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Categories | Music |
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Founded | 1946 |
Final issue | April 10, 1982 |
Country | United States |
Based in | New York City |
Language | English |
ISSN | 0034-1622 |
Record World magazine was one of the three main music industry trade magazines in the United States, along with Billboard and Cashbox . It was founded in 1946 under the name Music Vendor, but in 1964 it was changed to Record World, under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. [1] Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s.[ citation needed ]
Record World has been considered[ by whom? ] the hipper, faster-moving music industry publication,[ citation needed ] in contrast to the stodgier Billboard and Cashbox, its sister magazine. Music Vendor, as it was then known, published its first music chart for the week ending October 4, 1954. [2]
A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine.[ citation needed ]
Record World showed musical diversity by printing a "Non-Rock" survey, comparable to Billboard's "Easy Listening" / "Adult Contemporary" chart. This chart began in the February 2, 1967 issue, and ended on April 1, 1972, having morphed to the name "The MOR Chart" by 1971. Several titles of interest appeared on this 40-position list without making the Billboard Easy Listening survey.[ citation needed ] The chart returned with a weekly top-50 "A/C Chart" on February 16, 1980.
Record World's peak years coincided with the Studio 54 era,[ according to whom? ] when disco was in full swing. Recording artists tottered through on platform heels, bedecked in rhinestones, often seriously impaired by the then-popular recreational drug cocaine.[ citation needed ]
Young writers laboured writing reviews of records, analyses of sales data and music-related current events. Staffers included Mike Sigman, editor-in-chief (who then went on to become publisher of the LA Weekly ); Howie Levitt, managing editor (later of Billboard and BMI, the music royalty service); Pat Baird, who went on to key publicity positions at both RCA and BMI; associate editor Allen Levy, who went to become a public relations person for United Artists Records, ASCAP and A&M, and who is now a professor of mass communication at Chapman University.[ citation needed ]
Dede Dabney was from Philadelphia. She was the daughter of a pharmacist who came on board in 1972. She had a weekly column called "Soul Truth". She communicated weekly via phone to major figures in radio programming to get and give info. These figures included Frankie Crocker of WBLS-FM, New York, E. Rodney Jones of WVON, Chicago, and Joe "Butterball" Tamburro of WDAS, Philadelphia. When an artist or group's record was mentioned in "Dede's Ditties to Watch", it was one that was watched. [3]
Other staff included writers Vince Aletti (later of The New Yorker ); Marc Kirkeby (he went on to CBS/Sony Records); Jeffrey Peisch (later of MTV and independent producing); Dave McGee (later of Rolling Stone ); Laurie Lennard (later as a talent booker on The Late Show, then wife of comedian Larry David, and producer of Al Gore's An Inconvenient Truth ); columnist Sophia Midas; and chart editor and assistant editor Fred Goodman (later editor of Cash Box and current managing editor of Pro Sound News and a songwriter/music publisher.[ citation needed ]
Record World's collapse was the result of discord between the two owners,[ citation needed ] and a sudden downturn in record sales in the early 1980s. However, the new owners and management have revived Record World once again as an online magazine and feature story magazine known as Record World Magazine.
In 1978, Record World changed the R&B title to Black-Oriented. [4]
Here is a list of all the songs that reached #1 on the Music Vendor/Record World chart, obtained from the following cited sources. [5] [6] There were a total of 658 songs that reached #1 on the chart. In the early history of the chart, multiple versions of the same song charted as one entry, so the most successful recording of these songs is listed. An asterisk (*) denotes a non-consecutive run at #1.
"The Twist", by Chubby Checker, is the only song to hit #1 in two different chart runs. The record holder for the most weeks at #1 is Debby Boone's "You Light Up My Life", which stayed on top for 13 weeks. "I Love Rock 'n Roll", by Joan Jett & The Blackhearts, was the last song to top the chart before the magazine ceased publication.
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.
"Gentle on My Mind" is a song that was written and originally recorded by John Hartford, and released on his second studio album, Earthwords & Music (1967). Hartford wrote the song after watching Doctor Zhivago in 1966, as he was inspired by the film and his own personal experiences. The lyrics describe the reminiscences of lost love of a man as he travels through the country. An obituary for Hartford indicated that the lyrics are "about a hobo reminiscing about a lost love". The following year, Hartford released the song as a single on RCA Records.
Richard Dean Taylor was a Canadian musician, most notable as a singer, songwriter, and record producer for Motown during the 1960s and 1970s. According to Jason Ankeny, Taylor was "one of the most underrated acts ever to record under the Motown aegis."
Cashbox, also known as Cash Box, is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as Cashbox Magazine, an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games.
"Islands in the Stream" is a song written by the Bee Gees and recorded by American country music artists Kenny Rogers and Dolly Parton. It was released in August 1983 as the first single from Rogers's fifteenth studio album Eyes That See in the Dark. The Bee Gees released a live version in 1998 and a studio version in 2001.
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on 9 January 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. It hit No. 1 in both the US and Canada. In the United States, the song was the first single out of three from the album to interrupt a song's stay at #1. "Too Much Heaven" knocked "Le Freak" off the top spot for two weeks before "Le Freak" returned to #1 again. "Too Much Heaven" also rose to the top three in the UK. In the US, it would become the fourth of six consecutive No. 1s, equalling the record set by Bing Crosby, Elvis Presley, and the Beatles for the most consecutive No. 1 songs. The six Bee Gee songs are "How Deep Is Your Love", "Stayin' Alive", "Night Fever", "Too Much Heaven", "Tragedy" and "Love You Inside Out". The songs spanned the years of 1977, 1978 and 1979.
Chuck Taylor is an American music journalist. He served as a reporter, senior writer, columnist and senior editor at Billboard magazine from 1995 to 2009. There, he held the titles of Senior Editor/Talent, Senior Writer, Radio Editor, host of the Billboard Radio Countdown (online), columnist of AirWaves and, Single Reviews Editor since 1998; as well as Managing Editor of Top 40/AC for affiliated publication Billboard Radio Monitor, and senior editor/features and AC format editor for Billboard sister Radio & Records.
"Brandy", later called "Mandy", is a song written by Scott English and Richard Kerr. It was originally recorded by English in 1971 and reached the top 20 of the UK Singles Chart.
"How Deep Is Your Love" is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
"Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton. It was released as a single in September 1977 as the title track from Parton's album of the same name, topped the U.S. country singles chart for five weeks, and won the 1978 Grammy award for Best Female Country Vocal Performance; it also reached number three on the U.S. Billboard Hot 100, representing Parton's first significant pop crossover hit.
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams. Lyrics and music were arranged by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis as his last U.S. top 10 hit was 1963’s "What Will Mary Say" and his last U.S. #1 hit was 1957's "Chances Are."
"(Love Is) Thicker Than Water" is a song performed by Andy Gibb, released in September 1977 as the second and final single from his debut album, Flowing Rivers. The song was his second single that topped the US Billboard Hot 100. It was mainly written by Barry Gibb, with help from Andy Gibb. The B-side of this song was "Words and Music" in the US, but "Flowing Rivers" in the UK. It became a gold record.
"Lady" is a song written by Lionel Richie and first recorded by American country music artist Kenny Rogers. It was released in September 1980 on the album Kenny Rogers' Greatest Hits.
"I Just Want to Be Your Everything" is a song recorded by Andy Gibb, initially released in April 1977 as the first single from his debut album Flowing Rivers. It reached number 1 on the Billboard Hot 100 for three weeks, starting on the week ending 30 July 1977, and again for the week ending 17 September 1977. It was Gibb's first single released in the United Kingdom and United States. His previous single, "Words and Music" was only released in Australia. It is ranked number 26 on Billboard's 55th anniversary All Time Top 100.
"Rikki Don't Lose That Number" is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974.
"Reflections of My Life" was a 1969/1970 hit single for the Scottish band, Marmalade. It was written by their lead guitarist Junior Campbell and singer Dean Ford. Released in late 1969, it was the band's first release on Decca following an earlier spell at CBS.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
Billboard is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows.
The singles discography of Elvis Presley began in 1954 with the release of his first commercial single, "That's All Right". Following his regional success with Sun Records, Presley was signed to RCA Victor on November 20, 1955. Presley's first single with RCA, "Heartbreak Hotel", was a worldwide hit, reaching the No. 1 position in four countries and the top 10 in many other countries. Other hit singles from the 1950s include "Don't Be Cruel", "Hound Dog", "Love Me Tender", "Too Much", "All Shook Up", "(Let Me Be Your) Teddy Bear", "Jailhouse Rock", "Don't", "Hard Headed Woman" and "A Big Hunk o' Love". On March 24, 1958, Presley entered the United States Army at Memphis, Tennessee, and was stationed in Germany. He left active duty on March 5, 1960.
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: CS1 maint: bot: original URL status unknown (link)Record World. Geocities.com.