A Greek cross (all arms of equal length) above a saltire, a cross whose limbs are slanted
A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a saltire in heraldic terminology.
The cross has been widely recognized as a symbol of Christianity from an early period in that religion's history.[1][2][3] Before then, it was used as a religious or cultural symbol throughout Europe, in western and south Asia (the latter, in the form of the original Swastika); and in Egypt, where the Ankh was a hieroglyph that represented "life" and was used in the worship of the god Aten. The effigy of a man hanging on a cross was set up in the fields to protect the crops.[citation needed] It often appeared in conjunction with the female-genital circle or oval, to signify the sacred marriage, as in Egyptian amulet Nefer[4] with male cross and female orb, considered as an amulet of blessedness, a charm of sexual harmony.[5]
Name
The word cross is recorded in 11th-century Old English as cros, exclusively for the instrument of Christ's crucifixion, replacing the native Old English word rood. The word's history is complicated; it appears to have entered English from Old Irish, possibly via Old Norse, ultimately from the Latin crux (or its accusative crucem and its genitive crucis), "stake, cross". The English verb to cross arises from the noun c.1200, first in the sense "to make the sign of the cross"; the generic meaning "to intersect" develops in the 15th century. The Latin word was influenced by popular etymology by a native Germanic word reconstructed as *krukjo (English crook, Old English crycce, Old Norse krokr, Old High German krucka). This word, by conflation with Latin crux, gave rise to Old French crocier (modern French crosse), the term for a shepherd's crook, adopted in English as crosier.
Latin crux referred to the gibbet where criminals were executed, a stake or pole, with or without transom, on which the condemned were impaled or hanged, but more particularly a cross or the pole of a carriage.[6] The derived verb cruciāre means "to put to death on the cross" or, more frequently, "to put to the rack, to torture, torment", especially in reference to mental troubles.[7] In the Roman world, furca replaced crux as the name of some cross-like instruments for lethal and temporary punishment,[8][9] ranging from a forked cross to a gibbet or gallows.[10]
The field of etymology is of no help in any effort to trace a supposed original meaning of crux.[11] A crux can be of various shapes: from a single beam used for impaling or suspending (crux simplex) to the various composite kinds of cross (crux compacta) made from more beams than one. The latter shapes include not only the traditional †-shaped cross (the crux immissa), but also the T-shaped cross (the crux commissa or tau cross), which the descriptions in antiquity of the execution cross indicate as the normal form in use at that time, and the X-shaped cross (the crux decussata or saltire).
The Greek equivalent of Latin crux "stake, gibbet" is stauros, found in texts of four centuries or more before the gospels and always in the plural number to indicate a stake or pole. From the first century BC, it is used to indicate an instrument used in executions. The Greek word is used in descriptions in antiquity of the execution cross, which indicate that its normal shape was similar to the Greek letter tau (Τ).[12][13][14][15]
Due to the simplicity of the design (two intersecting lines), cross-shaped incisions make their appearance from deep prehistory; as petroglyphs in European cult caves, dating back to the beginning of the Upper Paleolithic, and throughout prehistory to the Iron Age.[16] Also of prehistoric age are numerous variants of the simple cross mark, including the crux gammata with curving or angular lines, and the Egyptian crux ansata with a loop.
Speculation has associated the cross symbol – even in the prehistoric period – with astronomical or cosmological symbology involving "four elements" (Chevalier, 1997) or the cardinal points, or the unity of a vertical axis mundi or celestial pole with the horizontal world (Koch, 1955). Speculation of this kind became especially popular in the mid- to late-19th century in the context of comparative mythology seeking to tie Christian mythology to ancient cosmological myths. Influential works in this vein included G. de Mortillet (1866),[17] L. Müller (1865),[18] W. W. Blake (1888),[19] Ansault (1891),[20] etc.
Archaic cuneiform character LAK-617 (𒔁): a cruciform arrangement of five boxes; scribes could use the central, larger box as container for other characters.
The shape of the cross (crux, stauros "stake, gibbet"), as represented by the letter T, came to be used as a new symbol (seal) of the Early Christianity since the 2nd century.[23]Clement of Alexandria in the early 3rd century calls it τὸ κυριακὸν σημεῖον ("the Lord's sign") he repeats the idea, current as early as the Epistle of Barnabas, that the number 318 (in Greek numerals, ΤΙΗ) in Genesis 14:14 was a foreshadowing (a "type") of the cross (the letter Tau) and of Jesus (the letters Iota Eta).[24] Clement's contemporary Tertullian rejects the accusation that Christians are crucis religiosi (i.e. "adorers of the gibbet"), and returns the accusation by likening the worship of pagan idols to the worship of poles or stakes.[25] In his book De Corona, written in 204, Tertullian tells how it was already a tradition for Christians to trace repeatedly on their foreheads the sign of the cross.[26]
While early Christians used the T-shape to represent the cross in writing and gesture, the use of the Greek cross and Latin cross, i.e. crosses with intersecting beams, appears in Christian art towards the end of Late Antiquity. An early example of the cruciform halo, used to identify Christ in paintings, is found in the Miracles of the Loaves and Fishes mosaic of Sant'Apollinare Nuovo, Ravenna (6th century). The Patriarchal cross, a Latin cross with an additional horizontal bar, first appears in the 10th century. A wide variation of cross symbols is introduced for the purposes of heraldry beginning in the age of the Crusades.[27]
Sumerian cuneiform had a simple cross-shaped character, consisting of a horizontal and a vertical wedge (𒈦), read as maš "tax, yield, interest"; the superposition of two diagonal wedges results in a decussate cross (𒉽), read as pap "first, pre-eminent" (the superposition of these two types of crosses results in the eight-pointed star used as the sign for "sky" or "deity" (𒀭), DINGIR). The cuneiform script has other, more complex, cruciform characters, consisting of an arrangement of boxes or the fourfold arrangement of other characters, including the archaic cuneiform characters LAK-210, LAK-276, LAK-278, LAK-617 and the classical sign EZEN (𒂡).[28]
The multiplication sign (×), often attributed to William Oughtred (who first used it in an appendix to the 1618 edition of John Napier's Descriptio) apparently had been in occasional use since the mid 16th century.[29]
The "sun cross" or "wheel cross" appears with some regularity in prehistoric European artefacts, usually interpreted as a solar symbol, perhaps representing the spoked wheel of the Sun chariot.
The crossed swords symbol (⚔ at Unicode U+2694) is used to represent battlegrounds on maps. It is also used to show that person died in battle or that a war machine was lost in action. Two crossed swords also look like a Christian cross and the mixed symbolism has been used in military decorations. It is also a popular way to display swords on a wall often with a shield in the center
Traditionally used to mark Spanish cemeteries; the symbol evolved to represent death/danger, poison, and pirates.
Physical gestures
Cross shapes are made by a variety of physical gestures. Crossing the fingers of one hand is a common invocation of the symbol. The sign of the cross associated with Christian genuflection is made with one hand: in Eastern Orthodox tradition the sequence is head-heart-right shoulder-left shoulder, while in Oriental Orthodox, Catholic and Anglican tradition the sequence is head-heart-left-right.
Crossing the index fingers of both hands represents and a charm against evil in European folklore. Other gestures involving more than one hand include the "cross my heart" movement associated with making a promise and the Tau shape of the referee's "time out" hand signal.
In Chinese-speaking cultures, crossed index fingers represent the number 10.
Crux is a constellation of the southern sky that is centred on four bright stars in a cross-shaped asterism commonly known as the Southern Cross. It lies on the southern end of the Milky Way's visible band. The name Crux is Latin for cross. Even though it is the smallest of all 88 modern constellations, Crux is among the most easily distinguished as its four main stars each have an apparent visual magnitude brighter than +2.8. It has attained a high level of cultural significance in many Southern Hemisphere states and nations.
Digamma or wau is an archaic letter of the Greek alphabet. It originally stood for the sound but it has remained in use principally as a Greek numeral for 6. Whereas it was originally called waw or wau, its most common appellation in classical Greek is digamma; as a numeral, it was called episēmon during the Byzantine era and is now known as stigma after the Byzantine ligature combining σ-τ as ϛ.
An ideogram or ideograph is a symbol that represents an idea or concept independent of any particular language. Some ideograms are more arbitrary than others: some are only meaningful assuming preexisting familiarity with some convention; others more directly resemble their signifieds. Ideograms that represent physical objects by visually resembling them are called pictograms.
M, or m, is the thirteenth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is em, plural ems.
T, or t, is the twentieth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is tee, plural tees.
The Phoenician alphabet is an alphabet known in modern times from the Canaanite and Aramaic inscriptions found across the Mediterranean region. The name comes from the Phoenician civilization.
Tau is the nineteenth letter of the Greek alphabet, representing the voiceless dental or alveolar plosive IPA:[t]. In the system of Greek numerals, it has a value of 300.
Koppa or qoppa is a letter that was used in early forms of the Greek alphabet, derived from Phoenician qoph (𐤒). It was originally used to denote the sound, but dropped out of use as an alphabetic character and replaced by Kappa (Κ). It has remained in use as a numeral symbol (90) in the system of Greek numerals, although with a modified shape. Koppa is the source of Latin Q, as well as the Cyrillic numeral sign of the same name (Koppa).
The ankh or key of life is an ancient Egyptian hieroglyphic symbol used to represent the word for "life" and, by extension, as a symbol of life itself.
De is a letter of the Cyrillic script. It commonly represents the voiced dental stop, like the pronunciation of ⟨d⟩ in "door", except closer to the teeth. De is usually romanised using the Latin letter D.
Aleph is the first letter of the Semitic abjads, including Phoenician ʾālep 𐤀, Hebrew ʾālef א, Aramaic ʾālap 𐡀, Syriac ʾālap̄ ܐ, Arabic ʾalif ا, and North Arabian 𐪑. It also appears as South Arabian 𐩱 and Ge'ez ʾälef አ.
The tau cross is a T-shaped cross, sometimes with all three ends of the cross expanded. It is called a “tau cross” because it is shaped like the Greek letter tau, which in its upper-case form has the same appearance as Latin letter T.
The term crux simplex was invented by Justus Lipsius (1547–1606) to indicate a plain transom-less wooden stake used for executing either by affixing the victim to it or by impaling him with it. He thus distinguished two types of crux simplex: the crux simplex ad affixionem and the crux simplex ad infixionem.
The instrument of Jesus' crucifixion is generally taken to have been composed of an upright wooden beam to which was added a transom, thus forming a "cruciform" or T-shaped structure.
Many shapes have metaphorical names, i.e., their names are metaphors: these shapes are named after a most common object that has it. For example, "U-shape" is a shape that resembles the letter U, a bell-shaped curve has the shape of the vertical cross section of a bell, etc. These terms may variously refer to objects, their cross sections or projections.
Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas.
Stauros is a Greek word for a stake or an implement of capital punishment. The Greek New Testament uses the word stauros for the instrument of Jesus' crucifixion, and it is generally translated as "cross" in religious texts, while also being translated as pillar or tree in Christian contexts. This article covers the use of the word for other contexts.
The Christian cross, seen as a representation of the crucifixion of Jesus on a large wooden cross, is a symbol of Christianity. It is related to the crucifix and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English.
The staurogram (⳨), also monogrammatic cross or tau-rho, is a ligature composed of a superposition of the Greek letters tau (Τ) and rho (Ρ).
Descriptions in antiquity of the execution cross, whether by Christians or non-Christians, present the instrument ordinarily used in putting people to death by crucifixion as composed of two wooden pieces. Whether the two pieces of timber of the normal execution cross were permanently conjoined or were merely put together for the purpose of the execution is not stated.
References
↑ Rebecca Stein, Philip L. Stein. The Anthropology of Religion, Magic, and Witchcraft. Taylor & Francis. p.62. The cross is a symbol most clearly associated with Christianity.
↑ Jensen, Steffen; Rønsbo, Henrik (2014). Histories of Victimhood. University of Pennsylvania Press. p.32. ISBN978-0-8122-0931-0. The jurist Julius Paulus, for example, "gives crucifixion (furca = gallows, the word that replaced the 'holy' word cross in legal literature after Constantine)" as one punishment for deserters and for betrayers of secrets (Hengel 1977:39; Bauman 1996:151)
↑ Pickering, F. P. (1980). Essays on Medieval German Literature and Iconography. Cambridge University Press. p.73. ISBN978-0-521-22627-1. According to the article "crux" in Pauly-Wissowa, the old term furca may have been revived under Justinian to shield the sacred term from misuse; its shape, the conventional 'gallows', may have been evolved in such a way as to avoid any association with the Christian cross.
↑ Rees, Abraham (1824). The Cyclopædia. Samuel F. Bradford. p.148.
↑ Bailey, Douglass W. (2005). Prehistoric figurines: representation and corporeality in the Neolithic. London: Routledge. ISBN0-203-39245-0. OCLC252740876.
↑ G. de Mortillet, "Le signe de la croix avant le christianisme", Paris, 1866
↑ L. Müller, "Ueber Sterne, Kreuze und Kränze als religiöse Symbole der alten Kulturvölker", Copenhagen, 1865
↑ Ansault, "Mémoire sur le culte de la croix avant Jésus-Christ", Paris, 1891.
↑ "In the bronze age we meet in different parts of Europe a more accurate representation of the cross, as conceived in Christian art, and in this shape it was soon widely diffused. This more precise characterization coincides with a corresponding general change in customs and beliefs. The cross is now met with, in various forms, on many objects: fibulas, cinctures, earthenware fragments, and on the bottom of drinking vessels. De Mortillet is of opinion that such use of the sign was not merely ornamental, but rather a symbol of consecration, especially in the case of objects pertaining to burial. In the proto-Etruscan cemetery of Golasecca every tomb has a vase with a cross engraved on it. True crosses of more or less artistic design have been found in Tiryns, at Mycenæ, in Crete, and on a fibula from Vulci." O. Marucchi, "Archæology of the Cross and Crucifix", Catholic Encyclopedia (1908).
↑ Benner, Jeff A. "Taw (Tav)". The Ancient Hebrew Letters. Ancient Hebrew Research Center. Archived from the original on 17 June 2015. Retrieved 17 June 2015.
↑ Kohler, Kaufmann. "Cross". Jewish Encyclopaedia. Archived from the original on 7 October 2011. The cross as a Christian symbol or "seal" came into use at least as early as the second century (see "Apost. Const." iii. 17; Epistle of Barnabas, xi.-xii.; Justin, "Apologia," i. 55-60; "Dial. cum Tryph." 85-97); and the marking of a cross upon the forehead and the chest was regarded as a talisman against the powers of demons (Tertullian, "De Corona," iii.; Cyprian, "Testimonies," xi. 21-22; Lactantius, "Divinæ Institutiones," iv. 27, and elsewhere). Accordingly the Christian Fathers had to defend themselves, as early as the second century, against the charge of being worshipers of the cross, as may be learned from Tertullian, "Apologia," xii., xvii., and Minucius Felix, "Octavius," xxix. Christians used to swear by the power of the cross
↑ Roberts, Alexander; Donaldson, James; Coxe, A. Cleveland; Knight, Kevin, eds. (1885). "Church Fathers: Apology (Tertullian) - Chapter 16". New Advent. Translated by Thelwall, S. Archived from the original on 12 March 2024. Then, if any of you think we render superstitious adoration to the cross, in that adoration he is sharer with us. If you offer homage to a piece of wood at all, it matters little what it is like when the substance is the same: it is of no consequence the form, if you have the very body of the god. And yet how far does the Athenian Pallas differ from the stock of the cross, or the Pharian Ceres as she is put up uncarved to sale, a mere rough stake and piece of shapeless wood? Every stake fixed in an upright position is a portion of the cross; we render our adoration, if you will have it so, to a god entire and complete. We have shown before that your deities are derived from shapes modelled from the cross.Sed et qui crucis nos religiosos putat, consecraneus noster erit. Cum lignum aliquod propitiatur, viderit habitus, dum materiae qualitas eadem sit; viderit forma, dum id ipsum dei corpus sit. Et tamen quanto distinguitur a crucis stipite Pallas Attica, et Ceres Pharia, quae sine effigie rudi palo et informi ligno prostat? Pars crucis est omne robur, quod erecta statione defigitur; nos, si forte, integrum et totum deum colimus. Diximus originem deorum vestrorum a plastis de cruce induci.
↑ "At every forward step and movement, at every going in and out, when we put on our clothes and shoes, when we bathe, when we sit at table, when we light the lamps, on couch, on seat, in all the ordinary actions of daily life, we trace upon the forehead the sign" (De Corona, chapter 3)
↑ An example of a cruciform arrangement of a character that is itself cruciform is the ligature "EZEN x KASKAL squared", encoded by Unicode at U+120AD (𒂭).
↑ Florian Cajori, A History of Mathematical Notations. Dover Books on Mathematics (1929), 251f.
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