"Is It Over Now?" | ||||
---|---|---|---|---|
Single by Taylor Swift | ||||
from the album 1989 (Taylor's Version) | ||||
Written | 2014 | |||
Released | October 31, 2023 | |||
Studio |
| |||
Genre | Electropop | |||
Length | 3:49 | |||
Label | Republic | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Taylor Swift singles chronology | ||||
| ||||
Lyric video | ||||
"Is It Over Now?" on YouTube |
"Is It Over Now?" [lower-alpha 1] is a song by the American singer-songwriter Taylor Swift. Written by Swift and Jack Antonoff, the song was intended for but ultimately left out of Swift's fifth studio album, 1989 (2014), but was released as part of the 2023 re-recording, 1989 (Taylor's Version) . "Is It Over Now?" is an electropop power ballad composed of dense reverb, synthesizers, and an echoing drum machine. Republic Records released the song to US contemporary hit radio on October 31, 2023.
The song depicts Swift's complex emotions in the aftermath of a failed romance, discussing feelings of disappointment and resentment that ensue. The lyricism features rhetorical questions and tight internal rhymes. Critics drew several parallels between "Is It Over Now?" and "Out of the Woods" (2016), a single from 1989. They praised "Is It Over Now?" for its enlivening composition and storytelling lyrics; many deemed the song an album highlight and one of Swift's best works. Multiple publications included it in their lists of the best songs of 2023.
Commercially, "Is It Over Now?" debuted atop the Billboard Hot 100, marking Swift's 11th number-one single in the US; also her sixth number-one debut, the song replacing her own "Cruel Summer" (2023) from the top spot, making Swift the first female soloist to replace herself atop the chart twice. [lower-alpha 2] Elsewhere, "Is It Over Now?" topped the singles charts of Australia, Canada, New Zealand, and the United Kingdom, as well as the Billboard Global 200 and the US Pop Airplay chart. Swift performed "Is It Over Now?" three times as a mashup with her other songs on the Eras Tour (2023–2024).
After signing a new contract with Republic Records, the singer-songwriter Taylor Swift began re-recording her first six studio albums in November 2020. [2] The decision followed a public dispute in 2019 between Swift and talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums which the label had released. [3] [4] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters. [5] From April 2021 to July 2023, Swift released three re-recorded albums of her earlier releases: Fearless (Taylor's Version) , Red (Taylor's Version) , and Speak Now (Taylor's Version) ; each album also featured several unreleased "From the Vault" tracks that she had written but left out of the original albums' track listings. [6]
Republic Records released Swift's fourth re-recorded album, 1989 (Taylor's Version) , on October 27, 2023, on the ninth anniversary of her fifth original studio album, 1989 (2014). The original album was Swift's first "official pop" album after she had marketed her first four albums to country radio, and it transformed her artistry and image from country to pop. [7] [8] As with her other re-recorded projects, 1989 (Taylor's Version) features five newly-recorded "From the Vault" tracks that Swift had written but left out of the original track listing. [9] "Is It Over Now?" is one of the vault tracks Swift had written in 2014 but excluded from the track-list of 1989. [10] She wrote and produced the track with Jack Antonoff for 1989 (Taylor's Version). [1]
Antonoff and the engineers Laura Sisk and David Hart, assisted by Jack Manning, Megan Searl, and Jon Sher, recorded the track at four studios: Conway Recording Studios, Sharp Sonics (Los Angeles), Electric Lady Studios, and Rough Customer (New York). Antonoff also programmed the song, played synthesizers, and provided background vocals. Zem Audu played additional synthesizers and recorded his part at Audu Studio (Brooklyn). Sean Hutchinson and Micchael Riddleberger played and recorded drums at Hutchinson Sound Studio (Brooklyn). Mikey Freedom Hart played synthesizer which he recorded at Big Mercy Studio (Brooklyn). Evan Smith played saxophone and recorded his part at Pleasure Hill (Portland). The track was mixed by Serban Ghenea at MixStar Studios (Virginia Beach, Virginia) and mastered by Randy Merrill at Sterling Sound (Edgewater, New Jersey). [11]
A song based on storytelling, [12] "Is It Over Now?" depicts Swift's experience with rumors and disappointment in the aftermath of a romantic relationship. [13] The narrator memorizes the details ("Red blood, white snow/ Blue dress on a boat") [14] and clings onto the relationship ("Let's fast forward to 300 takeout coffees later/ I see your profile and your smile on unsuspecting waiters/ You dream of my mouth before it called you a 'lying traitor'"). [15] She accuses him of cheating with resentment and anger ("You search in every model's bed for something greater", "At least I had the decency to keep my nights out of sight"), [15] [16] but, at one point, admits that she too has cheated on him. [17] [18] She later confesses to having fantasized about "jumping off of very tall somethings" to win his attention again. [17] The on-again-off-again relationship leaves her wondering, "Is it over now?", [18] but she ultimately accepts that it has ended. [19] The lines consist of internal rhymes in strict meter ("I think about jumping/ Off of very tall somethings/ Just to see you come running/ And say the one thing/ I've been wanting"). [20]
Music critics likened "Is It Over Now?" to some of Swift's past songs; several connected the song to or described it as a thematic continuation of "Out of the Woods", a single from 1989, [21] [22] [23] [24] because both songs address the uneasy situation of a past relationship and feature details regarding an accident. [lower-alpha 3] Bobby Olivier from NJ.com wrote that the feelings of "sorrow, fragility and rage" resembled the sentiments of "All Too Well" (2012), [27] while Ed Power from the i felt the song was a "spiritual sequel" to "I Knew You Were Trouble" (2012). [28] For Insider journalist Callie Ahlgrim, the question "Is it over now?" is rhetorical and represents an existential crisis. [14] Meanwhile, Entertainment Weekly's Lauren Huff opined that the answer to that question was a definite yes, albeit "not the good kind". [25] Some media outlets speculated that the song addressed Swift's relationship with the English singer Harry Styles, which ended in 2013. [25] [29]
Musically, "Is It Over Now?" is a power ballad. [24] It has an electropop production that incorporates dense reverb, synths, and echoing drum machine beats. [30] [31] [32] Antonoff used analog synthesizers including Moog and Juno-6. [33] The final verse features stuttering drums. [14] The song is written in the key of C major in common time with a tempo of 100 bpm. [34] Swift's vocals span G3 to D5. The hook has a vocal sample; The Daily Telegraph 's Neil McCormick wrote that it was "an odd squawking sample", [20] while The Guardian's Rachel described it as "era-specific alien-like". [31] Huff said that the sound was "vaguely reminiscent of a birdcall echoing in a forest", which leaves the impression that the couple in the lyrics "never did make it out of the woods". [25] Antonoff addressed the sound and said that he used Moog and Juno 6 synthesizers to create it. [35] According to Ahlgrim, Swift sings with breathless vocals, which makes the song "sound essential, urgent, as though it's literally gushing out of her". [14]
Shaad D'Souza from Pitchfork commented that although most parts of "Is It Over Now?" sonically aligned with 1989, some felt as if they were developed later and could fit into Swift's 2022 album Midnights . [36] Variety critic Chris Willman wrote that the production had a "mid-tempo throb" that keeps the song from coming off as a "total [tragedy]". [17] For Rob Sheffield of Rolling Stone , the "spooky synth-drone" in the intro and the build-up into a "brooding powerhouse mediation on love and loss" made the track comparable to Swift's songs "The Archer" (from Lover, 2019) and "Labyrinth" (from Midnights, 2022). [37] The Financial Times critic Ludovic Hunter-Tilney opined that the synths and drums were in line with the 1980s-inspired sound of the album, [19] whereas People's Jeff Nelson said they evoked both "Out of the Woods" and "Labyrinth". [32]
"Is It Over Now?" was released as part of 1989 (Taylor's Version) on October 27, 2023. [9] Republic Records released the song to US contemporary hit radio as a single on October 31. [38] [39] On November 11, 2023, Swift performed "Is It Over Now?" as a guitar mashup with "Out of the Woods" at the second Buenos Aires show of her Eras Tour. [40] On February 25, 2024, she sang the song as part of a guitar mashup with the 1989 track "I Wish You Would" at the third Sydney show of the Eras Tour. [41] On May 10, Swift performed the song as a mashup with "Out of the Woods" again at the Paris show of the Eras Tour. [42]
In the United States, "Is It Over Now?" debuted atop the Billboard Hot 100, marking Swift's 11th number-one song on the chart and making her the first female artist and solo artist to have three different number ones from three different albums in a calendar year. The single succeeded Swift's single "Cruel Summer" at the number-one position, making Swift the first woman to succeed herself a second time, a feat she first achieved with "Shake It Off" and "Blank Space" in 2014. [39] After being promoted to US radio, "Is It Over Now?" debuted at number 38 on the Pop Airplay chart. [43] It subsequently topped the chart in March 2024, marking Swift's record-extending 13th number-one song in the US pop radio format. [44]
For markets outside the United States, "Is It Over Now?" peaked at number five on the Billboard Global Excl. US chart. [45] The single debuted at number one on the singles charts of Australia, [46] Canada, [47] New Zealand, [48] and the United Kingdom. [49] On the Billboard Global 200, the single became Swift's fourth number-one song, extending her record for the most chart toppers among female artists. [45] It peaked in the top 10 of singles charts in Ireland (number 2), [50] Singapore (number 4), [51] the Philippines (number 6), [52] Latvia (number 8), [53] and the United Arab Emirates (number 10). [54] The single also reached the top 20 on the charts of several European territories, peaking at number 11 in Norway, [55] number 15 in Sweden, [56] number 16 in Portugal, [57] number 18 in Austria, [58] and number 20 in Lithuania. [59]
Music critics acclaimed "Is It Over Now?" for its production and Swift's narrative songwriting. In reviews of 1989 (Taylor's Version), a multitude of critics selected it as the best vault track; [lower-alpha 4] Rolling Stone critic Angie Martoccio picked it as an album highlight. [26] Rob Sheffield, also of Rolling Stone, deemed the track "[Swift's] greatest vault stunner yet". [37] USA Today journalist Melissa Ruggieri lauded the song for featuring "an ethereal melody and the sting of a Swift scorned". [60] The Line of Best Fit 's Kelsey Barnes and Clash 's Alex Berry commented that the track not only had a catchy and engaging production but also displayed intricate songwriting; the former said it showcased Swift's "knack for narrative building" [21] and the latter deemed it one of Swift's "most introspective pieces". [13] Billboard critic Jason Lipshutz summed up that the song excelled in storytelling: "the characters and their circumstances feel instantly relatable, and the ending feels earned." [12] Olivier and Ahlgrim also lauded the production, [14] and the former particularly highlighted the "top-tier" bridge. [27] Neil McCormick of The Daily Telegraph wrote of the song: "It's the kind of dazzling songcraft and pointed delivery that reminds us that, when it comes to Swift, we should accept no substitutes." [20]
A few critics were similarly favorable but to a lesser extent. In the Los Angeles Times , Mikael Wood ranked "Is It Over Now?" fourth out of the five vault tracks and said that the song displayed Swift's accountability but "without enough of the self-flagellating wit" of her previous single "Anti-Hero" (2022). [61] D'Souza remarked that the track was one of the vault songs that "can be encumbered by their wordiness" but succeeded in producing "the kind of bittersweet gems that are Swift's specialty". [36] Adam White of The Independent considered "Is It Over Now?" one of the vault tracks that were "mid-tier Swift" but still turned out to be "some nuggets of gold". [30]
A number of publications included "Is It Over Now?" on their lists of the best songs of 2023. Callie Ahlgrim of Business Insider placed the track at number three and deemed it a "sublime distillation of Swift's ideology". [62] Rolling Stone's Rob Sheffield and Angie Martoccio ranked the song at number 5 and number 19 respectively; [63] Martoccio said that it condensed more imagery into a few minutes than an entire book a prestigious novelist could have made. [64] Billboard's Hannah Dailey listed the song at number 33 and viewed it as the highlight of 1989 (Taylor's Version). [65] i-D placed "Is It Over Now?" at number 75, [66] and GQ included it in their unranked list—the latter thought the song was "undeniable" and opined it was emblematic of a "Swift mega-smash". [67]
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2024 | iHeartRadio Music Awards | Best Lyrics | Won | [68] |
Credits are adapted from the liner notes of 1989 (Taylor's Version). [1]
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [110] | Platinum | 70,000‡ |
New Zealand (RMNZ) [111] | Gold | 15,000‡ |
United Kingdom (BPI) [112] | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format | Label(s) | Ref. |
---|---|---|---|---|
United States | October 31, 2023 | Contemporary hit radio | Republic | [38] |
November 6, 2023 | Hot adult contemporary radio | [113] | ||
Italy | November 30, 2023 | Radio airplay | Universal | [114] |
Jack Michael Antonoff is an American singer, songwriter, and record producer. Antonoff is the lead vocalist of rock band Bleachers. He was previously the guitarist and drummer for the pop rock band fun and the lead vocalist for the indie rock band Steel Train. Aside from his work with the three groups, Antonoff has been prolific in songwriting and production for various music industry acts, including Taylor Swift, Sara Bareilles, the 1975, Lorde, St. Vincent, Florence and the Machine, Lana Del Rey, Fifth Harmony, Kevin Abstract, Carly Rae Jepsen, the Chicks, Tegan and Sara, and Clairo. Antonoff is credited with impact on the sound of contemporary popular music throughout the 2010s and 2020s.
"Sweeter than Fiction" is a song by the American singer-songwriter Taylor Swift for the film One Chance (2013). Written and produced by Swift and Jack Antonoff, it was released through Big Machine Records as a promotional single from the soundtrack album on October 21, 2013. A re-recorded version of the song appears as a bonus track on the Tangerine Edition of 1989 (2023).
"Out of the Woods" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff. With lyrics inspired by a failed relationship and the ensuing anxieties that Swift experienced, "Out of the Woods" is a synth-pop song with elements of Eurodance and indietronica and features heavy synthesizers, looping drums, and layered background vocals.
"Call It What You Want" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Big Machine Records released the song for download and streaming on November 3, 2017. Swift wrote and produced "Call It What You Want" with Jack Antonoff, and the track is a mid-tempo electropop and synth-pop song with R&B-trap crossover elements. Its lyrics are about the transformative power of a romantic relationship that helps Swift cope with the tumultuous outer world.
"Lover" is a song by the American singer-songwriter Taylor Swift and the title track of her seventh studio album (2019). Swift conceived it as a timeless love song that could be played at a wedding reception; the lyrics are about an intimate and committed relationship, and the bridge draws on the bridal rhyme "Something old". Produced by Swift and Jack Antonoff, "Lover" combines country and indie folk over a waltz tempo. It has an acoustic-guitar-driven balladic production consisting of snare drums, piano, pizzicato strings, and dense reverb. Republic Records released "Lover" for download and streaming on August 16, 2019, and to US radio the next month.
"Cruel Summer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). Swift and Jack Antonoff produced the song, and they wrote it with St. Vincent. "Cruel Summer" is a synth-pop, industrial pop, and electropop song composed of synths, wobbling beats, and vocoder-manipulated vocals. The lyrics are about an intense romance during a painful summer.
"Mr. Perfectly Fine" is a song by the American singer-songwriter Taylor Swift from her first re-recorded album, Fearless (2021). It is one of the album's "From The Vault" tracks that was intended for but excluded from her second studio album, Fearless (2008). The song was released for limited-time download via Swift's website on April 7, 2021. She wrote "Mr. Perfectly Fine" in 2008, a track that incorporates wordplay and sees the narrator's heartbreak and fallout with a lover she presumed was the ideal figure for her.
"That's When" is a song by Taylor Swift featuring Keith Urban. Swift wrote the track with the Warren Brothers when she was 14 and intended to include it on her second studio album, Fearless (2008), but left it out of the track list. She and Jack Antonoff produced "That's When" for the Fearless's 2021 re-recording, Fearless .
Red (Taylor's Version) is the second re-recorded album by the American singer-songwriter Taylor Swift, released on November 12, 2021, by Republic Records. It is part of Swift's re-recording projects following the 2019 dispute over the ownership of her back catalog.
"Message in a Bottle" is a song by the American singer-songwriter Taylor Swift. It was her first writing collaboration with Max Martin and Shellback. The song was intended for but excluded from her fourth studio album, Red (2012). Shellback and Elvira Anderfjärd produced the track for Swift's re-recorded album, Red (2021). "Message in a Bottle" is a 1980s-influenced dance-pop and electropop song with lyrics about the anxiety from falling in love.
"Question...?" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. A synth-pop track, "Question...?" has lyrics where a narrator ponders on a broken relationship and confronts the ex-lover with a series of rhetorical questions. It samples Swift's own 2016 single "Out of the Woods". The song was released as a limited-time digital download from Midnights on October 25, 2022, via Swift's website.
"Bejeweled" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). She wrote and produced the song with Jack Antonoff. It is a synth-laden synth-pop and bubblegum pop track with ringing synth arpeggios and elements of disco and electronica. The lyrics are about self-worth; Swift said the lyrics were also a statement of her return to pop music with Midnights after the 2020 folk-oriented albums Folklore and Evermore. The song was released for limited-time download via Swift's website on October 25, 2022.
"Karma" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff, Sounwave, and Keanu Beats, while Jahaan Sweet co-produced it. Republic Records released the song to US radio on May 1, 2023, as the third single from Midnights. A remix featuring the American rapper Ice Spice was released on May 26, 2023, as part of an extended Midnights edition.
"You're on Your Own, Kid" is a song by the American singer-songwriter Taylor Swift, taken from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. With a production combining alternative rock, pop rock, and synth-pop sounds, "You're on Your Own, Kid" is an upbeat song with muted guitars and synthesizers that gradually build up. In the lyrics, a narrator reflects on her coming of age, on how she dealt with an unrequited love and her career ambitions.
"Snow on the Beach" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). It features the American singer-songwriter Lana Del Rey. The two wrote the track with Jack Antonoff, who also produced it with Swift. "Snow on the Beach" is a dream pop tune featuring a midtempo production consisting of synths, plucked violin, a reverbed bass, and background vocals from Del Rey. Lyrically, it is a love song about two people falling in love with each other simultaneously.
"You're Losing Me" is a song by the American singer-songwriter Taylor Swift. She wrote and produced it with Jack Antonoff. The song first appeared as a bonus track on The Late Night Edition of Swift's 2022 studio album Midnights, released by Republic Records, in May 2023. The edition was only on CD and available for in-person purchase at certain venues of the Eras Tour for a limited time, following which the song was widely shared and available on social media. It was released for streaming on November 29, 2023.
1989 (Taylor's Version) is the fourth re-recorded album by the American singer-songwriter Taylor Swift. It is a re-recording of Swift's fifth studio album, 1989 (2014), and was released on October 27, 2023, by Republic Records. The album is part of Swift's ongoing response to a 2019 dispute regarding the masters of her back catalog. It was announced at the final Los Angeles show of the Eras Tour on August 9, 2023.
"Say Don't Go" is a song by the American singer-songwriter Taylor Swift. She wrote the track with Diane Warren in 2013 for her fifth studio album, 1989 (2014), but left it out of the final track-list. Swift re-recorded the song and produced it with Jack Antonoff for 1989's re-recording, 1989 (2023). "Say Don't Go" is a new-age and pop rock power ballad with a production featuring 1980s-inspired drum beats, pizzicato arpeggios, and isolated vocal patterns. The lyrics are about a narrator attempting to maintain her unfruitful relationship.
"'Slut!'" is a song by the American singer-songwriter Taylor Swift, who wrote and produced it with Jack Antonoff and Patrik Berger. The song was intended for but ultimately left out of Swift's fifth studio album, 1989 (2014). Following a 2019 dispute regarding ownership of Swift's masters, the song was produced for Swift's re-recording of 1989, titled 1989 (2023). "'Slut!'" was released for streaming and download on October 27, 2023, via Republic Records; the same day, Universal Music released the song to Italian radio. An acoustic version was released for limited-time download as part of a deluxe digital release of the album.
"Now That We Don't Talk" is a song by the American singer-songwriter Taylor Swift. It was written by Swift for her 2014 studio album, 1989, but did not make the final track-list. She re-recorded the song and produced it with Jack Antonoff for her 2023 re-recorded album, 1989 . A synth-pop and disco song, "Now That We Don't Talk" features disco grooves, falsetto vocals, and thrumming synths. The lyrics are about contempt for an estranged ex-lover.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)