R. Luke DuBois

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R. Luke DuBois
Lukedubois.jpg
R. Luke DuBois in front of the RCA Mark II Synthesizer, 2006.
Background information
Birth nameR. Luke DuBois
Born (1975-09-10) 10 September 1975 (age 48)
Morristown, New Jersey, United States
Genres Experimental, Contemporary classical, Improvised music, Electronica, Ambient, Computer Music
Occupation(s)Composer, musician, producer, multi-instrumentalist, New Media artist
Instrument(s) Analog synthesizer, laptop, bass guitar, electric guitar
Years active1990s–present
Labels Caipirinha / Sire, Liquid Sky, Nonesuch, Cantaloupe Music, Cycling '74, Innova
Website lukedubois.com

Roger Luke DuBois (born 10 September 1975) is an American composer, performer, conceptual new media artist, programmer, record producer and pedagogue based in New York City.

Contents

Early life

DuBois was born in Morristown, New Jersey, United States, moving at age 11 to the UK, where he attended the American School in London, [1] before moving to New York City in 1993 to attend Columbia University. DuBois holds a master's (1999) and a doctorate (2003) in music composition from Columbia (studying primarily with Fred Lerdahl and Jonathan Kramer), and worked as a staff researcher at Columbia's Computer Music Center until 2008.

Academic career

DuBois has taught interactive music and video performance at a number of institutions, including Columbia, Princeton University, the School of Visual Arts, and the Music Technology and interactive telecommunications programs at New York University. In 2008 he began teaching as a full-time professor at the NYU Tandon School of Engineering, where he currently serves as co-director of the Integrated Digital Media program and director of the Brooklyn Experimental Media Center; his academic position consists of a triple appointment between the Engineering School, Music Technology, and ITP. As a graduate student at Columbia he was a contributor to Real-Time Cmix. Since 2000 he has worked for Cycling '74 on Max/MSP/Jitter.

Collaborations

DuBois has collaborated with a wide range of artists and musicians, including Elliott Sharp, Paul D. Miller, Todd Reynolds, Toni Dove, Chris Mann, Michael Joaquin Grey, Matthew Ritchie, Eric Singer, Bora Yoon, and Leroy Jenkins. He was a founding member of the Freight Elevator Quartet, and has produced records for Bang on a Can composer Michael Gordon on the Nonesuch label. His music integrates real-time performer-computer interaction with algorithmic methodologies repurposed from other fields, most notably formal grammars such as L-systems. His research into issues of musical time revolves around a technique called time-lapse phonography, as used in his piece Billboard. [2] His instrumental writing, like his artwork, is often based on techniques derived from stochastic music and data mining, using metaphors and information from cultural topics as source material in a postmodern style, as in the string quartet Hard Data, a six-movement sonification that, while its musical structure is based on the casualty stream of the Iraq War, borrows heavily from the instrumental writing of Stravinsky, Messiaen, Xenakis, and Crumb. [3]

Conceptual artist

As a conceptual artist, DuBois takes on various topics in American culture and places them under a computational microscope to raise issues relevant to information theory, perception of time, canonicity, and gaze. For example, his trio of pieces on gestalt media, Academy, Billboard, and Play, look at three iconic cultural "canons" in American popular culture (the Academy Awards, the Billboard Hot 100, and Playboy magazine's Playmate of the Month). [4] His piece Hindsight is Always 20/20, based on a statistical analysis of presidential State of the Union addresses, uses computational means as a lens into the politics of political rhetoric. [5] Fashionably Late for the Relationship, his feature-length collaboration with performance artist Lián Amaris, uses the radical time-compression of a 72-hour film of a performance to deconstruct romantic obsession. [6] For his large-scale artwork A More Perfect Union, DuBois joined 21 different online dating sites and constructed a census of the United States based on an analysis of the profiles of 19 million single Americans; shown as a series of colored and relabeled maps, the work investigates the lexicon of American self-identity in the 21st century. [7]

Art and exhibitions

His work is represented by bitforms gallery in New York City, and has been exhibited worldwide, including at the 2007 Sundance Film Festival and the 2008 Democratic National Convention. In January 2014 R. Luke DuBois—Now opened at the Ringling Museum of Art. This first solo museum exhibition, [8] organized by curator Matthew McLendon, surveyed DuBois's output over the previous decade, and included performance, video, public installation, and generative works. [9] The exhibition went on to the Orange County Museum of Art the following year and the Bowdoin College Museum of Art in 2016. In December 2016 Hyperallergic named R. Luke DuBois—Now one of the top 15 exhibitions in the United States. [10]

Before becoming a well-known Laptop musician, DuBois did most of his improvisation and performance on Buchla and Serge modular synthesizers.

Awards and recognition

In 2013 DuBois was awarded an honorary Doctor of Humane Letters by Goucher College. [11] He was named the inaugural artist for the Times Square Residency at the CrossRoads Program [12] in 2015 and was a speaker for TED 2016. [13] In 2018 the Cooper Hewitt, Smithsonian Design Museum commissioned DuBois and Zach Lieberman to represent the United States in the London Design Biennale. The projects developed for that exhibition, Face Values, received the jury medal for "most inspiring interpretation of the 2018 theme". [14]

Personal life

DuBois is the younger brother of photographer Doug DuBois.

Notable works

Discography

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References

  1. ↑ Marsha Vdovin (2007). "A Video and Text Interview with Luke DuBois, educator and musician". Cycling'74. Retrieved 4 February 2013.
  2. ↑ Alexander Gelfand (2007). "The Sounds of Science". The Walrus. Archived from the original on 22 November 2011. Retrieved 18 June 2011.
  3. ↑ R. Luke DuBois (2008). "Hard Data" (PDF). Program Note. Retrieved 11 April 2011.[ permanent dead link ]
  4. ↑ Interview (2006). "Sundance Features". The Reeler. Retrieved 23 January 2008.
  5. ↑ The UnConvention Blog (2008). "Hindsight is Always 20/20". The UnConvention. Retrieved 23 January 2008.
  6. ↑ Campbell Robertson (9 July 2007). "She's Got a Date and Only 72 Hours to Prepare". The New York Times. Retrieved 23 January 2008.
  7. ↑ Eric Molinsky (8 April 2011). "A More Perfect Union". Studio 360 / Public Radio International. Retrieved 9 April 2011.
  8. ↑ Ringling Museum (5 May 2014). "R. Luke DuBois – Now". Ringling Museum. Retrieved 1 April 2016.
  9. ↑ Hilarie M. Sheets (9 January 2014). "Portraits from Clips and Bytes". The New York Times. Retrieved 1 April 2016.
  10. ↑ Vartanian, Hrag (29 December 2016). "Best of 2016: Our Top 15 Exhibitions Across the United States". Hyperallergic. Retrieved 9 January 2017.
  11. ↑ "2013 Graduate Programs Commencement". Goucher College. 4 August 2013. Retrieved 18 September 2013.
  12. ↑ Times Square Arts (15 May 2015). "Bringing Artists Back to Times Square". Times Square Alliance. Retrieved 1 April 2016.
  13. ↑ "R. Luke DuBois". ted.com. Retrieved 19 May 2016.
  14. ↑ Cooper-Hewitt Smithsonian Design Museum (4 September 2018). "COOPER HEWITT, SMITHSONIAN DESIGN MUSEUM RECEIVES LONDON DESIGN BIENNALE 2018 EMOTIONAL STATES MEDAL". Cooper-Hewitt Smithsonian Design Museum. Retrieved 5 August 2020.
  15. ↑ "Fashionably Late for the Relationship". Fashionably Late for the Relationship. Retrieved 31 October 2012.
  16. ↑ "HINDSIGHT IS ALWAYS 20/20". HINDSIGHT IS ALWAYS 20/20. Retrieved 31 October 2012.
  17. ↑ "harddata". Turbulence.org. Archived from the original on 18 October 2012. Retrieved 31 October 2012.
  18. ↑ "Archive-it Wayback".
  19. ↑ "Moments Of Inertia". Turbulence.org. Archived from the original on 18 October 2012. Retrieved 31 October 2012.
  20. ↑ "A More Perfect Union". Perfect.lukedubois.com. Archived from the original on 17 September 2012. Retrieved 31 October 2012.
  21. ↑ "The Marigny Parade". The Marigny Parade. Archived from the original on 31 August 2012. Retrieved 31 October 2012.
  22. ↑ from R. Luke DuBois Plus 5 months ago (3 May 2012). "Vertical Music on Vimeo" . Retrieved 31 October 2012– via Vimeo.{{cite web}}: CS1 maint: numeric names: authors list (link)
  23. ↑ "Learning Machine #1: Values". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
  24. ↑ "Learning Machine #2: Image". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
  25. ↑ "Learning Machine #3: Sound". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
  26. ↑ "Learning Machine #4: Language". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
  27. ↑ "Learning Machine #5: Symbols". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
  28. ↑ "The Choice Is Yours: Exit Poll". project page on the Bitforms Gallery website. Retrieved 20 October 2018.
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