Velveteen (or velveret) is a type of cloth made to imitate velvet. Normally cotton, the term is sometimes applied to a mixture of silk and cotton. Some velveteens are a kind of fustian, having a rib of velvet pile alternating with a plain depression. [1] This fabric has a pile that is short (never more than 3 mm deep) and is closely set. It has a firm hand and a slightly sloping pile. Compared to true velvet, velveteen has greater body, does not drape as easily, and has less sheen. [2] [3]
Historically, the velveteen trade varied with the fashions that controlled the production of velvet. [1]
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
Velvet is a type of woven tufted fabric in which the cut threads are evenly distributed, with a short pile, giving it a distinctive soft feel. By extension, the word velvety means "smooth like velvet". In the past, velvet was typically made from silk. Today, velvet can be made from linen, cotton, wool and synthetic fibers.
Replica plating is a microbiological technique in which one or more secondary Petri plates containing different solid (agar-based) selective growth media are inoculated with the same colonies of microorganisms from a primary plate, reproducing the original spatial pattern of colonies. The technique involves pressing a velveteen-covered disk, and then imprinting secondary plates with cells in colonies removed from the original plate by the material. Generally, large numbers of colonies are replica plated due to the difficulty in streaking each out individually onto a separate plate.
Velour or velours is a plush, knitted fabric or textile similar to velvet or velveteen. It is usually made from cotton, but can also be made from synthetic materials such as polyester. Velour is used in a wide variety of applications, including clothing and upholstery.
Plush is a textile having a cut nap or pile the same as fustian or velvet. Its softness of feel gave rise to the adjective "plush" to describe something soft or luxurious, which was extended to describe luxury accommodation, or something rich and full. This has also been known to be described as früh, or middlefrüh in more affordable varieties.
Corduroy is a textile with a distinctively raised "cord" or wale texture. Modern corduroy is most commonly composed of tufted cords, sometimes exhibiting a channel between them. Both velvet and corduroy derive from fustian fabric. Corduroy looks as if it is made from multiple cords laid parallel to each other.
A bathrobe, also known as a housecoat or a dressing gown, is a loose-fitting outer garment worn by people, often after washing the body or around a pool. A bathrobe is considered to be very informal clothing, and is not worn with everyday clothes.
Flocking is the process of depositing many small fiber particles onto a surface. It can also refer to the texture produced by the process, or to any material used primarily for its flocked surface. Flocking of an article can be performed for the purpose of increasing its value in terms of the tactile sensation, aesthetics, color and appearance. It can also be performed for functional reasons including insulation, slip-or-grip friction, retention of a liquid film, and low reflectivity.
Fustian is a variety of heavy cloth woven from cotton, chiefly prepared for menswear. It is also used figuratively to refer to pompous, inflated or pretentious writing or speech, from at least the time of Shakespeare. This literary use is because the cloth type was often used as padding, hence, the purposeless words are fustian.
Pile weave is a form of textile created by weaving. This type of fabric is characterized by a pile—a looped or tufted surface that extends above the initial foundation, or 'ground' weave. The pile is formed by supplemental yarn running in the direction of the length of the fabric or the width of the fabric. Pile weaves include velvet and corduroy fabrics and machine-woven Berber carpets.
Moquette, derived from the French word for carpet, is a type of woven pile fabric in which cut or uncut threads form a short dense cut or loop pile. As well as giving it a distinctive velvet-like feel, the pile construction is particularly durable, and ideally suited to applications such as public transport. Its upright fibres form a flexible, non-rigid surface, which are constantly displaced to give durability and anti-stain benefits. Traditional moquette fabrics are made from a wool nylon face with an interwoven cotton backing.
Anatolian rug is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions. Geographically, its area of production can be compared to the territories which were historically dominated by the Ottoman Empire. It denotes a knotted, pile-woven floor or wall covering which is produced for home use, local sale, and export. Together with the flat-woven kilim, Anatolian rugs represent an essential part of the regional culture, which is officially understood as the Culture of Turkey today, and derives from the ethnic, religious and cultural pluralism of one of the most ancient centres of human civilisation.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
The dress of the Armenians, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
Pile is the raised surface or nap of a fabric, consisting of upright loops or strands of yarn. Examples of pile textiles are carpets, corduroy, velvet, plush, and Turkish towels. The word is derived from Latin pilus for "hair".
Primarily, nap is the raised (fuzzy) surface on certain kinds of cloth, such as velvet or moleskin. Nap can refer additionally to other surfaces that look like the surface of a napped cloth, such as the surface of a felt or beaver hat.
In textile manufacturing, finishing refers to the processes that convert the woven or knitted cloth into a usable material and more specifically to any process performed after dyeing the yarn or fabric to improve the look, performance, or "hand" (feel) of the finish textile or clothing. The precise meaning depends on context.
Mockado is a woollen pile fabric made in imitation of silk velvet from the mid-sixteenth century. Mockado was usually constructed with a woollen pile on a linen or worsted wool warp and woollen weft, although the ground fabric could be any combination of wool, linen, and silk. Mockado was used for furnishings and carpeting, and also for clothing such as doublets, farthingales, and kirtles.
Shearing is a kind of mechanical finish in which the appearance of the fabric is enhanced by cutting the loops or raised surface to a uniform and even height. The machine may have a spiral blade similar to a grass cutting machine. A Shearing machine can cut the loop or the pile to a desired level. Shearing was most commonly used to make woolens and worsted materials. It was a part of dry finishing of woolen and worsted goods. Previously, shearing was also a component of gigging or napping; when partially produced goods were exposed to shear in order to improve the impact of gigging or napping, the process was referred to as "cropping."