Getty Villa

Last updated
Getty Villa
060807-002-GettyVilla001.jpg
The Outer Peristyle of the Villa
Getty Villa
Established1954, reopened 2006
Location17985 Pacific Coast Highway, Pacific Palisades, California
Coordinates 34°02′42″N118°33′54″W / 34.0450085°N 118.5650826°W / 34.0450085; -118.5650826
Type Art museum
Collection size44,000 Greek, Roman, and Etruscan antiquities
Visitors509,000 (2021) [1]
DirectorTimothy Potts
Public transit access LAMetroLogo.svg 534
Note: Ticket must be punched by bus operator in order to enter the Getty Villa
Website www.getty.edu/villa

The Getty Villa is an educational center and art museum located at the easterly end of the Malibu coast in the Pacific Palisades neighborhood of Los Angeles, California, United States. [2] One of two campuses of the J. Paul Getty Museum, the Getty Villa is dedicated to the study of the arts and cultures of ancient Greece, Rome, and Etruria. The collection has 44,000 Greek, Roman, and Etruscan antiquities dating from 6,500 BC to 400 AD, including the Lansdowne Heracles and the Victorious Youth. The UCLA/Getty Master's Program in Archaeological and Ethnographic Conservation is housed on this campus.

Contents

History

The entrance to the Getty Villa sets the tone of entering an archaeological dig. 060807-005-GettyVilla004entrance.jpg
The entrance to the Getty Villa sets the tone of entering an archaeological dig.

In 1954, oil tycoon J. Paul Getty opened a gallery adjacent to his home in Pacific Palisades. [3] [4] [5] Quickly running out of room, he built a second museum, the Getty Villa, on the property down the hill from the original gallery. [4] [6] The villa design was inspired by the Villa of the Papyri at Herculaneum [6] and incorporated additional details from several other ancient sites. [7]

It was designed by architects Robert E. Langdon, Jr., and Ernest C. Wilson, Jr., in consultation with archeologist Norman Neuerburg. [8] [9] It opened in 1974, [10] but was never visited by Getty, who died in 1976. [5] Following his death, the museum inherited $661 million [11] and began planning a much larger campus, the Getty Center, in nearby Brentwood. The museum overcame neighborhood opposition to its new campus plan by agreeing to limit the total size of the development on the Getty Center site. [12] To meet the museum's total space needs, the museum decided to split between the two locations with the Getty Villa housing the Greek, Roman, and Etruscan antiquities. [12]

In 1993, the Getty Trust selected the Boston architects Rodolfo Machado and Jorge Silvetti to design a renovation of the Getty Villa and its campus. [12] In 1997, portions of the museum's collection of Greek, Roman and Etruscan antiquities were moved to the Getty Center for display, and the Getty Villa was closed for renovation. [13] The collection was restored during the renovation. [10]

In 2004, during the renovation, the museum and the University of California, Los Angeles (UCLA), began holding summer institutes in Turkey, studying the conservation of Middle Eastern Art. [14]

Reopened on January 28, 2006, the Getty Villa shows Greek, Roman, and Etruscan antiquities within Roman-inspired architecture and surrounded by Roman-style gardens. [15] The art is arranged by themes, e.g., Gods and Goddesses, Dionysos and the Theater, and Stories of the Trojan War . [15] The new architectural plan surrounding the Villa – which was conceived by Machado and Silvetti Associates (who were also responsible for the plans for the renovated museum) – is designed to simulate an archaeological dig. Architectural Record has praised their work on the Getty Villa as "a near miracle – a museum that elicits no smirks from the art world ... a masterful job ... crafting a sophisticated ensemble of buildings, plazas, and landscaping that finally provides a real home for a relic of another time and place." [16]

In 2016–2018 the collection was reinstalled in a chronological arrangement emphasizing art-historical themes. [17]

9th Summit of the Americas world leaders dinner hosted at the villa by President Joe Biden in 2022 P20220609ES-1806 (52258941930).jpg
9th Summit of the Americas world leaders dinner hosted at the villa by President Joe Biden in 2022

There has been controversy surrounding the Greek and Italian governments' claim that objects in the collection were looted and should be repatriated. [18] In 2006, the Getty returned or promised to return four looted objects to Greece: a stele (grave marker), a marble relief, a gold funerary wreath, and a marble statue. [19] In 2007, the Getty signed an agreement to return 40 looted items to Italy. [20] [21]

The villa was host to leaders of the Western Hemisphere for dinner, held by President Joe Biden and First Lady Jill Biden in honor of the 9th Summit of the Americas on June 9, 2022, which was a first for the Villa. [22]

Facility and programs

The Inner Peristyle Inner peristyle.jpg
The Inner Peristyle

The Getty Villa hosts live performances in both its indoor auditorium and its outdoor theatre. Indoor play-readings included The Trojan Women, Aristophanes' The Frogs, and Euripides' Helen. [23] Indoor musical performances, which typically relate to art exhibits, included: Musica Angelica, De Organographia, and Songs from the Fifth Age: Sones de México in Concert. [24] The auditorium held a public reading of Homer's Iliad. [25]

Outdoor performances included Aristophanes' Peace, Aeschylus's Agamemnon, and Sophocles' Elektra. [26] The Getty Villa hosts visiting exhibitions beyond its own collections. For example, in March 2011 "In Search of Biblical Lands" was a photographic exhibition which included scenes of the Middle East dating back to the 1840s. [27]

The Getty Villa offers special educational programs for children. A special Family Forum gallery offers activities including decorating Greek vases and projecting shadows onto a screen that represents a Greek urn. The room also has polystyrene props from Greek and Roman culture for children to handle and use to cast shadows. The Getty Villa also offers children's guides to the other exhibits. [28] [29]

The Getty Conservation Institute offers a Master's Program in Archaeological and Ethnographic Conservation in association with the Cotsen Institute of Archaeology at UCLA. Classes and research are conducted in the museum wing of the ranch house. The program was the first of its kind in the United States. [30]

Campus

An aerial view of Getty Villa, the building with the red roof at center right, and the surrounding area. Pacific-Palisades-getty-villa-Aerial-from-west-August-2014.jpg
An aerial view of Getty Villa, the building with the red roof at center right, and the surrounding area.

The Villa self-identifies with Malibu as it is located just east of the city limits of Malibu in the city of Los Angeles in the community of Pacific Palisades. [13] [31] [32] [33] [34] [35] The 64 acres (26 ha) museum complex sits on a hill overlooking the Pacific Ocean, which is about 100 yards (91 m) from the entrance to the property. An outdoor 2,500-square-foot (230 m2) entry pavilion is also built into the hill near the 248-car, four story, South Parking garage at the southern end of the Outer Peristyle. [36] To the west of the Museum is a 450-seat outdoor Greek theater where evening performances are staged, named in honor of Barbara and Lawrence Fleischman. [36]

The theater faces the west side of the Villa and uses its entrance as a stage. [37] To the northwest of the theatre is a three-story, 15,500-square-foot (1,440 m2) building built into the hill that contains the museum store on the lower level, a cafe on the second level, and a private dining room on the top level. [38] North of the Villa is a 10,000 sq ft (930 m2) indoor 250-seat auditorium. [36] On the hill above the museum are Getty's original private ranch house and the museum wing that Getty added to his home in 1954. They are now used for curatorial offices, meeting rooms and as a library. [4] Although not open to the public, the campus includes J. Paul Getty's grave on the hill behind his ranch house. [39]

A 200-car North Parking Garage is behind the ranch complex. The 105,500-square-foot (9,800 m2) museum building is arranged in a square opening into the Inner Peristyle courtyard. The 2006 museum renovation added 58 windows facing the Inner Peristyle and a retractable skylight over the atrium. [16] It replaced the terrazzo floors in the galleries and added seismic protection with new steel reinforcing beams and new isolators in the bases of statues and display cases. [10] The museum has 48,000 sq ft (4,500 m2) of gallery space. [36] [40]

Writing in 2008, the architectural critic Calum Storrie described the overall effect:

What the Getty Villa achieves, first by seclusion, then by control of access, and ultimately through the architecture, is a sense of detachment from its immediate environment. [41]

Gardens

There are four different gardens on the grounds of the Getty Villa, with plants native to the Mediterranean and known to have been cultivated by the ancient Romans. [42] The largest garden is the Outer Peristyle, an exact proportional replica of the one at the Villa dei Papiri. The garden is 308 by 105 feet (94 m × 32 m), with a 220 feet (67 m) long pool at the center. Traditional Roman landscaping designs are replicated with manicured bay laurel, boxwood, oleander, and viburnum shrubs. There are rows of date palms lining each of the long sides of the Outer Peristyle garden. Each corner features pomegranate trees surrounded by ornamental plants like acanthus, ivy, hellebore, lavender, and iris. [43] :91 Copies of Roman bronzes excavated at the Villa dei Papiri and elsewhere are scattered throughout the garden.

Mosaic Fountain Getty Villa SW11.jpg
Mosaic Fountain

Just west of the Outer Peristyle is the Herb Garden, where traditional herbs sourced from ancient Roman texts are cultivated along with a variety of fruit trees: pomegranate, fig, apricot, apple, citrus, and pear. The garden is surrounded by grapevines, and bounded by an olive grove planted on terraces above the garden. [43] :100 The East Garden is small and secluded, surrounded by laurel and plane trees. [42] Its chief feature is an exact replica of the famous shell and mosaic fountain at the House of the Great Fountain in Pompeii, but there is also a circular fountain at the center of a basin filled with aquatic plants, around which the garden is oriented. [43] :84–85

The fourth and final garden is the Inner Peristyle. Like the Outer Peristyle, a long, narrow, marble lined pool forms the centerpiece of the landscaping. Along each side are replicas of bronze female statues from the Villa dei Papiri, modelled to appear as if they are drawing water from the pool. In each corner of the garden is a replica white marble fountain, and there are several bronze copies of famous Greek sculptures like the Doryphoros and busts of Greek philosophers like Pythagoras and Democritus. [43] :68–69

Collection

Victorious Youth, part of the museum's collection L'atleta di Fano.jpg
Victorious Youth , part of the museum's collection

The collection has 44,000 Greek, Roman, and Etruscan antiquities dating from 6,500 BC to 400 AD, [44] of which approximately 1,400 are on view. [45]

Among the outstanding items is Victorious Youth, one of few life-size Greek bronze statues to have survived to modern times. [6] [46] The Lansdowne Heracles is a Hadrianic Roman sculpture in the manner of Lysippus. [47] The Villa has jewelry and coin collections [18] and an extensive 20,000 volume library of books covering art from these periods. [48]

The Villa displays the Getty kouros, which the museum lists as "Greek, about 530 B.C., or modern forgery" because scientific analysis is inconclusive as to whether the marble statue can be dated to Greek times. [37] [49] If genuine, the Getty kouros is one of only twelve remaining intact lifesize kouroi. [50] The Marbury Hall Zeus is an 81 in (2.1 m) tall marble statue that was recovered from ruins at Tivoli near Rome. [51]

GettyGuide

Detailed information about the J. Paul Getty Museum's collection, audio tours, and maps of the Museum are provided on the "GettyGuide" app. [52]

See also

Notes

  1. Jose da Silva (March 22, 2022). "The top 100 most popular art museums in the world". The Art Newspaper.
  2. "About the Museum (Getty Museum)". www.getty.edu. Archived from the original on 2019-03-03. Retrieved 2016-01-19.
  3. Storrie at p. 186.
  4. 1 2 3 "Architecture". Getty Trust. Archived from the original on 2011-06-07. Retrieved 2011-03-08.
  5. 1 2 Bird, Cricket (June 10, 1976). "Getty Never Saw Fabulous Museum". Lewiston [Maine] Evening Journal. p. 10. Archived from the original on 2022-04-03. Retrieved 2011-03-08.
  6. 1 2 3 Ray, Derek (February 11, 2011). "The Getty Center and the Getty Villa". San Diego Reader. Archived from the original on 2019-01-28. Retrieved 2011-03-02.
  7. Muchnic, Suzanne (2019-12-06). "Stephen Garrett, architect and first director of Malibu's Getty Villa, dies". Los Angeles Times . Archived from the original on 2019-12-10. Retrieved 2019-12-11.
  8. Myrna Oliver, Robert Langdon Jr., 86; Designed 1st Getty Museum Archived 2014-12-25 at the Wayback Machine , The Los Angeles Times , August 25, 2004
  9. Grad student unearths architect's drawings for Getty exhibition Archived 2019-07-11 at the Wayback Machine , USC School of Architecture: School News, July 05, 2013
  10. 1 2 3 Moltesen at p. 155.
  11. Lenzner, Robert. The great Getty: the life and loves of J. Paul Getty, richest man in the world. New York: Crown Publishers, 1985. ISBN   0517562227
  12. 1 2 3 Filler at 215.
  13. 1 2 Schultz, Patricia (2003). One thousand places to see before you die. Workman Publishing. p. 575. ISBN   978-0-7611-0484-1. Archived from the original on 2022-04-03. Retrieved 2020-11-11.
  14. "UCLA and Getty Museum Hold Summer Institute in Turkey". UCLA. 2004-09-23. Archived from the original on 2011-07-20. Retrieved 2010-12-30.
  15. 1 2 Moltesen at 157.
  16. 1 2 Pearson, Clifford A. (May 2006). "Machado and Silvetti creates an elaborate new setting that shows off the renovated Getty Villa without irony or apologies". Architectural Record . The McGraw-Hill Companies, Inc. Archived from the original on 2015-09-19. Retrieved 2010-05-15.
  17. Potts, Timothy (April 2, 2018). "A New Vision for the Collection at the Getty Villa". The Getty Iris. J. Paul Getty Trust. Archived from the original on April 14, 2018. Retrieved April 13, 2018.
  18. 1 2 Rogers, John (January 27, 2006). "Getty Museum reopening its much renovated villa". Seattle Times. Archived from the original on 2011-06-28. Retrieved 2011-03-02.
  19. Carassava, Anthee. Greeks Hail Getty Museum's Pledge to Return Treasures. Archived 2019-04-02 at the Wayback Machine New York Times, December 12, 2006. Retrieved September 3, 2008.
  20. Povoledo, Elisabetta. Italy and Getty Sign Pact on Artifacts. Archived 2019-04-02 at the Wayback Machine New York Times, 2007-09-26. Retrieved 2008-09-03.
  21. Filler at pp. 221–23.
  22. "Getty Villa Holds Dinner for the 9th Summit of the Americas".
  23. "Villa Play–Reading Series". Getty Trust. Archived from the original on 2019-09-29. Retrieved 2011-03-11.
  24. "Concerts at the Villa". Getty Trust. Archived from the original on 2019-09-24. Retrieved 2011-03-11.
  25. "Public Reading of Homer's Iliad". Getty Trust. Archived from the original on 2019-09-07. Retrieved 2011-03-11.
  26. "Getty Villa Outdoor Theater Production". Getty Trust. Archived from the original on 2019-09-26. Retrieved 2011-03-11.
  27. "Calendar Picks and Clicks". Jewish Journal. March 1, 2011. Archived from the original on 2016-09-19. Retrieved 2011-03-08.
  28. "Family Forum". Getty Trust. Archived from the original on 2019-10-05. Retrieved 2011-03-08.
  29. Moltesen at p. 156.
  30. "Getty Villa Press Kit" (PDF). Getty Trust. Archived from the original (PDF) on 2012-10-08. Retrieved 2010-12-30.
  31. E.g., Storrie at p. 186; Moltesen at p. 155.
  32. Greenberg, Mark (2005). Guide to the Getty Villa. Getty Trust. p. 131. ISBN   978-0-89236-828-0.
  33. "Visit the Getty". Getty Trust. Archived from the original on 2019-10-03. Retrieved 2011-03-08.
  34. "Visit". The J. Paul Getty Trust. Archived from the original on 2019-07-29. Retrieved 2006-07-10.
  35. Jaffee, Matthew (May 2007). "Posh Pacific Palisades". Sunset magazine . Archived from the original on November 24, 2007. Retrieved September 3, 2008.
  36. 1 2 3 4 "Fact Sheet" (PDF). Getty Trust. Archived from the original (PDF) on 2012-10-08. Retrieved 2010-12-30.
  37. 1 2 Filler at p. 221.
  38. Filler at p. 220
  39. Patricia Brooks; Jonathan Brooks (2006). Laid to Rest in California: A Guide to the Cemeteries and Grave Sites of the Rich and Famous. Globe Pequot. p. 208. ISBN   978-0-7627-4101-4 . Retrieved 2011-03-08.
  40. Map & Guide to the Getty Villa, Getty Trust, May 2010
  41. Storrie at p. 187
  42. 1 2 "Gardens". www.getty.edu. Archived from the original on 2019-10-03. Retrieved 2019-10-10.
  43. 1 2 3 4 Guide to the Getty Villa. Getty Publications. 2005.
  44. "Art (Visit the Getty Villa)". Getty Trust. Archived from the original on 2019-10-03. Retrieved 2018-04-13.
  45. Spier, Jeffrey (April 11, 2018). "What's New to Explore in the Reinstalled Getty Villa Galleries". The Getty Iris. J. Paul Getty Trust. Archived from the original on April 14, 2018. Retrieved April 13, 2018.
  46. "Victorious Youth". Getty Trust. Archived from the original on 2010-12-03. Retrieved 2011-02-28.
  47. "Lansdowne Herakles". Getty Trust. Archived from the original on 2011-05-04. Retrieved 2011-02-28.
  48. "Research Libraries". Getty Trust. Archived from the original on 2013-09-15. Retrieved 2011-02-28.
  49. "Statue of a Kouros". Getty Trust. Archived from the original on 2010-11-25. Retrieved 2011-02-28.
  50. Robert Bianchi, "Saga of The Getty Kouros", Archaeology (May/June 1994).
  51. "Marbury Hall Zeus". Getty Trust. Archived from the original on 2014-12-25. Retrieved 2011-02-28.
  52. GettyGuide® https://www.getty.edu/visit/app/

Related Research Articles

<span class="mw-page-title-main">Galleria Borghese</span> Art gallery in Rome, Italy

The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.

<span class="mw-page-title-main">Villa Borghese gardens</span> Landscape garden in Rome, Italy

Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums and attractions. It is the third-largest public park in Rome, after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana, built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 19th century.

<span class="mw-page-title-main">Villa of the Papyri</span> Ancient Roman villa in Ercolano, Italy

The Villa of the Papyri was an ancient Roman villa in Herculaneum, in what is now Ercolano, southern Italy. It is named after its unique library of papyri scrolls, discovered in 1750. The Villa was considered to be one of the most luxurious houses in all of Herculaneum and in the Roman world. Its luxury is shown by its exquisite architecture and by the large number of outstanding works of art discovered, including frescoes, bronzes and marble sculpture which constitute the largest collection of Greek and Roman sculptures ever discovered in a single context.

<span class="mw-page-title-main">J. Paul Getty Museum</span> Art museum in Los Angeles, California

The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. It is operated by the J. Paul Getty Trust, the world's wealthiest art institution.

<i>Domus</i> Roman urban house of upper classes

In ancient Rome, the domus was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word domestic comes from Latin domesticus, which is derived from the word domus. Along with a domus in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city.

<span class="mw-page-title-main">Ancient Greek sculpture</span>

The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.

<span class="mw-page-title-main">Vulci</span> Etruscan city near Rome

Vulci or Volci was a rich Etruscan city in what is now northern Lazio, central Italy.

<span class="mw-page-title-main">National Archaeological Museum, Athens</span> National museum in Athens, Greece

The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.

<span class="mw-page-title-main">Roman gardens</span>

Roman gardens and ornamental horticulture became highly developed under Roman civilization, and thrived from 150 BC to 350 AD. The Gardens of Lucullus, on the Pincian Hill in Rome, introduced the Persian garden to Europe around 60 BC. It was seen as a place of peace and tranquillity, a refuge from urban life, and a place filled with religious and symbolic meaning. As Roman culture developed and became increasingly influenced by foreign civilizations, the use of gardens expanded.

<span class="mw-page-title-main">Roman sculpture</span> Sculpture of ancient Rome

The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.

<i>Chimera of Arezzo</i> Ancient Etruscan artwork

The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting". Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence.

<span class="mw-page-title-main">Villa Poppaea</span> Ancient Roman villa

The Villa Poppaea is an ancient luxurious Roman seaside villa located in Torre Annunziata between Naples and Sorrento, in Southern Italy. It is also called the Villa Oplontis or Oplontis Villa A. as it was situated in the ancient Roman town of Oplontis.

Marion True was the former curator of antiquities for the J. Paul Getty Museum in Los Angeles, California. True was indicted on April 1, 2005, by an Italian court, on criminal charges accusing her of participating in a conspiracy that laundered stolen artifacts through private collections and creating a fake paper trail; the Greeks later followed suit. The trial brought to light many questions about museum administration, repatriation, and ethics.

<span class="mw-page-title-main">Architecture of Italy</span> Overview of the architecture in Italy

Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.

<span class="mw-page-title-main">Venus Genetrix (sculpture)</span> Sculptural type

The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.

<span class="mw-page-title-main">Etruscan art</span> Art of the ancient Etruscan civilization

Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.

<span class="mw-page-title-main">Getty kouros</span> Greek kouros statue, possible forgery, at the Getty Museum

The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986.

<span class="mw-page-title-main">Stabiae</span> Ancient Roman town

Stabiae was an ancient city situated near the modern town of Castellammare di Stabia and approximately 4.5 km southwest of Pompeii. Like Pompeii, and being only 16 km (9.9 mi) from Mount Vesuvius, it was largely buried by tephra ash in 79 AD eruption of Mount Vesuvius, in this case at a shallower depth of up to 5 m.

<span class="mw-page-title-main">Nasothek</span>

A nasothek is a collection of sculpted noses.

<span class="mw-page-title-main">Gods in Color</span> Travelling exhibition

Gods in Color or Gods in Colour (original title in German: Bunte Götter – Die Farbigkeit antiker Skulptur is a travelling exhibition of varying format and extent that has been shown in multiple cities worldwide. Its subject is ancient polychromy, i.e. the original, brightly painted, appearance of ancient sculpture and architecture.

References