There are 72 Grade II* listed buildings in the city of Brighton and Hove, England. The city, on the English Channel coast approximately 52 miles (84 km) south of London, was formed as a unitary authority in 1997 by the merger of the neighbouring towns of Brighton and Hove. Queen Elizabeth II granted city status in 2000.
Mathematical tiles are tiles which were used extensively as a building material in the southeastern counties of England—especially East Sussex and Kent—in the 18th and early 19th centuries. They were laid on the exterior of timber-framed buildings as an alternative to brickwork, which their appearance closely resembled. A distinctive black variety with a glazed surface was used on many buildings in Brighton from about 1760 onwards, and is considered a characteristic feature of the town's early architecture. Although the brick tax (1784–1850) was formerly thought to have encouraged use of mathematical tiles, in fact the tiles were subject to the same tax.
As of February 2001, there were 1,124 listed buildings with Grade II status in the English city of Brighton and Hove. The total at 2009 was similar. The city, on the English Channel coast approximately 52 miles (84 km) south of London, was formed as a unitary authority in 1997 by the merger of the neighbouring towns of Brighton and Hove. Queen Elizabeth II granted city status in 2000.
Brighton and Hove, a city on the English Channel coast in southeast England, has a large and diverse stock of buildings "unrivalled architecturally" among the country's seaside resorts. The urban area, designated a city in 2000, is made up of the formerly separate towns of Brighton and Hove, nearby villages such as Portslade, Patcham and Rottingdean, and 20th-century estates such as Moulsecoomb and Mile Oak. The conurbation was first united in 1997 as a unitary authority and has a population of about 253,000. About half of the 20,430-acre (8,270 ha) geographical area is classed as built up.
Thomas Lainson, FRIBA was a British architect. He is best known for his work in the East Sussex coastal towns of Brighton and Hove, where several of his eclectic range of residential, commercial and religious buildings have been awarded listed status by English Heritage. Working alone or in partnership with two sons as Lainson & Sons, he designed buildings in a wide range of styles, from Neo-Byzantine to High Victorian Gothic; his work is described as having a "solid style, typical of the time".
The Pelham Institute is a former working men's club and multipurpose social venue in the Kemptown area of Brighton, part of the English coastal city of Brighton and Hove. Built in 1877 by prolific local architect Thomas Lainson on behalf of the Vicar of Brighton, the multicoloured brick and tile High Victorian Gothic building catered for the social, educational and spiritual needs of the large working-class population in the east of Brighton. After its closure it hosted a judo club, but is now in residential use as flats owned by a housing association. English Heritage has listed the building at Grade II for its architectural and historical importance.
Round Hill is an inner suburban area of Brighton, part of the coastal city of Brighton and Hove in England. The area contains a mix of privately owned and privately rented terraced housing, much of which has been converted for multiple occupancies, and small-scale commercial development. It was developed mostly in the late 19th century on an area of high land overlooking central Brighton and with good views in all directions, the area became a desirable middle-class suburb—particularly the large terraced houses of Roundhill Crescent and Richmond Road, and the exclusive Park Crescent—and within a few decades the whole of the hill had been built up with smaller terraces and some large villas.
Roundhill Crescent is a late-19th-century housing development in Round Hill, an inner suburb of the English coastal city of Brighton and Hove. Partly developed in the 1860s with large terraced houses on a steeply sloping open hillside, the crescent—which "curves and changes height dramatically along its length"—was finished two decades later and now forms the centrepiece of the Round Hill conservation area. Smaller houses completed the composition in the 1880s, and England's first hospital for the treatment of mental illness was founded in the crescent in 1905. The five original sets of houses from the 1860s have been listed at Grade II by English Heritage for their architectural and historical importance, and the crescent occupies a prominent place on Brighton's skyline.
John Leopold DenmanFRIBA was an architect from the English seaside resort of Brighton, now part of the city of Brighton and Hove. He had a prolific career in the area during the 20th century, both on his own and as part of the Denman & Son firm in partnership with his son John Bluet Denman. Described as "the master of ... mid-century Neo-Georgian", Denman was responsible for a range of commercial, civic and religious buildings in Brighton, and pubs and hotels there and elsewhere on the south coast of England on behalf of Brighton's Kemp Town Brewery. He used other architectural styles as well, and was responsible for at least one mansion, several smaller houses, various buildings in cemeteries and crematoria, and alterations to many churches. His work on church restorations has been praised, and he has been called "the leading church architect of his time in Sussex"; he also wrote a book on the ecclesiastical architecture of the county.
The building at 20–22 Marlborough Place in the seaside resort of Brighton, part of the city of Brighton and Hove, is a 1930s office building originally erected for the Citizens' Permanent Building Society. The "elegant" Neo-Georgian premises were later occupied by a branch of the Allied Irish Bank, which opened in the 1980s; and in 2022 it was announced that the premises would be converted into a restaurant. Designed by John Leopold Denman, "master of this sort of mid-century Neo-Georgian", the three-storey offices contrast strikingly with their contemporary neighbour, the elaborate King and Queen pub. The building features a series of carved reliefs by Joseph Cribb depicting workers in the building trade—including one showing Denman himself. It is a Grade II Listed building.
Montpelier is an inner suburban area of Brighton, part of the English city and seaside resort of Brighton and Hove. Developed together with the adjacent Clifton Hill area in the mid-19th century, it forms a high-class, architecturally cohesive residential district with "an exceptionally complete character". Stucco-clad terraced housing and villas predominate, but two of the city's most significant Victorian churches and a landmark hospital building are also in the area, which lies immediately northwest of Brighton city centre and spreads as far as the ancient parish boundary with Hove.
Montpelier Crescent is a mid 19th-century crescent of 38 houses in the Montpelier suburb of the English coastal city of Brighton and Hove. Built in five parts as a set-piece residential development in the rapidly growing seaside resort, the main part of the crescent was designed between 1843 and 1847 by prominent local architect Amon Henry Wilds and is one of his most distinctive compositions. Extra houses were added at both ends of the crescent in the mid-1850s. Unlike most other squares, terraces and crescents in Brighton, it does not face the sea—and the view it originally had towards the South Downs was blocked within a few years by a tall terrace of houses opposite. Montpelier was an exclusive and "salubrious" area of Brighton, and Montpelier Crescent has been called its "great showpiece". Wilds's central section has been protected as Grade II* listed, with the later additions listed separately at the lower Grade II. The crescent is in one of the city's 34 conservation areas, and forms one of several "outstanding examples of late Regency architecture" within it.
Vernon Terrace is a mid 19th-century residential development in the Montpelier suburb of Brighton, part of the English coastal city of Brighton and Hove. Construction of the first section started in 1856, and the 37-house terrace was complete in the early 1860s. Architecturally, the houses divide into five separate compositions, although all are in a similar late Regency/Italianate style. This was characteristic of houses of that era in Brighton, and especially in the Montpelier area—where the Regency style persisted much later than elsewhere. Standing opposite is the landmark Montpelier Crescent, which had a view of the South Downs until Vernon Terrace blocked it. Three groups of houses in the terrace have been listed at Grade II by English Heritage for their architectural and historical importance.
Clayton & Black were a firm of architects and surveyors from Brighton, part of the English city of Brighton and Hove. In a career spanning the Victorian, Edwardian and interwar eras, they were responsible for designing and constructing an eclectic range of buildings in the growing town of Brighton and its neighbour Hove. Their work encompassed new residential, commercial, industrial and civic buildings, shopping arcades, churches, schools, cinemas and pubs, and alterations to hotels and other buildings. Later reconstituted as Clayton, Black & Daviel, the company designed some churches in the postwar period.
The First Church of Christ, Scientist is a church serving members of the Church of Christ, Scientist denomination in the English coastal city of Brighton and Hove. The present building, originally a "notable" private house in Brighton's exclusive Montpelier suburb, was extended and converted into a church by prolific local architecture firm Clayton & Black in 1921.
The King and Queen is a pub in the seaside resort of Brighton, part of the city of Brighton and Hove. The present building, a "striking" architectural "pantomime" by the prolific local firm Clayton & Black, dates from the 1930s, but a pub of this name has stood on the site since 1860—making it one of the first developments beyond the boundaries of the ancient village. This 18th-century pub was, in turn, converted from a former farmhouse. Built using materials characteristic of 16th-century Vernacular architecture, the pub is in the Mock Tudor style and has a wide range of extravagant decorative features inside and outside—contrasting with the simple design of the neighbouring offices at 20–22 Marlborough Place, designed a year later. English Heritage has listed the pub at Grade II for its architectural and historical importance.
Palmeira Square is a mid-19th-century residential development in Hove, part of the English city and seaside resort of Brighton and Hove. At the southern end it adjoins Adelaide Crescent, another architectural set-piece which leads down to the seafront; large terraced houses occupy its west and east sides, separated by a public garden; and at the north end is one of Hove's main road junctions. This is also called Palmeira Square, and its north side is lined with late 19th-century terraced mansions. Commercial buildings and a church also stand on the main road, which is served by many buses.
Adelaide Crescent is a mid-19th-century residential development in Hove, part of the English city and seaside resort of Brighton and Hove. Conceived as an ambitious attempt to rival the large, high-class Kemp Town estate east of Brighton, the crescent was not built to its original plan because time and money were insufficient. Nevertheless, together with its northerly neighbour Palmeira Square, it forms one of Hove's most important architectural set-pieces. Building work started in 1830 to the design of Decimus Burton. The adjacent land was originally occupied by "the world's largest conservatory", the Anthaeum; its collapse stopped construction of the crescent, which did not resume until the 1850s. The original design was modified and the crescent was eventually finished in the mid-1860s. Together with the Kemp Town and Brunswick Town estates, the crescent is one of the foremost pre-Victorian residential developments in the Brighton area: it has been claimed that "outside Bath, [they] have no superior in England". The buildings in the main part of Adelaide Crescent are Grade II* listed. Some of the associated buildings at the sea-facing south end are listed at the lower Grade II.
2–3 Pavilion Buildings in Brighton is a former office building which has been converted into a bar. It was constructed in 1934 as the new head office of the Brighton & Hove Herald, a "leading provincial weekly" newspaper serving the borough and seaside resort of Brighton and its neighbour Hove in southeast England. The Neo-Georgian offices were built to the design of prolific local architect John Leopold Denman and feature decorative carvings by Joseph Cribb. After production of the Herald ceased in the 1970s, the building was used by an insurance company and then as a bar. A firm of insolvency practitioners also occupies part of the premises. Vestigial remains of the neighbouring Royal Pavilion's guest bedrooms were incorporated into the building's rear elevation. The building is on Brighton and Hove City Council's Local List of Heritage Assets and is in a conservation area.
