireland or Armenia equally well. On mandolin, he was particularly capable of summoning screaming noise and feedback." [11] He was frequently an active member or sideman in seven or more bands at once, in genres including Celtic, Persian, Brazilian, Balkan, Middle Eastern, African, and country-swing. [10] [12]

Boiled in Lead

Stenshoel was a longtime member of Boiled in Lead, chiefly playing the fiddle, electric mandolin, and saxophone. Boiled in Lead has been hailed as a pioneering bridge between American rock and international music, [13] and a precursor to Gogol Bordello and other gypsy-punk bands, [14] blending musical influences including Celtic, African and Middle Eastern, folk, bluegrass and punk. [15] Tim Walters of MusicHound Folk called the group "the most important folk-rock band to appear since the 1970s." [16]

Stenshoel joined Boiled in Lead for its first official performance on St. Patrick's Day in 1983. [9] He performed with the band for more than 30 years (1983-1990 and 1997–2021). He had the second-longest tenure of any member of Boiled in Lead after founding bassist Drew Miller. He appears on almost all of its studio records, including the group's most critically acclaimed albums. Stenshoel took a break from the band for several years after the birth of his son, [17] [18] departing before the band recorded 1990's Orb , though he is a guest musician on several tracks. [13] [19] [20] [21] He returned to the band in 1997 and played on the 2009 album Silver [22] and 2012 EP The Well Below . [23]

Other work

Stenshoel performed with many other groups in and around the Twin Cities, including Voices of Sepharad, [24] [25] Felonious Bosch, Sky King, Jan Reimer Band, You, Me and Betsy, Electric Arab Orchestra, Ethnic Dance Theater, Yiddishe Folksmenschn, the American Swedish Institute Spelmanslag, Automatix, Shalita, Robayat, Honeysuckle Rose, Vernon Dixon, Katy and the T-Bergs, Dusty Drapes and the Dusters, [3] Parisota Hot Club, [26] StellaRoma, [27] Other Country Quartet, [28] Redondo, [29] Crossing Borders, [30] Radio Rangers, [31] [32] [33] and the children's choir Songs of Hope. [34] He also performed with radio comedy programs Another Flask of Weird [35] and Little City in Space. [36]

Stenshoel was also a musical archivist; in the early 1980s, with Cliff Sloane, Stenshoel helped to record performances by Cambodian immigrant musicians in Minneapolis and St. Paul. The resulting album, Cambodian Traditional Music in Minnesota, was named to the Library of Congress' list of notable American Folk Music and Folklore Recordings for 1984. [37] [38] [39]

Stenshoel also performed music for plays and films, including Peter Glazer's 1992 biographical play Woody Guthrie's American Song at Cricket Theatre in Minneapolis [40] and, in 1994, a live soundtrack to Paul Leni's 1929 horror film The Last Warning. [41]

Awards and honors

He was nominated frequently for the Minnesota Music Awards in the 1980s and 1990s; he won in 1988 as a solo performer for Best Acoustic/Ethnic Instrumentalist, and at least nine times as a member of Boiled in Lead. [42] [43] [44] [45] [46] [47] [48] [49] [50]

Boiled in Lead's star on the outside mural of the Minneapolis nightclub First Avenue Boiled in Lead - First Avenue Star.jpg
Boiled in Lead's star on the outside mural of the Minneapolis nightclub First Avenue

Boiled in Lead has been honored with a star on the outside mural of the Minneapolis nightclub First Avenue, [51] recognizing performers that have played sold-out shows or have otherwise demonstrated a major contribution to the culture at the iconic venue. [52] Receiving a star "might be the most prestigious public honor an artist can receive in Minneapolis," according to journalist Steve Marsh. [53]

Selected discography

Personal life

Stenshoel was married and had a son. [3] [17] [18]

Death

Stenshoel died on September 16, 2021, in Minnetonka, Minnesota from squamous cell carcinoma of the gingiva. He was 71. [3] [63]

Related Research Articles

The music of Minnesota began with the native rhythms and songs of Indigenous peoples, the first inhabitants of the lands which later became the U.S. state of Minnesota. Métis fur-trading voyageurs introduced the chansons of their French ancestors in the late eighteenth century. As the territory was opened up to white settlement in the 19th century, each group of immigrants brought with them the folk music of their European homelands. Celtic, German, Scandinavian, and Central and Eastern European song and dance remain part of the vernacular music of the state today.

<span class="mw-page-title-main">First Avenue (nightclub)</span> Nightclub and music venue in Minneapolis, Minnesota

First Avenue and 7th St Entry are two historic music venues housed in the same landmark building in downtown Minneapolis. The nightclub sits on the corner of First Avenue North and 7th Street North, from which the venues get their names. The two are colloquially distinguished by locals as The Mainroom and The Entry.

<span class="mw-page-title-main">Mark Mallman</span> American musician, film composer, and memoirist (born 1973)

Mark Mallman is a Minnesota musician, film composer, and memoirist. Since 1998, he has released nine full-length studio albums, Happiness (2021) being his most recent.

<span class="mw-page-title-main">The Suburbs (band)</span> American new wave/punk band

The Suburbs are an alternative punk rock/funk/new wave band from Minneapolis, Minnesota that was popular in the late 1970s and 1980s. The band frequently headlined at Minneapolis's most influential music clubs, including Jay's Longhorn Bar and First Avenue.

<span class="mw-page-title-main">Jay's Longhorn Bar</span> Punk-rock club in 1970s-1980s Minneapolis

Jay's Longhorn Bar was a nexus of the punk rock and New Wave scenes in Minneapolis, Minnesota, in the late 1970s and early 1980s.

<span class="mw-page-title-main">Trampled by Turtles</span> American bluegrass/folk-rock band

Trampled by Turtles is an American bluegrass-influenced folk band from Duluth, Minnesota. They have released ten full albums, three of which reached No. 1 on the U.S. Billboard bluegrass chart. Their fifth release, Palomino, stayed in the chart's Top 10 for 52 straight weeks. Their latest album, Alpenglow, was released on October 28, 2022.

<span class="mw-page-title-main">Slim Dunlap</span> American guitarist and singer-songwriter

Bob "Slim" Dunlap is an American rock musician. He is a Minnesota-based guitarist and singer-songwriter who is best known as a member of The Replacements from 1987 to 1991, replacing original lead guitarist Bob Stinson. Dunlap also recorded two solo albums in the mid-1990s.

Sally Dworsky is an American singer-songwriter and playback singer in animated films. In addition to her solo work and co-fronting the alt-rock band Uma, Dworsky served as the singing voice for lead characters in iconic animated films including The Lion King and The Prince of Egypt, both of which won the Academy Award for Best Original Song – as well as Shrek. She has also recorded or performed with R.E.M., Peter Gabriel, Bonnie Raitt, Neil Diamond and many others.

<span class="mw-page-title-main">Peter Ostroushko</span> American violinist and mandolinist (1953–2021)

Peter Ostroushko was an American violinist and mandolinist. He performed regularly on the radio program A Prairie Home Companion and with a variety of bands and orchestras in Minneapolis–Saint Paul and nationally. He won a regional Emmy Award for the soundtrack he composed for the documentary series Minnesota: A History of the Land (2005).

<span class="mw-page-title-main">Curtiss A</span> Musician and visual artist from Minneapolis

Curtiss A is a musician and visual artist from Minneapolis. One of the original artists on the Twin/Tone Records label, he performs one of the most popular shows in the Twin Cities, an annual tribute to John Lennon held at First Avenue. He was the first musician to headline at First Avenue's sister club 7th Street Entry, and opened for Prince's first concert at First Avenue.

<span class="mw-page-title-main">Tony Glover</span> American blues musician and music critic (1939–2019)

David Curtis Glover, better known as Tony "Little Sun" Glover, was an American blues musician and music critic. He was a harmonica player and singer associated with "Spider" John Koerner and Dave "Snaker" Ray during the early 1960s folk revival. Together, the three released albums under the name Koerner, Ray & Glover. Glover was also the author of diverse "harp" songbooks and a co-author, along with Ward Gaines and Scott Dirks, of an award-winning biography of Little Walter, Blues with a Feeling: The Little Walter Story.

<span class="mw-page-title-main">Fancy Ray</span> American stand-up comedian

Fancy Ray McCloney is a stand-up comedian and advertising pitchman from Minneapolis, Minnesota. He is known for his flamboyant comic persona, once described as "gleefully narcissistic," blending elements of Little Richard, Muhammad Ali, James Brown, Prince, and a tent-revival preacher. He is known for producing and starring in low-budget TV ads for local businesses in the Twin Cities and markets across the U.S., including a Taco Bell ad aired during the 2016 Super Bowl that played off his status as a "local legend." Rarely breaking character on stage or off, Fancy Ray is a buoyantly self-aggrandizing, larger-than-life personality given to spontaneous poetry and mock-boastful proclamations including his oft-repeated characteristic catchphrase "I'm the best-lookin’ man in comedy."

<span class="mw-page-title-main">Rifle Sport</span> American post punk band

Rifle Sport was an American post punk band active in the 1980s and 1990s, from Minneapolis, Minnesota.

<span class="mw-page-title-main">Steve McClellan</span> American concert promoter and educator (born 1950)

Stephen T. McClellan is an American concert promoter and educator. For 30 years he worked at a series of nightclubs housed in a former bus depot at the corner of First Avenue and 7th Street in downtown Minneapolis, promoting the careers of local musicians and expanding the reach of talent from around the world. These clubs—beginning with The Depot, Uncle Sam's, and Sam's —eventually became the First Avenue & 7th St. Entry nightclub that buoyed the Minneapolis sound and contributed to the development of alternative rock and independent music.

Dean Magraw is an American guitarist and composer.

Irvin Williams was an American jazz saxophonist and composer. Throughout his nine-decade career, Williams focused on the Great American Songbook and the tenor sax as a solo vehicle.

Boiled in Lead is a rock/world-music band based in Minneapolis, Minnesota, and founded in 1983. Tim Walters of MusicHound Folk called the group "the most important folk-rock band to appear since the 1970s." Influential record producer and musician Steve Albini called the band's self-titled first album "the most impressive debut record from a rock band I've heard all year." Their style, sometimes called "rock 'n' reel," is heavily influenced by Celtic music, folk, and punk rock, and has drawn them praise as one of the few American bands of the 1980s and 1990s to expand on Fairport Convention's rocked-up take on traditional folk. Folk Roots magazine noted that Boiled in Lead's "folk-punk" approach synthesized the idealistic and archival approach of 1960s folk music with the burgeoning American alternative-rock scene of the early 1980s typified by Hüsker Dü and R.E.M. The band also incorporates a plethora of international musical traditions, including Russian, Turkish, Bulgarian, Scottish, Vietnamese, Hungarian, African, klezmer, and gypsy music. Boiled in Lead has been hailed as a pioneering bridge between American rock and international music, and a precursor to Gogol Bordello and other gypsy-punk bands. While most heavily active in the 1980s and 1990s, the group is still performing today, including annual St. Patrick's Day concerts in Minneapolis. Over the course of its career, Boiled in Lead has released nearly a dozen albums and EPs, most recently 2012's The Well Below.

<i>Hotheads</i> 1986 album by Boiled in Lead

Hotheads is the second album by Twin Cities-based alt-rock/world-music band Boiled in Lead. Like its predecessor BOiLeD iN lEaD, it is strongly centered on a blend of alt-rock and traditional Celtic folk, and has been called its "most roundly Celtic" album.

<i>From the Ladle to the Grave</i> 1989 album by Boiled in Lead

From the Ladle to the Grave is the third album by Minneapolis Celtic rock band Boiled in Lead. It was the band's first recording with drummer Robin Adnan Anders, whose influence helped push the band further beyond Celtic rock into explorations of other world traditions. These included Bulgarian, Russian-Jewish, and Turkish music, as well as their version of The Hollies’ “Stop! Stop! Stop!” which interpolated a traditional Egyptian melody. The song "Cuz Mapfumo" simultaneously paid tribute to Chicago-based Irish musician Cuz Teahan and Zimbabwean Thomas Mapfumo.

Jeanne Arland Peterson was an American singer and pianist who was considered by some the "first lady of jazz" in Minneapolis–Saint Paul. She was inducted into two Minnesota halls of fame.

References

  1. 1 2 Griffey, Mark. "Peter Stenshoel". Ultravillage. Retrieved 2021-10-06.
  2. "Obituary: Myles Stenshoel". Crookston Daily Times . Crookston, Minnesota. March 29, 2010. Retrieved 2021-10-06.
  3. 1 2 3 4 5 6 "Obituary: David Rockne Stenshoel". Star Tribune . Minneapolis-St. Paul. 2021-10-03. Retrieved 2021-10-06.
  4. "Saturday radio highlights". Star Tribune . Minneapolis-St. Paul. 1974-05-26. p. 24. Retrieved 2021-10-06.
  5. Stenshoel, Peter (2021-04-26). "Infinity Art Unit Home Sessions". Internet Archive. Retrieved 2021-10-06.
  6. 1 2 "David Stenshoel". Discogs . Retrieved 2021-10-06.
  7. Burkholder, Steve (June 15, 1989). "Boiled in Lead leads audience of 20 on tour of world music". Hartford Courant. Hartford, Connecticut. Retrieved 2021-10-06.
  8. "Musical Reviews: Antler Dance, Boiled in Lead". Dulcimer Players News. Vol. 22, no. 2. Winchester, Virginia. May–July 1996. p. 7. Retrieved 2021-10-06.
  9. 1 2 3 Kot, Greg (1989-08-03). "Tradition twisters: Minneapolis band brings ethnic music to a boil". Chicago Tribune . Chicago. p. 3. Retrieved 2021-10-06.
  10. 1 2 Meyer, Jim (1992-04-23). "Now hear this!: Robayat". Star Tribune . Minneapolis-St. Paul. p. 2E. Retrieved 2021-10-06.
  11. Pick, Steve (June 22, 1989). "Boiled In Lead Heats It Up At Cicero's". St. Louis Post-Dispatch . St. Louis, Missouri. p. 3G. Retrieved 2021-10-06.
  12. Bream, Jon (1987-10-01). "Now Hear This: Boiled in Lead". Star Tribune . Minneapolis-St. Paul . Retrieved 2021-10-06.
  13. 1 2 McDonald, Steven. Boiled in Lead at AllMusic . Retrieved June 2, 2015.
  14. Hintz, David (November 2012). "Gasmac Gilmore "Dead Donkey"". FolkWorld. No. 49.
  15. Deggans, Eric (August 17, 1989). "Boled in Lead stirs ecletic mix of sound". The Pittsburgh Press. Pittsburgh, Pennsylvania. p. 19. Retrieved 2021-10-06.
  16. Walters, Neal; Mansfield, Brian; Walters, Tim (1998). MusicHound Folk: The Essential Album Guide. Visible Ink Press. p. 75. ISBN   1-57859-037-X.
  17. 1 2 Nickson, Chris (Autumn 2008). "Boiled in Lead: One is Silver". Sing Out!. Vol. 52, no. 3. Bethlehem, Pennsylvania.
  18. 1 2 Nickson, Chris (2008). "Boiled In Lead: 25 years post-emergence, the Minneapolis folk rockers are going strong again". fRoots . No. 300.
  19. Lipsig, Chuck (January 17, 2011). "Boiled in Lead: The Not Quite Complete Recordings". Green Man Review. Archived from the original on January 21, 2011. Retrieved April 26, 2015.
  20. Larkin, Colin, ed. (1995). "Boiled in Lead". The Guinness Encyclopedia of Popular Music . Vol. 5. Middlesex, England: Guinness Publishing. pp. 727–728.
  21. Heim, Chris (July 6, 1989), "From the Ladle to the Grave (Atomic Theory)", Chicago Tribune , retrieved April 23, 2015
  22. Coleman, Michael (April 22, 2009), Boiled in Lead: Silver CD, Your Flesh, retrieved June 9, 2015
  23. Hintz, David (July 2012). "Boiled in Lead, The Well Below". FolkWorld. No. 48.
  24. Hanenburg, Ryan (2013-11-12). "Voices of Sepharad at SCSU". University Chronicle. Vol. 90, no. 16. St. Cloud, Minnesota. p. 7. Retrieved 2021-10-06.
  25. Kamins, Richard (2003-04-25). "Piano Concert To Spotlight Wesleyan Undergrads". Hartford Courant. Hartford, Connecticut. p. B6. Retrieved 2021-10-06.
  26. "Musicians". Parisota Hot Club. Retrieved 2021-10-06.
  27. 1 2 "Holiday Music for the World". Dreamland Arts. October 17, 2018. Retrieved 2021-10-06.
  28. "Live from Minnesota: Other Country Quartet Part 2". AMPERS . 2016-03-04. Retrieved 2021-10-06.
  29. "Eight Days Out: Redondo". Star Tribune . Minneapolis-St. Paul. June 13, 1999. p. F13. Retrieved 2021-10-06.
  30. "The Big Gigs". Star Tribune . Minneapolis-St. Paul. 2006-09-08. p. F7. Retrieved 2021-10-06.
  31. Boyle, Frank (January 1979). "Radio Rangers Volume 1". Internet Archive. Retrieved 2021-10-06.
  32. Boyle, Frank (January 1979). "Radio Rangers Volume 2". Internet Archive. Retrieved 2021-10-06.
  33. Boyle, Frank (January 1976). "Radio Rangers Volume 3". Internet Archive. Retrieved 2021-10-06.
  34. "Eight Days Out: Songs of Hope". Star Tribune . Minneapolis-St. Paul. July 26, 1998. p. F13. Retrieved 2021-10-06.
  35. "Another Flask Of Weird 06 18 1983 Part 2". Internet Archive. 2013-09-04. Retrieved 2021-10-06.
  36. "Little City in Space Download Revue #13 - 2004-0731". Internet Archive. 2013-02-03. Retrieved 2021-10-06.
  37. Bream, Jon (1985-10-11). "Oarfolk record store to reeopen, owner promises". Star Tribune . Minneapolis-St. Paul. p. 19C. Retrieved 2021-10-06.
  38. American Folk Music and Folklore Recordings 1983: A Selected List. Washington, D.C.: American Folklife Center, Library of Congress. 1983. p. 31. ISSN   0748-5905.
  39. Chandler, David P. (1985). "Cambodian Traditional Music in Minnesota. Cassette produced by Cliff Sloane; notes and translations by Cliff Sloane and Sithoeurn Chem. Kent, Ohio: World Music Enterprises, 1984. Cassette. N.p.". The Journal of Asian Studies. 44 (4): 904. doi:10.2307/2056523. JSTOR   2056523. S2CID   162310586.
  40. Vaughan, Peter (May 9, 1992). "Guthrie's music makes 'Song' sing". Star Tribune . Minneapolis-St. Paul. p. 7E. Retrieved 2021-10-06.
  41. "On screen: Special screenings: The Last Warning". Star Tribune . Minneapolis-St. Paul. August 26, 1994. p. 11E. Retrieved 2021-10-06.
  42. Bream, Jon (May 13, 1988). "Prince reigns at Minnie Awards". Star Tribune . Minneapolis-St. Paul. p. 1B-2B. Retrieved 2021-10-06.
  43. "Minnesota Music Awards: 1984". Twin Cities Music Highlights. 14 June 2019. Retrieved 2021-10-06.
  44. "Minnesota Music Awards: 1985". Twin Cities Music Highlights. 14 June 2019. Retrieved 2021-10-06.
  45. "Minnesota Music Awards: 1987". Twin Cities Music Highlights. 21 June 2020. Retrieved 2021-10-06.
  46. "Minnesota Music Awards: 1988". Twin Cities Music Highlights. 2 August 2020. Retrieved 2021-10-06.
  47. "Minnesota Music Awards: 1989". Twin Cities Music Highlights. 14 June 2019. Retrieved 2021-10-06.
  48. "Minnesota Music Awards: 1990". Twin Cities Music Highlights. Retrieved 2021-10-06.
  49. "Minnesota Music Awards: 1993". Twin Cities Music Highlights. Retrieved 2021-10-06.
  50. "Minnesota Music Awards: 1995". Twin Cities Music Highlights. Retrieved 2021-10-06.
  51. "The Stars". First Avenue & 7th Street Entry. Archived from the original on April 18, 2020. Retrieved May 10, 2020.
  52. Bream, Jon (May 3, 2019). "10 things you'll learn about First Avenue in new Minnesota History Center show". Star Tribune . Minneapolis-St. Paul, Minnesota. Retrieved May 10, 2020.
  53. Marsh, Steve (May 13, 2019). "First Avenue's Star Wall". Mpls.St.Paul Magazine. Minneapolis-St. Paul, Minnesota. Retrieved May 10, 2020.
  54. Coulter, Tony (2020-08-04). "Tony Coulter: Playlist from August 4, 2020". WFMU . Retrieved 2021-10-06.
  55. Salazar, Jorge E. "Early Music Discography: R". Early Music Discography. Retrieved 2021-10-06.
  56. Surowicz, Tom (1994-12-11). "Listen up: Edge's sampler haphazard". Star Tribune . Minneapolis-St. Paul. p. 2F. Retrieved 2021-10-06.
  57. Knapp, Tom. "Tim Malloys, Drunkards, Bastards, and Blackguards (Fabulous, 2000)". Rambles: A Cultural Arts Magazine. Retrieved 2021-10-17.
  58. Raihala, Ross (December 9, 2011). "Sound Affects: Arrivederci, Roma! Polica is the next big thing". St. Paul Pioneer Press . St. Paul, Minnesota. p. E1.
  59. Miller, Drew (August 15, 2013). "Welcome To Bordertown – Special Edition". Felonious Bosch. Retrieved 2021-10-06.
  60. Watts, Tee (2014-11-30). "Album Review: Nigel Egg – The Blues Is Personal". Blues Blast Magazine. Retrieved 2021-10-06.
  61. "The Big Gigs: World". Star Tribune . Minneapolis-St. Paul. 2014-10-10. p. E4. Retrieved 2021-10-06.
  62. Dave Stenshoel at AllMusic. Retrieved June 30, 2016.
  63. "WorldJam Live 69". WorldJam. YouTube. 2021-09-21. Retrieved 2021-10-06.