I Can Do It with a Broken Heart

Last updated

"I Can Do It with a Broken Heart"
Song by Taylor Swift
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length3:38
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Lyric video
"I Can Do It with a Broken Heart" on YouTube

"I Can Do It with a Broken Heart" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the song with Jack Antonoff. An upbeat electropop and dance-pop track, "I Can Do It with a Broken Heart" incorporates house elements, percolating synth arpeggios, and a dance-friendly bubblegum beat. The song's lyrics reflect her tumultuous state of mind while on the early run of her Eras Tour in 2023, claiming that she was going through a heartbreak while having to show up professionally to perform.

Contents

Some critics considered the track a standout on the album, highlighting its upbeat production; several others considered the lyrics insubstantial. Commercially, "I Can Do It with a Broken Heart" peaked at number five on the Billboard Global 200 and charted within the top 10 in Australia, Canada, Ireland, New Zealand, the Philippines, Singapore, the United Kingdom, and the United States. Swift performed the song on the Eras Tour as part of the revamped setlist starting from the Paris shows in May 2024.

Background and release

Swift started working on The Tortured Poets Department immediately after she submitted her tenth studio album, Midnights , to Republic Records for release in 2022. She continued working on it in secrecy throughout the US leg of the Eras Tour in 2023. [1] The album's conception took place around the time the media reported that Swift's six-year relationship with the English actor Joe Alwyn had ended, which was also when she was on the early run of her Eras Tour. [2] She described The Tortured Poets Department as a "lifeline" for her and an album which she "really needed" to make. [3] Republic Records released it on April 19, 2024; [4] "I Can Do It with a Broken Heart" is 13th on the track list. [5] From May 2024, the track was included in the revamped setlist of the Eras Tour, starting from the Nanterre shows. [6]

Music and lyrics

Swift wrote and produced "I Can Do It with a Broken Heart" with Jack Antonoff, who programmed the track and played the drums, piano, and synthesizer. The track was recorded by Laura Sisk and Oli Jacobs, who provided background vocals, percussion, and a spoken word. [7] "I Can Do It with a Broken Heart" is an upbeat electropop [5] [8] and dance-pop song. [9] The song is written in common time with tempo of 132 BPM and in the key of C major. [10] Its incorporation of house elements [11] and a bubblegum- and dance-friendly beat is a contrast to the album's predominantly moody atmosphere. [12] [13] It is instrumented by percolating synth arpeggios. [14] [15] Critics compared the song's production to Swift's 2022 track "Mastermind" [14] [16] and the music of other artists such as Robyn [17] or the Pet Shop Boys. [15] [18]

The song is lyrically a "pep talk" to oneself about persevering in the face of being a public figure despite personal heartbreak. [19] Joel Calfee of Harper's Bazaar considered it to be a "deceptively upbeat" song, wherein "Swift gets candid about what it was like to perform through the heartbreak". [20] Music journalists suggested "I Can Do It with a Broken Heart" discusses Swift's need to hide her negative emotions regarding the breakup while performing on her tour ("All the pieces of me shattered as the crowd was chanting 'more'."). [8] [21] [22] [23] Will Harris of Q wrote that the lyrics showcased "romantic confusion and heartbreak", citing the lyrics, "I'm so depressed, I act like it's my birthday every day/ I'm so obsessed with him, but he avoids me like the plague." [24]

Critical reception

Variety gave the song a positive review in its review of the parent album, considering it to be the album's climax and suggested it was "sure to be one of the most talked-about and replayed tracks". [25] In a ranking of all 31 tracks of The Anthology edition of The Tortured Poets Department, Billboard ranked the song in eighth place, considering the song "rollicking, snarky and strikingly funny". [14] Clash's Lauren Webb described the track as "triumphantly-erupting". [26] Josh Kurp of Uproxx selected "I Can Do It with a Broken Heart" as one of the album's "strong songs", [27] while Alex Hudson from Exclaim! opined that its production makes it the only track that stands out on the album. [12] Jonathan Keefe of Slant Magazine opined that the song was a "viable radio [hit]". [28]

Writing for The Guardian , Laura Snapes considered the lyric "lights, camera, bitch smile" to be "meme-worthy" and "makes clear why she wanted [her music] back on TikTok." [15] In NME , Laura Molloy deemed "I Can Do It with a Broken Heart" "poised for internet virality than anything more substantial". [29] Olivia Horn from Pitchfork similarly suggested that the lyrics were "versed in memespeak" and the music was too familiar to Swift and Antonoff's past collaborations. [16] By contrast, Tom Breihan of Stereogum wrote that the song showcased "a musical energy and inventiveness" that suggested a new path for Swift's artistry, praising the vocals and keyboard instrumentation. [11] Writing for Beats Per Minute , John Wohlmacher said the song is "so unabashedly unhinged and manic that it’s pure joy," [30]

Commercial performance

Following the album's release, its tracks occupied the top nine of the Billboard Global 200; "I Can Do It with a Broken Heart" debuted at its peak of number five on the chart, where it extended Swift's top-10 entries to 33. [31] [32] In the United States, the song opened and peaked at number three on the Billboard Hot 100. It along with 13 tracks from the album made Swift the first artist to monopolize the top 14 of the Hot 100. [33] [34] The song also charted at number 37 on Adult Pop Airplay despite not being a single. [35] [36] In Australia, it reached number five on the ARIA Singles Chart and made her the artist with the most entries in a single week with 29. [37] [38]

Elsewhere, "I Can Do It with a Broken Heart" reached the top 10 in Canada (4), [39] Ireland (5), [40] Singapore (5), [41] New Zealand (6), [42] the United Kingdom (8), [43] and the Philippines (10). [44] It also charted within the 20 in many countries: number 11 in Austria, [45] number 12 in Latvia, [46] number 14 in Malaysia [47] and Portugal, [48] number 15 in Belgium [49] and Luxembourg, [50] number 17 in Sweden, [51] and number 19 in Croatia, [52] Denmark, [53] and South Africa. [54]

Personnel

Charts

Chart performance for "I Can Do It with a Broken Heart"
Chart (2024)Peak
position
Argentina (Argentina Hot 100) [55] 64
Australia (ARIA) [37] 5
Austria (Ö3 Austria Top 40) [45] 11
Belgium ( Billboard ) [49] 15
Brazil (Brasil Hot 100) [56] 61
Canada (Canadian Hot 100) [39] 4
Croatia ( Billboard ) [52] 19
Czech Republic (Singles Digitál Top 100) [57] 21
Denmark (Tracklisten) [53] 19
Finland (Suomen virallinen lista) [58] 47
France (SNEP) [59] 72
Germany (Official German Charts) [60] 60
Global 200 ( Billboard ) [31] 5
Greece International (IFPI) [61] 10
India (IMI) [62] 11
Indonesia ( Billboard ) [63] 24
Ireland (IRMA) [40] 5
Italy (FIMI) [64] 76
Latvia (LAIPA) [46] 12
Lithuania (AGATA) [65] 30
Luxembourg ( Billboard ) [50] 15
Malaysia ( Billboard ) [66] 19
Malaysia International (RIM) [47] 14
Netherlands (Single Top 100) [67] 35
New Zealand (Recorded Music NZ) [42] 6
Norway (VG-lista) [68] 27
Philippines ( Billboard ) [44] 10
Poland (Polish Streaming Top 100) [69] 59
Portugal (AFP) [48] 14
Singapore (RIAS) [41] 5
Slovakia (Singles Digitál Top 100) [70] 28
South Africa ( Billboard ) [54] 19
Spain (PROMUSICAE) [71] 39
Sweden (Sverigetopplistan) [51] 17
Switzerland (Schweizer Hitparade) [72] 30
UK Singles (OCC) [43] 8
US Billboard Hot 100 [33] 3
US Adult Top 40 ( Billboard ) [35] 37

Certifications

Certifications for "I Can Do It with a Broken Heart"
RegionCertification Certified units/sales
Australia (ARIA) [73] Gold35,000‡

‡ Sales+streaming figures based on certification alone.

Related Research Articles

The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its "number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the Billboard Top LPs (1961–1972), Billboard Top LPs & Tape (1972–1984), Billboard Top 200 Albums (1984–1985) and Billboard Top Pop Albums (1985–1992).

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"But Daddy I Love Him" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift and Aaron Dessner wrote the track, and they produced it with Jack Antonoff. Musically, "But Daddy I Love Him" is an electronica and folk rock ballad with elements of country and rock. Its lyrics target detractors of Swift's love life.

"Florida!!!" is a song by the American singer-songwriter Taylor Swift featuring the English band Florence and the Machine, taken from Swift's eleventh studio album, The Tortured Poets Department (2024). Swift wrote the track with the band's frontwoman Florence Welch, who also sang lead vocals, and produced it with Jack Antonoff. An Americana and Southern Gothic-influenced power ballad with indie rock guitars and drums, its lyrical content revolves around seeking relief through escapism and alcohol, using Florida as a geographical metaphor.

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

"The Smallest Man Who Ever Lived" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The song was written and produced by Swift and longtime collaborator Aaron Dessner. It peaked at number 18 on the Billboard Global 200 and charted within the top 20 in Australia, Canada, Ireland, New Zealand, and the United States.

"Clara Bow" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The track was named after the silent-film actress Clara Bow. Swift and Aaron Dessner wrote and produced the track, which was inspired by Swift's conversations with record label executives. A folk-leaning pop rock track, it comments on Swift's fame. Critics, as well as Bow's family, applauded the track for Swift's vulnerability, lyricism, and depiction of fame and beauty. The song peaked at number 22 of the Billboard Global 200 and reached the top 25 in Australia, Canada, New Zealand, Singapore, and the United States.

"The Alchemy" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the track with Jack Antonoff. A pop rock track with R&B influences, "The Alchemy" uses extensive football imagery to describe a burgeoning romance after going through heartbreak.

<span class="mw-page-title-main">Fortnight (song)</span> 2024 single by Taylor Swift featuring Post Malone

"Fortnight" is a song by the American singer-songwriter Taylor Swift featuring the American rapper and singer Post Malone, taken from Swift's eleventh studio album, The Tortured Poets Department. The two artists wrote the track with Jack Antonoff, who produced it with Swift. Republic Records released the song as the lead single concurrently with its parent album on April 19, 2024. A 1980s-inspired downtempo electropop and synth-pop ballad, "Fortnight" is instrumented by a pulsing synth bassline. Its lyrics see Swift's character in an unhappy marriage and becoming next-door neighbors with an ex-lover who is also married, and the two vow to escape to Florida.

"Thank You Aimee" is a song by the American singer-songwriter Taylor Swift, from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Swift and Aaron Dessner wrote the track, and the two produced it with Jack Antonoff. A country and folk track, its lyrics talk about dealing with a high-school bully. Due to the lyrical content and the stylization of the title, some media publications interpreted "Thank You Aimee" as a diss track towards Kim Kardashian. It peaked at number 29 on the Billboard Global 200 and reached the national charts of Australia, Canada, New Zealand, Portugal, and the United States.

"So High School" is a song by the American singer-songwriter Taylor Swift from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Written and produced by Swift and Aaron Dessner, "So High School" has a 1990s-tinged production incorporating various rock styles like alternative rock, indie rock, and pop rock. The lyrics are about how a romantic relationship makes Swift relive the feeling of young love.

References

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  69. ↑ "OLiS – oficjalna lista sprzedaży – single w streamie" (Select week 19.04.2024–25.04.2024.) (in Polish). OLiS. Archived from the original on February 2, 2023. Retrieved May 2, 2024.
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