Quatrefoil

Last updated
Quatrefoil-Architectural.svg
Quatrefoil-Architectural-alternate.svg
Two common forms of the quatrefoil, with more overlap (left) and less overlap (right)
Quatrefoil above the west door of Croyland Abbey showing in relief scenes from the life of Saint Guthlac Quatrefoil, St. Guthlac, Croyland Abbey.JPG
Quatrefoil above the west door of Croyland Abbey showing in relief scenes from the life of Saint Guthlac
Quatrefoil window at the St. Petrus parish church in Peterslahr, Germany Peterslahr St.Petrus99.JPG
Quatrefoil window at the St. Petrus parish church in Peterslahr, Germany

A quatrefoil (anciently caterfoil) [1] is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. [2] The word 'quatrefoil' means "four leaves", from the Latin quattuor, "four", plus folium, "leaf"; [3] the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. [4] A similar shape with three rings is called a trefoil, while a shape with five is a cinquefoil. [5]

Contents

History

The quatrefoil enjoyed its peak popularity during the Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is often referred to as of Islamic origin, there are examples of its use that precede the birth of Islam by almost 200 years. The Monastery of Stoudios in Constantinople, built in 462 AD, features arches seen to be the product of taking a regular quatrefoil and dividing it in half. [6]

In ancient Mesoamerica

Chalcatzingo Monument 1, El Rey, representing one half of a quatrefoil Chalcatzingo Monument 1 El Rey.svg
Chalcatzingo Monument 1, El Rey, representing one half of a quatrefoil

In ancient Mesoamerica, the quatrefoil is frequently portrayed on Olmec and Mayan monuments, such as at La Blanca, Guatemala where it dates to approximately 850 BC. The quatrefoil depicts the opening of the cosmic central axis at the crossroads of the four cardinal directions, representing the passageway between the celestial and the underworld. [7]

Another early example of a quatrefoil is found at Chalcatzingo, Morelos state, Mexico, the city that flourished between 700 BCE and 500 BCE. Both a full quatrefoil, and a partial portrayal of quatrefoil are found on monuments here. In the latter case, one half of a quatrefoil represents the opening of a cave where an important personage is seated. This cave opening represents a water source. Thus, quatrefoil seems to be associated with water rituals. The associated imagery is related to agricultural fertility and the arrival of rain, [8] [9] as evidenced by the rain-bearing clouds above the quatrefoil portal. [10]

The association between rulership and the quatrefoil symbol continued into the ensuing Late Preclassic period. A good example is found at Izapa.

The quatrefoil portrayal continued into the Classic period, as evidenced in the iconography of numerous Classic Maya monuments. A good example is the altar from El Perú (Maya site), which features a quatrefoil on the back of a zoomorphic creature in which sits a ruler. The associated hieroglyphic text refers to the creation narrative of the Maize god's rebirth. [10]

Barbed quatrefoil

The "barbed quatrefoil" Quatrefoil-Architectural-Square.svg
The "barbed quatrefoil"

The barbed quatrefoil is a quatrefoil pierced at the angles by the points of an inscribed square, [11] which gives an image akin to an heraldic rose, which is termed "barbed" due to the stylised thorns which project at the intersection of each pair of petals. The earliest example of the barbed quatrefoil appears on the south transept buttresses of 1260 in the Cathedral of Notre Dame in Paris. [11] Similarly, the trefoil is often combined with an equilateral triangle to form a barbed trefoil.

Barbed quatrefoil containing relief of The Sacrifice of Isaac (1401) by Lorenzo Ghiberti for the Baptistry, Florence. Bargello Museum, Florence Ghiberticompetition.jpg
Barbed quatrefoil containing relief of The Sacrifice of Isaac (1401) by Lorenzo Ghiberti for the Baptistry, Florence. Bargello Museum, Florence

Among the most famous works of art employing the barbed quatrefoil are the bronze panels on the south doors of the Florence Baptistery (1330–36) by Andrea Pisano, the bronze panels of the north doors of the Florence Baptistery by Lorenzo Ghiberti, Filippo Brunelleschi's competition entry for the same doors (The Sacrifice of Isaac), as well as Head of an Angel by Piero della Francesca.

In heraldry

In heraldic terminology, a quatrefoil is a representation of a four-leaf clover, a rare variant of the trefoil or three-leaf clover. It is sometimes shown "slipped", i.e. with an attached stalk. In archaic English it is called a caterfoil, [1] or variant spellings thereof. A double quatrefoil (or octofoil) is the mark of cadency for a ninth son in the English heraldic system.

In the military

The quatrefoil is mainly used in ecclesiastical buildings, primarily for windows, but Clifford’s Tower in York Castle is built in the shape of four overlapping towers, like a four leaf clover and is also known as a quatrefoil.

In the U.S. Marine Corps, quatrefoil refers to a four-pointed decoration on the top of a warrant or commissioned Marine officer's dress and service caps (see peaked caps, also known in the Marines as "barracks covers"). According to tradition, the design was first used with Marine officers on sailing ships so that Marine sharpshooters in the rigging did not shoot their own officers on the deck during close-quarters gun battles (as when crews of opposing ships attempted to board each other's ship). An official part of U.S. Marine Corps officer uniforms since 1859, the quatrefoil was said initially to have been crossed pieces of rope sewed into officers' caps before becoming officially mandated as a uniform item.

In NATO Joint Military Symbology a yellow quatrefoil represents a unit or object whose allegiance is unknown.

Societies

The quatrefoil is the official symbol of the Bishop James Madison Society, est. 1812 at the College of William and Mary.

Fraternity

The quatrefoil is also the symbol of the women's fraternity Phi Mu (a member of the National Panhellenic Conference).

See also

Related Research Articles

<span class="mw-page-title-main">Trefoil</span> Artistic representation of three circular leaf shapes used in architecture

A trefoil is a graphic form composed of the outline of three overlapping rings, used in architecture, Pagan and Christian symbolism, among other areas. The term is also applied to other symbols with a threefold shape. A similar shape with four rings is called a quatrefoil.

<span class="mw-page-title-main">Olmecs</span> Earliest known major Mesoamerican civilization

The Olmecs were the earliest known major Mesoamerican civilization. Following a progressive development in Soconusco, they occupied the tropical lowlands of the modern-day Mexican states of Veracruz and Tabasco. It has been speculated that the Olmecs derived in part from the neighboring Mokaya or Mixe–Zoque cultures.

<span class="mw-page-title-main">Filippo Brunelleschi</span> Italian Renaissance architect (1377–1446)

Filippo di ser Brunellesco di Lippo Lapi, commonly known as Filippo Brunelleschi and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to be a founding father of Renaissance architecture. He is recognized as the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, and for the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. Most surviving works can be found in Florence.

<span class="mw-page-title-main">Lorenzo Ghiberti</span> Italian Early Renaissance artist (1378-1455)

Lorenzo Ghiberti, born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of Commentarii contains important writing on art, as well as what may be the earliest surviving autobiography by any artist.

<span class="mw-page-title-main">Florence Cathedral</span> Church in Tuscany, Italy

Florence Cathedral, formally the Cathedral of Saint Mary of the Flower, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.

<span class="mw-page-title-main">Trefoil knot</span> Simplest non-trivial closed knot with three crossings

In knot theory, a branch of mathematics, the trefoil knot is the simplest example of a nontrivial knot. The trefoil can be obtained by joining the two loose ends of a common overhand knot, resulting in a knotted loop. As the simplest knot, the trefoil is fundamental to the study of mathematical knot theory.

<span class="mw-page-title-main">Florence Baptistery</span> Baptistery in Florence, Italy

The Florence Baptistery, also known as the Baptistery of Saint John, is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto.

<span class="mw-page-title-main">El Perú (Maya site)</span> Pre-Columbian Maya archaeological site in Guatemala

El Perú, is a pre-Columbian Maya archeological site occupied during the Preclassic and Classic cultural chronology periods. The site was the capital of a Maya city-state and is located near the banks of the San Pedro River in the Department of Petén of northern Guatemala. El Perú is 60 km (37 mi) west of Tikal.

<span class="mw-page-title-main">Takalik Abaj</span> Pre-Columbian archaeological site in Guatemala

Tak'alik Ab'aj is a pre-Columbian archaeological site in Guatemala. It was formerly known as Abaj Takalik; its ancient name may have been Kooja. It is one of several Mesoamerican sites with both Olmec and Maya features. The site flourished in the Preclassic and Classic periods, from the 9th century BC through to at least the 10th century AD, and was an important centre of commerce, trading with Kaminaljuyu and Chocolá. Investigations have revealed that it is one of the largest sites with sculptured monuments on the Pacific coastal plain. Olmec-style sculptures include a possible colossal head, petroglyphs and others. The site has one of the greatest concentrations of Olmec-style sculpture outside of the Gulf of Mexico, and was made a World Heritage Site in 2023 because of its long history of occupation.

<span class="mw-page-title-main">Michelozzo</span> Italian architect and sculptor

Michelozzo di Bartolomeo Michelozzi was an Italian architect and sculptor. Considered one of the great pioneers of architecture during the Renaissance, Michelozzo was a favored Medici architect who was extensively employed by Cosimo de' Medici. He was a pupil of Lorenzo Ghiberti in his early years, and later collaborated with Donatello.

<span class="mw-page-title-main">Teopantecuanitlan</span> Pre-Columbian site

Teopantecuanitlan is an archaeological site in the Mexican state of Guerrero that represents an unexpectedly early development of complex society for the region. The site dates to the Early to Middle Formative Periods, with the archaeological evidence indicating that some kind of connection existed between Teopantecuanitlan and the Olmec heartland of the Gulf Coast. Prior to the discovery of Teopantecuanitlan in the early 1980s, little was known about the region's sociocultural development and organization during the Formative period.

<span class="mw-page-title-main">Chalcatzingo</span> Ancient Mesoamerican archaeological site in Mexico

Chalcatzingo is a Mesoamerican archaeological site in the Valley of Morelos dating from the Formative Period of Mesoamerican chronology. The site is well known for its extensive array of Olmec-style monumental art and iconography. Located in the southern portion of the Central Highlands of Mexico, Chalcatzingo is estimated to have been settled as early as 1500 BCE. The inhabitants began to produce and display Olmec-style art and architecture around 900 BCE. At its height between 700 BCE and 500 BCE, Chalcatzingo's population is estimated at between five hundred and a thousand people. By 500 BCE it had gone into decline. The climate in Morelos is generally warmer and more humid than the rest of the Highlands. The Chalcatzingo center covers roughly 100 acres (0.40 km2). Evidence indicates that this was a site of ritual significance.

<span class="mw-page-title-main">Izapa</span>

Izapa is a very large pre-Columbian archaeological site located in the Mexican state of Chiapas; it is best known for its occupation during the Late Formative period. The site is situated on the Izapa River, a tributary of the Suchiate River, near the base of the volcano Tacaná, the sixth tallest mountain in Mexico.

Mesoamerica, along with Mesopotamia and China, is one of three known places in the world where writing is thought to have developed independently. Mesoamerican scripts deciphered to date are a combination of logographic and syllabic systems. They are often called hieroglyphs due to the iconic shapes of many of the glyphs, a pattern superficially similar to Egyptian hieroglyphs. Fifteen distinct writing systems have been identified in pre-Columbian Mesoamerica, many from a single inscription. The limits of archaeological dating methods make it difficult to establish which was the earliest and hence the progenitor from which the others developed. The best documented and deciphered Mesoamerican writing system, and the most widely known, is the classic Maya script. Earlier scripts with poorer and varying levels of decipherment include the Olmec hieroglyphs, the Zapotec script, and the Isthmian script, all of which date back to the 1st millennium BC. An extensive Mesoamerican literature has been conserved, partly in indigenous scripts and partly in postconquest transcriptions in the Latin script.

<span class="mw-page-title-main">Multifoil arch</span> Architectural element

A multifoil arch, also known as a cusped arch, polylobed arch, or scalloped arch, is an arch characterized by multiple circular arcs or leaf shapes that are cut into its interior profile or intrados. The term foil comes from the old French word for "leaf." A specific number of foils is indicated by a prefix: trefoil (three), quatrefoil (four), cinquefoil (five), sexfoil (six), octofoil (eight). The term multifoil or scalloped is specifically used for arches with more than five foils. The multifoil arch is characteristic of Islamic art and architecture; particularly in the Moorish architecture of al-Andalus and North Africa and in Mughal architecture of the Indian subcontinent. Variants of the multifoil arch, such as the trefoil arch, are also common in other architectural traditions such as Gothic architecture. 

<span class="mw-page-title-main">Karl Taube</span> American ethnohistorian (born 1957)

Karl Andreas Taube is an American Mesoamericanist, Mayanist, iconographer and ethnohistorian, known for his publications and research into the pre-Columbian cultures of Mesoamerica and the American Southwest. He is Distinguished Professor of Anthropology at the College of Humanities, Arts, and Social Sciences, University of California, Riverside. In 2008 he was named the College of Humanities, Arts, and Social Sciences distinguished lecturer.

A trefoil is a graphic form composed of three leaves or lobes.

The Southern Maya Area is a region of Pre-Columbian sites in Mesoamerica. It is long believed important to the rise of Maya civilization, during the period that is known as Preclassic. It lies within a broad arc going southeast from Chiapa de Corzo in Mexico to Copán and Chalchuapa, in Central America.

<span class="mw-page-title-main">Foil (architecture)</span>

A foil is an architectural device based on a symmetrical rendering of leaf shapes, defined by overlapping circles of the same diameter that produce a series of cusps to make a lobe. Typically, the number of cusps can be three (trefoil), four (quatrefoil), five (cinquefoil), or a larger number (multifoil).

<span class="mw-page-title-main">Regional communications in ancient Mesoamerica</span>

Regional communications in ancient Mesoamerica are believed to have been extensive. There were various trade routes attested since prehistoric times. In this article, especially the routes starting in the Mexico Central Plateau, and going down to the Pacific coast will be considered. These contacts then went on as far as Central America.

References

  1. 1 2 Pole, Sir William (1791). Collections Towards a Description of the County of Devon. London. p. 493. Blazon of arms of Matesford.
  2. Rest, Friedrich (1982). Our Christian Symbols. Pilgrim Press. p.  36. ISBN   0-8298-0099-9.
  3. Cassell's Latin Dictionary
  4. "The Fancy Shape". 99% Invisible. Retrieved 27 January 2018.
  5. Cinquefoil – Wiktionary
  6. "The Quatrefoil is the Fanciest Shape". Slate . The Slate Group. 20 March 2014. Retrieved 20 March 2014.
  7. Tate, Carolyn E. (2013). Yaxchilan: The Design of a Maya Ceremonial City. University of Texas Press. ISBN   978-0292739123.
  8. Guzman 1934 , pp. 241–43
  9. Grove 1968 , p. 487
  10. 1 2 Love, M.; Guernsey, J. (2007). "Monument 3 from La Blanca, Guatemala: A Middle Preclassic earthen sculpture and its ritual associations". Antiquity. 81 (314): 920–932. doi:10.1017/S0003598X00096009. S2CID   162442562.
  11. 1 2 Martindale, Andrew (1967). Gothic Art . London. p.  173.{{cite book}}: CS1 maint: location missing publisher (link)